2 syllables: To, wards. Stress on wards.
tuh-WAWRDZ
/təˈwɔɹdz/
Towards is pronounced tuh-WAWRDZ (/təˈwɔɹdz/). It has two syllables (To-wards), with the stress on "wards". Towards is a preposition meaning in the direction of something or toward a goal, often implying movement or attitude oriented to something. It can also function as an adverb in phrases like “turn toward.” The word carries a subtle meaning of proximity or aim and is common in both American and British English. Usage varies slightly by register, but it remains a versatile, everyday term in many contexts.
prepositionTowards is a preposition meaning in the direction of something or toward a goal, often implying movement or attitude oriented to something. It can also function as an adverb in phrases like “turn toward.” The word carries a subtle meaning of proximity or aim and is common in both American and British English. Usage varies slightly by register, but it remains a versatile, everyday term in many contexts.
- Mispronounce as /ˈtɔːrd/ or with a clipped final /s/; fix by ensuring the final /z/ is voiced and connected to the /d/. - Underemphasize the second syllable; you want stress on the /wɔrd/ chunk, not the initial schwa. Practice balancing syllables so /tə/ remains light and /ˈwɔrd/ carries weight. - Skip linking; in natural speech, /d/ and /z/ blend into /dz/. Work on gradually merging /d/ into the final /z/ rather than releasing them separately.
Tips: record yourself saying /təˈwɔrdz/, then compare to a native sample; exaggerate the /d/ to feel the blend into /z/. Practice with minimal pairs that highlight the end cluster, like /wɔrdz/ vs /wɔrdəs/ to hear the right voicing. Focus also on the initial vowel; keep a short, controlled schwa rather than a full /o/.
"She walked towards the gate, hoping to catch the last bus."
"A shift in policy was aimed towards reducing emissions."
"The discussion moved towards a resolution after several hours."
Pronounce as /təˈwɔrdz/ (US) or /təˈwɔːdz/ (UK/Australia) with secondary stress patterns typical of prepositional chunks. Start with a soft, almost unstressed /tə/ (schwa-like), then a clear stressed /ˈwɔrd/ segment, ending with a voiced z /z/ in connected speech. Ensure your lips form a rounded central vowel on /ɔ/ and that the final /dz/ blends, not separated. Try saying it slowly: tuh-WORDZ, then speed up to natural connected speech. Listen for the minimal stress on the second syllable and the voice leading into /d/ before /z/. Audio reference: [associate with pronunciation tools or a native speaker sample].
Common errors include treating it as two separate words with a hard /t/ at the start and an unvoiced final /s/; another is dropping the final /z/ sound in rapid speech, producing /təˈwɔrd/ or /təˈwɔːd/. A third frequent slip is not achieving the proper vowel quality for /ɔ/ in stressed syllable, giving a lax /o/ or /a/ sound. Correct by aiming for a clear, reduced first syllable, a full mid-back vowel /ɔ/ in stressed syllable, and a voiced final /z/. Practice with connected speech to ensure the /d/ fully engages before /z/.
In US English you’ll typically hear /təˈwɔrdz/ with a rhotic /r/ in the stressed syllable and a crisp /dz/ ending. UK and AU varieties often use /təˈwɔːdz/ or /təˈwɔːdz/ (non-rhotic in some UK dialects, but many speakers still voice the final cluster with a soft /dz/). Australians usually keep a rounded /ɔː/ vowel and maintain the final voiced /z/. The primary differences lie in /r/ rhoticity, vowel length, and the quality of /ɔ/: US often shorter and rhotic, UK/AU longer with more rounded back vowels.
The challenge comes from the combination of a reduced initial syllable and a voiced consonant cluster at the end. The /t/ is often unreleased in fast speech, the /ə/ can become a schwa, the stressed /ˈwɔrd/ must maintain a clear back rounded vowel, and the final /z/ must be voiced and linked to the preceding /d/ in fluent speech. Mastery requires practicing the sequence /təˈwɔrdz/ with controlled aspiration, voicing, and smooth linking.
There is no silent letter in the standard pronunciation of "towards." Every letter contributes to a single cohesive syllable arrangement: /təˈwɔrdz/. The 's' spelling at the end is pronounced as a voiced /z/ in connected speech, often blended with the preceding /d/ to produce /dz/. Some speakers may lightly devoice the final /z/ in very cautious speech, but the canonical form retains the voiced ending.
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- US: rhotic /r/ in the stressed syllable; keep /ˈwɔrd/ with a more compact vowel and a clear final /z/. - UK: non-rhotic tendencies may soften /r/ and lengthen /ɔː/; still honor the /dz/ ending by voicing it. - AU: generally rhotic with a broad /ɔː/; keep final /z/ strong but naturally connected to /d/?; front vowels remain rounded. Reference IPA: /təˈwɔrdz/ (US), /təˈwɔːdz/ (UK/AU). - Mouth positions: for /t/ release, avoid aspirating too heavily in rapid speech; for /ə/, relax jaw; /ˈwɔːr/ requires rounding lips but not protrusion; /dz/ requires a brief voicing transition from /d/ to /z/. - Vowel length: UK/AU may show a slightly longer /ɔː/ in careful speech. - Stress: secondary stress or emphasis tends to be minimal; keep primary stress on /ˈwɔrd/.
Towards comes from Middle English toward(e)s, formed by the combination of the preposition toward + the suffix -es, used to indicate direction or proximity. The root is the Old English toweard, from to (toward, in the direction of) + -weard (toward, in the direction of) related to the Proto-Germanic *tawa(r)wido, with cognates in Dutch naar and German zuward. The sense evolved from indicating literal movement toward a place to broader figurative directions such as attitudes, policies, or aims. By the early modern period, toward(es) had solidified as a standard preposition in both British and American varieties, with the pronunciation shifting slightly over time (notably the vowel quality in some dialects). In modern usage, spelled “towards” preferentially in British English and “toward” in American English, though both forms are widely understood and accepted in many contexts. The word remains one of the most common directional prepositions in everyday speech and writing, retaining its general sense of orientation toward a target or goal.
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Words that rhyme with "Towards"
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