2 syllables: Ee, rie. Stress on Ee.
IR-ee
/ˈɪɹi/
Eerie is pronounced IR-ee (/ˈɪɹi/). It has two syllables (Ee-rie), with the stress on "Ee". Eerie is an adjective describing something unsettlingly strange or mysterious, often with a faint, uncanny quality that provokes a prickle of fear or unease. It commonly describes atmospheres, noises, or happenings that feel supernatural or inexplicably odd, especially in quiet or isolated settings. The word carries a nuanced, slightly formal or literary tone in modern usage.
adjectiveEerie is an adjective describing something unsettlingly strange or mysterious, often with a faint, uncanny quality that provokes a prickle of fear or unease. It commonly describes atmospheres, noises, or happenings that feel supernatural or inexplicably odd, especially in quiet or isolated settings. The word carries a nuanced, slightly formal or literary tone in modern usage.
- You might over-emphasize the first vowel becoming /iː/ (as in 'see'), which can flatten the word and make it sound unnatural in many contexts. Aim for a tighter, closer diphthong like /ɪə/ to capture the eerie mood without elongating the syllable. - Some speakers reduce the second syllable to /i/ or shwa, producing /ˈɪə.ri/ vs /ˈɪə.ri/. Keep a crisp /ri/ to avoid a trailing, airy ending. - When rushing, the first syllable’s vowel can collapse into a quick /ɪ/; maintain the glide for the /ɪə/ sequence and finish strongly with /ri/.
"The abandoned house had an eerie silence that made every creak feel deliberate."
"There was an eerie glow in the forest at dusk, like something unseen watching us."
"An eerie coincidence connected their names to the old mystery."
You say it as /ˈɪə.ri/ in many accents, with main emphasis on the first syllable. The first vowel is a near-front, tense vowel that lands between /ɪ/ and /iː/, followed by a clear /ə/ or /ɪ/ transition into the final /ri/.” For careful speakers you may hear /ˈiː.ri/ in some dialects. Mouth position: start with the tongue high and slightly forward, then relax into a clearer /ri/ with the tip of the tongue touching just behind the bottom front teeth.
Two main traps: (1) treating the first vowel as a pure /iː/ (like 'ee'), producing /ˈiː.ri/ which sounds too long and tense in some dialects; (2) reducing the second syllable to a weak schwa. Instead aim for a crisp /ɪə/ or /ɪə/ glide in the first syllable and a full /ri/ in the second. Practicing with a slight diphthong on the first vowel helps capture the characteristic eerie mood without flattening the sound.
In US and UK, the first syllable often uses a near-front diphthong /ɪə/ or a long /iː/ depending on speaker; the second syllable features /ri/ with a rolling /r/ in rhotic accents and a clearer /ɹ/ in rhotic American speech. Australian speakers may lean toward /ɪə/ with a slightly softer /r/, and the overall rhythm can feel more clipped or drawn out depending on the speaker’s region. Stress remains on the first syllable.
The challenge lies in the diphthong of the first syllable, which blends a high front vowel with a schwa or light vowel, and the second syllable’s rapid /ri/ consonant cluster. The combination can cause vowel reduction or a flat /iː/ if not monitored. Practitioners should focus on shaping a precise /ɪə/ glide and maintaining a clear, short /ri/ release to prevent a lopsided or elongated first vowel.
Eerie follows a simple two-syllable trochaic pattern, with primary stress on the first syllable and a lighter second syllable. Unlike words with silent letters or tricky consonant clusters, the key is to preserve the distinct vowel transition in the first syllable and to keep the /r/ sound clean and not swallowed in rapid speech. This pattern makes it feel emphatically descriptive rather than utilitarian.
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- US: Pronounce as /ˈɪə.ri/ or /ˈiː.ri/ with a prominent first syllable; ensure the /r/ is pronounced clearly in post-vocalic position. - UK: Similar to US, but you may hear a slightly longer first vowel and a softer /r/ in non-rhotic contexts; keep a light post-vocalic /r/ only when rhotic; otherwise avoid overemphasizing it. - AU: Tendency toward /ɪə/ with less pronounced r-color; keep the final /ri/ crisp but not rolled; the first syllable can sound a touch closer to /iː/ in some regions. IPA references: US /ˈɪə.ri/, UK /ˈɪə.ri/, AU /ˈɪə.ri/.
Eerie comes from the Middle English word eery (or eeri) from the Old French eeri, ultimately traced to the Latin haerere meaning ‘to cling’ or possibly to the Old French ‘escrévoir’ in some historical accounts, though the exact lineage is debated. The spellings in early texts reflected its sense of strange or uncanny perception, likely linked to the sensation of being haunted by something unseen. By the 19th century, eerie in English had solidified as a literary adjective used to describe atmospheres or phenomena that provoke a sense of disquiet or fear. The word’s semantic arc travels from “fearful, alarming” to a more generalized “odd, uncanny” quality, retaining a note of the supernatural in many contexts while becoming common in everyday descriptive language. First known formal attestations appear in late medieval and early modern English literature, with evolving usages that emphasize mood and atmosphere as much as explicit danger.
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Words that rhyme with "Eerie"
-ery sounds
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