2 syllables: St. Vi, tus' Dance. Stress on tus' Dance.
saynt-VEYE-tuhs-dans
/seɪnt ˈvaɪtəs dæns/
St. Vitus' Dance is pronounced saynt-VEYE-tuhs-dans (/seɪnt ˈvaɪtəs dæns/). It has two syllables (St. Vi-tus' Dance), with the stress on "tus' Dance". As a noun, a historical medical condition characterized by involuntary, rapid, dance-like movements, historically linked to Saint Vitus. It is now understood as a manifestation of disorders such as encephalitis or Sydenham's chorea. The term is often used metaphorically to describe any uncontrollable, jittery behavior.
nounA historical medical condition characterized by involuntary, rapid, dance-like movements, historically linked to Saint Vitus. It is now understood as a manifestation of disorders such as encephalitis or Sydenham's chorea. The term is often used metaphorically to describe any uncontrollable, jittery behavior.
"The 14th-century text describes St. Vitus' Dance as a form of holy madness in which sufferers shook uncontrollably."
"Modern doctors might diagnose a patient with Sydenham's chorea rather than attributing symptoms to St. Vitus' Dance."
"The phrase survives in literature and music as a symbol of frenzy and uncoordinated motion."
You say St. Vitus' Dance as /ˌsaɪnt ˈvaɪtəs deɪns/ in US and /ˌsaɪnt ˈvaɪtəs deɪns/ in UK; AU follows the same pattern. Stress falls on the first syllable of 'Vitus' (second word), with 'Vitus' pronounced as 'VY-tuss' and 'Dance' as a clear, one-syllable word. Note the possessive 's' after Vitus can sound like a soft /z/ in connected speech. Be mindful of the initial 'St.' which is typically pronounced as 'Saint' in careful speech: /seɪnt/ before the name. Audio reference: try listening to medical pronunciation guides or Pronounce entries for Saint Vitus and chorea to hear the rhythm and stress.
Common errors include merging 'St.' with 'Vitus' into /stvitəs/ instead of separating as /seɪnt ˈvaɪtəs/. Another pitfall is not preserving the stress on 'Vitus' and saying /ˈvaɪtəs/ with weak stress. Also, many drop the final /s/ of the possessive; pronounce it as /ˈvaɪtəs deɪns/ rather than /ˈvaɪtəs’z deɪns/. Practice saying pause after Saint and before Vitus to keep the two-word rhythm clear.
US and UK share similar IPA: /ˌsaɪnt ˈvaɪtəs deɪns/. The main differences are vowel quality: UK tends to longer, more rounded /aɪ/ in 'Vitus' and a crisper /d/ in 'dance'; US often has a slightly flatter /aɪ/ and stronger rhoticity in connected speech. Australian English follows similar patterns to UK but with a more centralized vowel in some contexts; the 'r' is not rhotic in AU unless linking to a following vowel. In all, the core stress pattern remains the same, but vowel reduction can occur in rapid speech.
The difficulty lies in the three-part structure: the abbreviation 'St.' followed by a proper name, the relatively uncommon sequence /ˈvaɪtəs/ where the 'i' is a long vowel and the consonant cluster /t/ before /əs/, plus the final /deɪns/ in a quick phrase. The apostrophe adds a possessive, which often changes the breathing and linking in speech. Additionally, the proper-noun pronunciation of Vitus isn’t common in everyday conversation, so speakers may default to unfamiliar syllable boundaries or merge sounds.
There are no silent letters in the standard pronunciation. All syllables carry sound: St. is pronounced as Saint (not silent), Vitus has two pronounced syllables /ˈvaɪ.təs/, and Dance is /deɪns/. In rapid speech, some might elide lightly but not omit letters altogether; the apostrophe does not imply a silent letter—it's a possessive marker and only affects typography.
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St. Vitus' Dance derives from the French saint’s name Saint Vitus, with the possessive apostrophe indicating ‘of Saint Vitus’. The term appeared in medieval Europe, rooted in hagiography and religious belief that Saint Vitus could intercede against certain convulsions. The phrase solidified in medical lexicon during the 16th–18th centuries, as clinicians described convulsive movements labeled as chorea on occasion linked to Saint Vitus' patronage. Over time, medical understanding shifted; the name persisted as a historical label for a subset of involuntary movements associated with rheumatic fever (Sydenham’s chorea) and other neurological conditions. The enduring nomenclature has made the term a cultural reference beyond clinical usage, appearing in literature, music, and art as a symbol of uncontrollable exuberance or disorder. First known written use traces back to medical and religious texts in medieval Europe, with the precise attribution varying by region, but consistently aligning the saint’s name with a form of dance-like convulsions that affected limbs and torso. In modern usage, the phrase is frequently used descriptively or metaphorically rather than as a formal diagnosis.
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Words that rhyme with "St. Vitus' Dance"
-nce sounds
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