2 syllables: Zom, bies. Stress on Zom.
ZAHM-beez
/ˈzɑmbiz/
Zombies is pronounced ZAHM-beez (/ˈzɑmbiz/). It has two syllables (Zom-bies), with the stress on "Zom". Zombies is a plural noun referring to reanimated corpses typically depicted in fiction, or a person who seems lifeless or unresponsive. In modern usage, it also describes mindless, routine followers or enthusiasts. The term carries combination of horror imagery and pop culture relevance, often used metaphorically to describe social or cultural lethargy.
nounZombies is a plural noun referring to reanimated corpses typically depicted in fiction, or a person who seems lifeless or unresponsive. In modern usage, it also describes mindless, routine followers or enthusiasts. The term carries combination of horror imagery and pop culture relevance, often used metaphorically to describe social or cultural lethargy.
"The city was invaded by zombies in the film, creating a tense chase scene."
"Many fans binge-watched the zombie series for hours, turning into virtual zombies."
"He felt like a zombie after staying up all night, stumbling through the morning."
Zombies is pronounced /ˈzɒm.biːz/ in US/UK/AU. The primary stress sits on the first syllable: ZOM-. Focus on the /ɒ/ vowel in the first syllable, like 'hot' without lengthening. The second syllable is a long /biːz/ with a clear /iː/ and final z-voicing. In careful speech, enunciate the /m/ and /b/ as separate phonemes rather than blending them.
Common errors include softening the /z/ at the end into a voiceless s, or misplacing the vowel in the first syllable, making it /ˈzæm.biːz/ or /ˈzuːm.biːz/. Another frequent slip is de-emphasizing the first syllable, producing a weak-stressed ZOm-bi-es pattern. Correction: keep primary stress on ZOM-, ensure the first vowel is /ɒ/ as in 'not' (British) or /ɑ/ near American general, and finish with a voiced /z/ so the last sound is /z/ rather than /s/.
In US English, /ˈzɒm.biːz/ leans toward a more open back /ɒ/ and a clear long /iː/ before z. UK English often uses /ˈzɒm.biːz/ with similar /ɒ/ vowel but may pronounce the second syllable with less length, keeping /biːz/. Australian typically aligns with /ˈzɒm.biːz/ but exhibits less rhoticity in some regional varieties; vowel quality in both /ɒ/ and /iː/ tends toward clipped, less rounded articulation. In all, the primary stress remains on ZOM-, with a final voiced z.
The challenge lies in starting with a strong /z/ onset and maintaining a clear /ɒ/ in the first syllable while transitioning to a long /iː/ in the second syllable, before ending with a voiced /z/. Rapid speech can compress /ɒ/ to a schwa-like sound, causing misalignment of syllable stress. Additionally, the cluster /mb/ in the middle can tempt listeners to blend /m/ and /b/ or mispronounce the /b/ as /p/. Practice emphasizes distinct lip closure and timing between syllables.
The plural form zombies adds /-z/ ending after the /biːz/ syllable, which can be misheard as /-s/ in fast speech. The key is voicing; ensure the final consonant is voiced /z/ rather than voiceless /s/. Also, the /mb/ sequence in the middle can influence preceding vowel length; keeping a crisp /m/ followed by /b/ helps maintain the intended rhythm and prevents the judge-like 'm' carryover into the /b/.
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- US: rhoticity is strong in other contexts; Zombies remains /ˈzɒm.biːz/ with clear /ɑ/ (US often /ɒ/ as /ɑ/ or /ɑː/). - UK: tends to a clear /ɒ/ and longer /iː/ before z; maintain non-rhoticity where applicable. - AU: similar to UK, with a slightly flatter vowel in /ɒ/ and mild intonation differences; practice linking the final /z/ to following words for natural rhythm. IPA references anchor the vowels and final consonant voicing.
Zombies traces its modern sense to Haitian Vodou in which a sorcerer or bokor is said to raise the dead. The word entered English via Haitian Creole zombie, with roots in the West African languages that contributed to Caribbean religious and folk beliefs. The term gained a new cultural velocity in the 20th century, notably with the 1929 short story The Magic Island by William Seabrook, which popularized the zombie as a docile, hypnotized person rather than a revenant. In the late 1960s, George A. Romero's Night of the Living Dead reframed zombies as undead predators, cementing the modern horror archetype and adding the usage of zombie to denote a mass, mindless crowd. Over decades, zombie-themed media expanded beyond horror into satire, gaming, and literary fiction, with plural form zombies solidifying as the standard English plural. The etymology reflects a fusion of linguistic heritage from African Diaspora cultures and American horror cinema, evolving from folklore to a mass cultural figure recognized worldwide.
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Words that rhyme with "Zombies"
-ies sounds
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