2 syllables: Noc, turne. Stress on Noc.
NAHK-turn
/ˈnɑk.tɝn/
Nocturne is pronounced NAHK-turn (/ˈnɑk.tɝn/). It has two syllables (Noc-turne), with the stress on "Noc". Nocturne is a noun for a musical composition inspired by or evocative of the night, often lyrical and serene in mood. It also denotes a night-piece in art or literature. The term is used primarily in classical music and in poetic or romantic contexts to describe nocturnal, dreamy atmospheres.
nounNocturne is a noun for a musical composition inspired by or evocative of the night, often lyrical and serene in mood. It also denotes a night-piece in art or literature. The term is used primarily in classical music and in poetic or romantic contexts to describe nocturnal, dreamy atmospheres.
- You might trip over the panic of sounding foreign by softening the /t/ or merging the /t/ into the following /ɜːr/. To fix, practice saying /ˈnɒk.tɜːrn/ with a crisp /t/ followed by a clear /ɜːr/ or /ɜː/ depending on accent. - Another error is misplacing the stress as /nɒkˈtɜːrn/ instead of the natural first-syllable stress; rehearse with the natural rhythm: a strong first syllable then a lighter, elongated second. - Some learners default to an American long vowel /ɑ/ in the first syllable; correct by adopting a short 'a' as in /ɒ/ (British) or /ɑ/ in some American varieties, rather than /oʊ/ or /oʊk/.
"The pianist performed a stunning nocturne that captured the hush of a moonlit evening."
"Chopin’s nocturnes are celebrated for their intimate expressiveness and melodic cantabile lines."
"The composer dedicated a nocturne to the city’s sleeping streets."
Nocturne is pronounced NOC-turn with the first syllable stressed: /ˈnɒk.tɜːrn/ in US and UK. The vowel is a short o as in 'not,' followed by a rhotic schwa-ish r-controlled vowel in the second syllable. The final n is light, and the t is a clear alveolar stop. For Australian English, the /ɜː/ may be slightly diphthongized toward /əː/ in casual speech. Listen for the crisp syllable boundary between /ɒk/ and /tɜːrn/ and keep the second syllable unstressed in typical speech.
Common mistakes include misplacing stress (shifting it to the second syllable), mispronouncing the first vowel as a long /oʊ/ or /oʊ/ rather than the short /ɒ/ found in British pronunciations, and softening the /t/ into a flap in connected speech. Correct by keeping /ˈnɒk/ as a crisp syllable—don’t reduce the /t/—then move to /tɜːrn/ with a clear, non-rhotic or lightly rhotic second vowel depending on accent. Practice saying: /ˈnɒk.tɜːrn/ with a definite pause between syllables.
In US English, the second syllable often bears a reduced vowel quality, sounding like /tɜːrn/ with a rhotic r. UK English tends to have a shorter, clipped /ɜː/ and a less rhotic trailing vowel, often closer to /ˈnɒk.tɜːn/. Australian speakers commonly maintain /ɒ/ in the first syllable and may have a less pronounced final vowel, sounding like /ˈnɒk.tɜːn/ with a more centralized rhotic. The primary difference is rhoticity and vowel length, not the consonant chain.
The difficulty lies in the syllable boundary and vowel quality: /ˈnɒk/ requires a crisp stop after the ‘n,’ while /tɜːrn/ can merge with a rhotic or non-rhotic r, depending on accent. Non-native speakers often mispronounce the first vowel as /oʊ/ or /uː/ and may misplace the stress, saying /ˈnoʊk.tɜːrn/. Focus on a short, precise first syllable and a clear, slightly reduced second syllable, with the /t/ released clearly before the rhotic or terminal nasal.
A key feature is the two-syllable rhythm with a strong first syllable: /ˈnɒk.tɜːrn/. The second syllable carries the /ɜːr/ (UK/AU) or /ɜːr/ (US) companion vowel with a pronounced R in rhotic accents. The subtle lifting of the vowel in the second syllable, along with a clear /k/ before it, helps prevent blending that could turn it into ‘nok-urn’ or ‘nok-taren.’ Keep the boundary crisp between /k/ and /t/.
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- US: rhotic r in the second syllable; ensure /ɜːr/ or /ɜːɹ/ is included and the /t/ does not vanish. The first vowel often stays with lower back laxness: /ɒ/. Maintain an audible contrast between /ɒ/ and /ɜː/. - UK: shorter, clipped /ɒ/ and less rhotic emphasis; /t/ is released, and the /ɜː/ is a long, pure vowel; aim for a more rounded, precise mouth shape with the tongue slightly back. - AU: tends toward a clear American-like /ɜː/ in some regions but with less punchy rhotics; keep the second syllable distinct, and don’t reduce the final nasal; practice with an even, airy quality in the second syllable.
Nocturne comes from the French nocturne, meaning night piece. The French term itself derives from Latin nocturnus, meaning ‘of the night,’ from nox, noctis ‘night.’ In music, nocturnes emerged in the early 19th century as intimate, lyrical character pieces designed for expressive, nocturnal moods, often featuring singing-like melodies and flexible, rubato-tinged phrasing. The most iconic nocturnes were written by Frédéric Chopin, whose works elevated the form into a staple of Romantic piano literature. Over time, the word broadened beyond strictly piano music to reference any nocturnal-inspired artistic work, including paintings and poems, and sometimes used metaphorically to describe moods or scenes as “nocturnal” or dreamlike. First known use in English for musical pieces aligns with 19th-century import of Romanticism from French usage, with earlier French forms appearing in salons and music notebooks mid-century. Today, nocturne remains a standard term in musicology, with a recognizable association to calm, lyrical, nocturnal atmosphere, and it often features delicate, cantabile lines contrasted by moments of sustained pedal.
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Words that rhyme with "Nocturne"
-une sounds
-oon sounds
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