3 syllables: Man, do, lin. Stress on Man.
MAN-duh-lin
/ˈmændəˌlɪn/
Mandolin is pronounced MAN-duh-lin (/ˈmændəˌlɪn/). It has three syllables (Man-do-lin), with the stress on "Man". Mandolin is a plucked, bowl-backed string instrument with a bright, singing tone, typically featuring eight courses of strings arranged in four pairs. It is played with a pick or plectrum, or with fingerstyle, and is central to classical, folk, and bluegrass music. Its name derives from Italian and is associated with mandolino, originally meaning a little ear or tongue, reflecting its delicate, high-pitched sound.
nounMandolin is a plucked, bowl-backed string instrument with a bright, singing tone, typically featuring eight courses of strings arranged in four pairs. It is played with a pick or plectrum, or with fingerstyle, and is central to classical, folk, and bluegrass music. Its name derives from Italian and is associated with mandolino, originally meaning a little ear or tongue, reflecting its delicate, high-pitched sound.
- You: You may emphasize the middle syllable too much, producing /ˈmæn.dæˈlɪn/ which sounds heavy; instead keep /mə/ light and compact. - You may overpronounce the final /lɪn/, giving /lɪn/ with an overly bright vowel; aim for a relaxed /lɪn/ with a short, precise diphthong. - You may mush the vowels together, producing /ˈmændə.lɪn/; practice with deliberate pauses between syllables. - You may mispronounce /æ/ as /ɛ/ or /eɪ/; ensure your jaw drops slightly and lips are relaxed for the /æ/ notch; - You may fail to maintain the final /n/; keep the tip of the tongue to the alveolar ridge for a crisp /n/.
"She practiced the mandolin for hours, aiming for a flawless tremolo on the high strings."
"The ensemble included a mandolin solo that framed the melody with shimmering arpeggios."
"In the folk workshop, students learned how to tune and strum a mandolin with proper wrist motion."
Mandolin is pronounced with four phonemes: /ˌmæn.dəˈlɪn/. The stress falls on the third syllable: man-DAH-lin (US: /ˌmæn.dəˈlɪn/). Start with /mæn/ (like man), then a quick, weak /də/ in the middle, and finish with /ˈlɪn/ as in lin. Tip: keep the middle syllable light and avoid excessive emphasis on 'dol' to maintain the correct rhythm. You can listen to a native pronunciation on Pronounce or Forvo to hear the exact vowel length and intonation.
Most speakers misplace the primary stress or mispronounce the middle vowel. Common errors: 1) stressing the first or second syllable (man-DA-lin is essential); 2) pronouncing /də/ as a full 'duh' with an exaggerated schwa; 3) turning the final /lɪn/ into /lən/ or /lin/ with too-short or clipped vowel. Correction: practice the three-syllable rhythm: /ˌmæn.dəˈlɪn/, pause slightly between syllables, and emphasize the final syllable with a relaxed lips and a clear /ɪ/ vowel. Listen to native recordings to feel the tension between the syllables.
In US English, pronunciation is /ˌmæn.dəˈlɪn/ with a rhotic /r/ absent; the final vowel is lax /ɪ/. UK and Australian accents share the /ˌmæn.dəˈlɪn/ structure, but vowel quality in non-rhotic regions can be slightly longer and more centralized in the middle syllable; Australians may have a marginally clearer final /ɪn/ with a slightly closer /ɪ/ due to vowel shifting. Across accents, the main variation is in vowel duration and quality in the middle /ə/ and final /ɪ/; stress remains on the final syllable, with similar syllabic timing.
Mandolin challenges two core features: a reduced middle syllable /də/ that often becomes a schwa with weak timing, and the final unstressed /lɪn/ which can blur to /lən/ or be shortened in rapid speech. The three-syllable rhythm requires clear separation, not a fused /ˈmændəlɪn/. Practitioners must coordinate precise tongue position for /æ/, /ə/, and /ɪ/ while maintaining a steady airflow. Listening to native speakers and practicing with minimal pairs helps solidify the correct cadence.
One unique feature is keeping the second syllable unstressed with a soft central vowel /ə/ while maintaining distinct closing consonant /l/ and /n/. In connected speech, speakers may reduce /dən/ to /də/ or link the /d/ to a following consonant; however, in careful speech, you should articulate /d/ clearly and avoid merging the middle /ə/ with surrounding vowels. This balance between syllable clarity and fluency is what often makes mandolin tricky to pronounce well.
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- US: rhotic accent; keep the /r/ out of mandolin; emphasize /mæn/ and /ˈlɪn/ with a clear alveolar contact. - UK: more non-rhotic; globally similar; slight vowel length difference; maintain /ˈmæn.dəˌlɪn/ with final /n/ clearly released. - AU: more fronted /æ/ and slightly longer middle /ə/; maintain relaxed jaw; ensure consistent lip rounding minimal. IPA references: US /ˌmæn.dəˈlɪn/, UK /ˌmæn.dəˈlɪn/, AU /ˌmæn.dəˈlɪn/.
Mandolin traces its roots to the Italian mandolino, a diminutive form of mando, related to mando “tongue” or “mind,” by extension a small instrument. The term appears in early modern Italian sources, with mandolino attested in the 16th century as a portable, guitar-like lute used in regional music. The instrument’s shape and construction were influenced by the mandora and mandoline, older lute-family instruments with fretted necks and bowl-shaped backs. In the 18th and 19th centuries, the mandolin family expanded, producing variations like the Neapolitan mandolin and the mandolino, as players adopted steel strings and reinforced soundboards to project in concert settings. The English-speaking musical community adopted the word mandolin through Italian and French musical circles, cementing its place in orchestral, folk, and popular music lexicons. Throughout its evolution, the mandolin maintained its characteristic double courses and high-pitched timbre, distinguishing it from other plucked strings. Today, the mandolin is embraced globally, with regional styles influencing playing technique, tuning, and repertoire; its name remains a marker of its Italian heritage and melodic clarity in ensembles.
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Words that rhyme with "Mandolin"
-lin sounds
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