4 syllables: Sur, rep, ti, tious. Stress on ti.
sur-uhp-TISH-uhs
/ˌsɝəˈptɪʃəs/
Surreptitious is pronounced sur-uhp-TISH-uhs (/ˌsɝəˈptɪʃəs/). It has four syllables (Sur-rep-ti-tious), with the stress on "ti". Surreptitious (adj.): kept secret, especially because it would not be approved of. Done or acting in a stealthy or sneaky way, often to avoid detection or disclosure. The term denotes concealment or clandestine behavior more than merely private actions, implying deliberate subterfuge.
nounSurreptitious (adj.): kept secret, especially because it would not be approved of. Done or acting in a stealthy or sneaky way, often to avoid detection or disclosure. The term denotes concealment or clandestine behavior more than merely private actions, implying deliberate subterfuge.
"She glanced around before slipping the note into her pocket, a surreptitious gesture."
"The company conducted a surreptitious audit to avoid tipping off the public."
"His surreptitious meetings with competitors raised questions about ethics."
Pronounce surreptitious as /ˌsɜːrəpˈtiːʃəs/ (US) or /ˌsɜːrəpˈtiːʃəs/ (UK). Start with 'sur' sounding like 'sir' but with a schwa, then a quick 'rep' with a rolled 'r' if possible, followed by the stress on 'ti' yielding a long 'ee' sound, and end with 'ous' as 'əs'. The primary stress is on the third syllable: sur-rep-TI-tious. Practice with a pause before the peak: sur-rep-TI-tious. Audio reference: you can compare with recordings on Forvo or YouGlish to hear natural stress placement.
Common errors include misplacing stress (treating it as sul-REPT-itious), mispronouncing the 'sur-' as 'soo-REHP' or 'suh-REH', and flattening the final 'tious' to 'shus' or 'shus' instead of 'ti-əs'. The correct sequence is sur-rep-TI-tious with a clear 'ti' as a long 'ee' and an unstressed final 'ous' as 'əs'. Practice emphasizing the second-to-last syllable and keeping the 'ti' as a crisp 'tee' before the final schwa.
US and UK share the same primary stress pattern, but vowel quality differs: US often has a more pronounced rhoticity affecting the preceding 'r' color, while the UK tends toward a shorter, less rhotic 'r' in non-rhotic varieties. Australian tends to flatten vowels slightly and may reduce the second syllable 're' toward a more neutral schwa, with a more open or diphthongal 'ti' and a clipped final '-ous'. All share the /ˌsɜːrəpˈtiːʃəs/ backbone, but subtle vowel shifts occur in rapid speech.
It combines a multi-syllabic rhythm with a non-intuitive 'sur-' onset and a long mid-stress on 'TI,' plus a final '-tious' that yields /-tiːʃəs/ rather than a simple '-tious'. The sequence /ˌsɜːrəp/ involves a light, reduced second syllable and a mix of t-d,g-like consonants that trip learners, especially when transitions are rapid in natural speech. Practicing the three-stress point and the 'ti' as a distinct long vowel helps lock the pronunciation.
A distinctive feature is the long 'ee' sound in the penultimate syllable: /ˌsɜːrəpˈtiːʃəs/. The 'ti' is not 'tʃ' (as in 'press'), but a crisp 'tee' as in 'tea'. The initial 'sur-' should be lightly stressed with a schwa-like vowel, not a full 'sir' or 'sure' as in other words. Keep the 'r' soft in non-rhotic accents and avoid adding an extra syllable after '-ti-'. IPA and careful articulation clarify this pattern.
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Surreptitious comes from the Latin surrepticius, formed from surreptus, the past participle of surreptire meaning 'to snatch secretly.' The root sur- means 'over, from above' in other contexts, but here it's linked to the notion of something stolen away by stealth. The verb surreptire itself derives from sub- 'under' + rapere 'to seize.' The Latin term emerged in English through legal and literary usage in the late 16th century, originally tied to secretive seizure or misappropriation. Over time, surreptitious broadened to describe actions, devices, or methods conducted in secrecy to avoid detection, not necessarily illegal but often ethically dubious. By the 19th and 20th centuries, surreptitious had become a staple descriptor for covert behavior in both formal and colloquial registers, retaining a negative connotation of concealment. The word travels across languages with near-identical roots in romance languages (French: surreptice; Spanish: subrepticio) and retains its crisp nuance of stealth and subterfuge in modern English. First known use in English literature appears around the late 16th century, attributed to writers observing discreet or illicit concealment, whether in politics, romance, or journalism. In contemporary usage, surreptitious often collocates with actions (surreptitious glances, surreptitious recordings) and with descriptors like stealthy, clandestine, and covert, underscoring intent and concealment rather than mere secrecy.
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Words that rhyme with "Surreptitious"
-ous sounds
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