3 syllables: cre, a, tions. Stress on a.
kree-AY-shuhnz
/kɹiˈeɪʃənz/
creations is pronounced kree-AY-shuhnz (/kɹiˈeɪʃənz/). It has three syllables (cre-a-tions), with the stress on "a". Creations refers to the products or results of creation; things that have been brought into existence through imagination, design, or production. It can denote artistic works, inventions, or any outputs produced by a creator. The term emphasizes the end results of creative activity and can be pluralized when discussing multiple items.
Creations refers to the products or results of creation; things that have been brought into existence through imagination, design, or production. It can denote artistic works, inventions, or any outputs produced by a creator. The term emphasizes the end results of creative activity and can be pluralized when discussing multiple items.
"The gallery showcased the artist's creations from the last decade."
"She credits her grandmother's recipes as the family’s cherished creations."
"Technological creations often reflect the inventor's unique worldview."
Pronounce it as kri-EY-shənz in US/UK/AU. Break it into three syllables: cre- a- tions, with primary stress on the second syllable: kri-EY-shənz. The first syllable uses a short /k/ plus /r/ with a reduced vowel; the second carries the diphthong /eɪ/ in /eɪʃ/ sequence, and the final is /ənz/ with a schwa before the final /z/. In careful speech, /t/ is light, and the final s is voiced as /z/ after the voiced /n/. Audio resources like Pronounce or Forvo can help hear natural pronunciations across accents.
Common errors include misplacing stress (saying cre-AY-tions) or swelling the middle syllable into a full vowel rather than a quick /eɪ/ glide. Some speakers insert an extra syllable like /kriːˈeɪʃənz/ by analogy with related words; others mispronounce /t/ as a hard stop before /j/ effect. To correct: keep the second syllable as a brief /eɪ/ with light /t/ after it, and ensure the final /z/ is voiced. Practice saying kri-EY-shənz quickly without adding length to the middle.
In US and UK, the main stress remains on the second syllable: kri-EY-shənz. The rhotics influence US /r/ and Australian non-rhotic tendencies can affect vowel quality slightly, but the final /z/ remains. Australian English often features a less pronounced /ɜː/ sound in related words; with 'creations' you’ll hear a crisp /ˈkreɪ.ʃənz/ pattern in careful speech. Overall, the /eɪ/ diphthong and final /z/ are stable, while vowel quality around /ə/ can vary subtly by region.
The difficulty lies in coordinating the diphthong in the second syllable (/eɪ/) with the consonant cluster /t/ leading into the reduced vowel /ə/ in the third syllable, followed by a voiced final /z/. It requires precise timing to avoid an extra syllable or a mis-timed /t/. Also, some speakers substitute /t/ with a light /ʃ/ or omit the /ən/ sequence. Focus on keeping a tight, quick transition between /eɪ/ and /t/ and a clean, voiced /z/ at the end.
One unique feature is the subtle vowel reduction in casual speech: the second syllable may reduce to a shorter glide, leading some speakers to say kri-ˈeɪ.ʃənz or kriˈeɪʃnz with less prominence on the /ə/ in the third syllable. The key is to maintain the primary stress on the second syllable while keeping the final /z/ clearly voiced. Listening to native speakers via Pronounce or YouGlish helps you notice these micro-reductions.
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Creations derives from the Middle English creacioun, from Old French creation, rooted in Latin creare meaning to create or bring forth. The noun form entered English via Old French in the medieval period, tying closely to religious and philosophical contexts of God’s creation. Over time, the sense broadened beyond divine acts to human acts of making, inventing, and composing. By Early Modern English, the term commonly referred to the act of creating as well as the products themselves. In contemporary usage, creations can refer to artworks, inventions, musical pieces, writings, or any outputs produced through imaginative and constructive activity. The word maintained its pluralization pattern with -s, indicating multiple manifested products, and it is frequently found in discussions of art, design, technology, and entrepreneurship. First known uses appear in literature from the 14th to 15th centuries, with the sense evolving to include secular and creative outputs alongside traditional theological connotations.
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Words that rhyme with "creations"
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