5 syllables: Re, ver, be, ra, tion. Stress on ra.
ree-vur-bur-AY-shuhn
/ɹiˌvɝbɚˈeɪʃən/
Reverberation is pronounced ree-vur-bur-AY-shuhn (/ɹiˌvɝbɚˈeɪʃən/). It has five syllables (Re-ver-be-ra-tion), with the stress on "ra". Reverberation is the persistence of sound after the original source has stopped, caused by repeated reflections within a space. It creates a lingering, decaying echo that colors how speech and music are heard. In acoustics and audio engineering, reverberation is analyzed to gauge room size and material reflectivity, and it affects intelligibility and atmosphere in performances and recordings.
nounReverberation is the persistence of sound after the original source has stopped, caused by repeated reflections within a space. It creates a lingering, decaying echo that colors how speech and music are heard. In acoustics and audio engineering, reverberation is analyzed to gauge room size and material reflectivity, and it affects intelligibility and atmosphere in performances and recordings.
- You’ll often mispronounce by flattening the middle syllables so it sounds like rev-er-BAY-shn; keep all syllables audible and place stress clearly on the 'ra' syllable: /ˌrɛvərbəˈreɪʃən/. - Another common mistake is dropping the /r/ in non-rhotic accents; ensure an appropriate post-vocalic /r/ or link to the next vowel if connected speech. - People sometimes merge -ber- with -ra-; practice as 'ber-uh-RA-' to keep the two consonant clusters distinct within the word. - Try not to reduce the final /ən/ to a mere /n/; maintain the schwa-like /ən/ to preserve proper rhythm and formality. - Gentle practice with minimal pairs like reverberate vs reverberation helps, but focus specifically on the -ber- to -ra- transition to avoid smearing the middle sounds.
"The concert hall’s reverberation gave the violin solo a warm, enveloping sound."
"After the microphone was moved, the reverberation in the recording reduced, making the vocals crisper."
"Architects tune wall panels to control reverberation and improve speech clarity in classrooms."
You say: RIH-vur-bə-RAY-shən. Primary stress on the third syllable: re-VER-be-RA-tion? Actually, typical pronunciation is /ˌrɛvəˌbərˈeɪʃən/ in careful speech, with a secondary stress on the second syllable and the main stress on the fourth: re-ver-BER-a-tion? To be precise: /ˌrɛvərbəˈreɪʃən/. The key is a clear /ˌrɛvə(r)ˌbeɹˈeɪʃən/ flow; the “rever-” part sounds like rev-er, then -ber- E-ation. Listen for the final -tion as /ən/. Think: rev-er-buh-RAY-shun. Audio reference: try Cambridge or Oxford dictionaries audio; also search “reverberation pronunciation” on Forvo.
Two common errors: 1) Misplacing stress, saying re-VER-be-RAY-tion or re-VER-buh-REY-shn; ensure the main stress lands on the fourth syllable: rever-ber-A-tion? In IPA: /ˌrɛvərbəˈreɪʃən/. 2) Merging syllables too quickly, producing /ˌrɛvərˈbeɪʃən/ or dropping the /r/ in non-rhotic accents; aim for a light but audible /r/ in the second syllable, and keep the /ˈreɪ/ in the penultimate stress. Practice with slow enunciation then natural pace.
US: rhotic /r/ is pronounced; the sequence is rever-bə-ˈreɪ-ʃən, with clear /r/ and a strong /eɪ/. UK: non-rhotic typically, /ˌrɛvəbəˈreɪʃən/ with weaker post-vocalic /r/ and slightly different vowel qualities; Australian: similar to UK but with centralized vowels and flapped or tapped /t/ in rapid speech, but not in reverberation; overall, the /ˈreɪʃən/ ending remains consistent, but vowel quality and rhoticity shift subtly. Listen to native speakers and refer to IPA: US /ˌrɛvərbəˈreɪʃən/, UK /ˌrevə(b)əˈreɪʃən/, AU /ˌrɛvəbəˈreɪʃən/.
Two main challenges: the cluster -verber- contains a quick transition of /v/ to /b/ and an r-colored vowel. The second difficulty is the sequence -a-tion ending, which in many accents reduces to /eɪʃən/. The combination of the middle /vər/ and the final /eɪʃən/ can trip learners up if they rush through the syllables. Practice with slow, precise articulation, emphasizing each consonant and the mid vowels, then blend. IPA cues: /ˌrɛvərbəˈreɪʃən/; visualize separate syllables: rev-er-be-ra-tion.
The word contains a stress pattern that leans on the parametric rhythm of -ba- vs -be- vs -ra-; exactly, the prominent /ˈreɪʃən/ ending is a key clue: the fourth syllable carries primary stress in most careful pronunciations: rever-be-RA-tion. Also note the /v/ followed by a lighter /ər/ before the /beɪ/ sequence; keep a steady tempo to avoid slurring the vowel transitions. IPA: /ˌrɛvərbəˈreɪʃən/.
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- US: emphasize rhotic /r/ in the second and fourth syllables; keep a clear /ɜr/ or /ər/ when the vowel reduces; IPA: /ˌrɛvərbəˈreɪʃən/. - UK: less rhotic; the /r/ is weaker or not pronounced unless followed by a vowel; aim for /ˌrevəbəˈreɪʃən/ with a lighter /ə/ in the second syllable; final /eɪ/ remains strong. - AU: tends toward vowel quality similar to UK but with slightly flatter vowels and a pronounced final /ən/; practice: /ˌrɛvəbəˈreɪʃən/; keep the /ɹ/ near-english approximants, avoid overly rolled /r/. - General tip: anchor on the /ˈreɪ/ syllable’s diphthong; ensure the /eɪ/ in -ation is crisp and not swallowed. - Use IPA references: US /ˌrɛvərbəˈreɪʃən/, UK /ˌrevəbəˈreɪʃən/, AU /ˌrɛvəbəˈreɪʃən/.
Reverberation comes from the Latin reverberare, meaning to beat back or to rebound, from re- (again) + verberare (to lash, strike). The term emerged in English in the 17th century, initially in physical and architectural contexts to describe reflected sound. By the 19th and 20th centuries, as acoustics developed as a science, reverberation was formalized as a measurable phenomenon in rooms, performance halls, and industrial spaces. The modern sense extends to portable audio effects and signal processing, where reverberation can be intentional or unintended, shaping perception of space and depth in recordings. The root verber- touches the idea of beating or striking back, which maps neatly onto sound waves bouncing off surfaces and returning to the listener with diminishing amplitude and altered phase relationships.
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Words that rhyme with "Reverberation"
-te) sounds
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