3 syllables: Ek, phra, sis. Stress on phra.
ek-FRAY-zis
/ˌɛkˈfreɪzɪs/
Ekphrasis is pronounced ek-FRAY-zis (/ˌɛkˈfreɪzɪs/). It has three syllables (Ek-phra-sis), with the stress on "phra". Ekphrasis is a noun referring to a vivid, often dramatic literary description that vividly brings a person, place, or thing to life, sometimes transforming the subject into a work of art. It traditionally describes a narrative technique that closely imitates or represents visual or sensory detail, sometimes as a response to a visual artwork. The term stresses descriptive flair and imaginative rendering more than factual recounting.
nounEkphrasis is a noun referring to a vivid, often dramatic literary description that vividly brings a person, place, or thing to life, sometimes transforming the subject into a work of art. It traditionally describes a narrative technique that closely imitates or represents visual or sensory detail, sometimes as a response to a visual artwork. The term stresses descriptive flair and imaginative rendering more than factual recounting.
- You might sandwich the second syllable with a weak vowel: ensure you produce a clear /eɪ/ in FRAY instead of a short /e/ or /æ/. - The stress often slips to the first syllable. Keep primary stress on the second syllable: ek-FRAY-sis. - Final /sɪs/ can become /zɪz/ in rapid speech; practice with a crisp /s/ and reduced voicing on the following vowel.
"The poem is an ekphrasis of the ancient statue, translating its silent gaze into moving language."
"Scholars discuss how the painter’s canvas inspired an ekphrasis in the novelist’s prose."
"Her ekphrasis of the battlefield turned chaotic sounds into a structured, lyrical passage."
Ekphrasis is pronounced /ˌɛkˈfreɪsɪs/ (US/UK) or /ˌɛkˈfreːsɪs/ in some varieties. The primary stress is on the second syllable: ek-FRAY-sis. Start with a light schwa on the first syllable, then a stressed “FRAY” vowel, followed by “sis.” If you’re unsure, listen to a native speaker reading a scholarly text and mimic the rhythm of the stress.”,
Common mistakes: misplacing stress (putting emphasis on the first syllable), mispronouncing the vowel in the second syllable as a short /æ/ instead of /eɪ/ (saying ek-FRAS-is). Correction: stress the second syllable: ek-FRAY-sis and use /eɪ/ for the FRAY vowel, not a short /æ/. Ensure the final -sis is pronounced with a clear /sɪs/ rather than /zɪz/ unless you’re linking in connected speech.”,
In US English you typically hear /ˌɛkˈfreɪsɪs/ with a rhotic r-free vowel in the second syllable and a clear /eɪ/ diphthong in FRAY. UK English often mirrors /ˌɛkˈfreɪsɪs/ but with non-rhoticity; the -sis remains /sɪs/. Australian English is similar to US/UK, but you may hear a slightly broader /æ/ or /eɪ/ depending on regional influence; the second syllable still bears the main stress. Consistent across accents: secondary stress on the first syllable is mild, primary on the second.”,
Phonetic challenges include the initial /ˈɛk/ cluster, which can be slippery if you’re not careful with the voicing; the /ˈfreɪ/ part features a long vowel/diphthong that demands careful jaw and tongue shaping to avoid a shorter /fræ/ or /fraɪ/ error; and the final /sɪs/ must be clean and not merge with the preceding consonant in rapid speech. Practice separate syllables and then blend.”,
A key note is the second syllable vowel as a diphthong /eɪ/ in FRAY rather than a short /e/ or /æ/. The word also often invites slight vowel reduction on first syllable in fast speech. In careful speech, you want /ˌɛkˈfreɪsɪs/ with a robust /ˈfreɪ/; keep the final /sɪs/ crisp and avoid adding a z sound. Emphasize the syllable boundary between FRAY and sis for clear pronunciation.
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- US: rhoticity is present; American speakers should keep the /ɹ/ sound in /freɪ/ and keep clear separation of syllables in careful speech. - UK: non-rhotic; ensure /ɹ/ is silent; maintain the /eɪ/ in FRAY; final /sɪs/ remains. - AU: varies but tends toward US-like rhoticity; focus on maintaining the /eɪ/ and final /sɪs/ without adding extra schwas. Overall, keep a steady rhythm with 2-3 cm of pause between ek- and FRAY-; average native speakers still hear the second syllable as the strongest beat.
Ekphrasis comes from the Greek ekphrasis (ἔκφρασις), from ek- meaning ‘out’ and phrasis meaning ‘speech’ or ‘expression.’ In classical rhetoric, it referred to a speech or piece of writing that outexpressed or elaborated upon a subject, often by making it vivid through description. The term entered English via Latinized forms in the 17th–18th centuries, retaining its core sense of “displaying in descriptive form.” Historically, ekphrasis was a widely recognized term in literary criticism of ancient epic and tragedy, and in Renaissance criticism it described extended descriptive passages that “embellish” a subject. The concept has evolved to include modern prose and poetry that intentionally narrates through vivid, artful depiction, sometimes blurring boundaries between art and description. First known use in English appears in translations and discussions of classical rhetoric and poetry, with early usage in the late 1600s to 1700s in scholarly contexts, and increasingly in literary criticism through the 19th and 20th centuries as a recognized figure of speech. The modern sense emphasizes not merely description but transformative description that animates the subject.
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Words that rhyme with "Ekphrasis"
-sis sounds
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