5 syllables: A, na, di, plo, sis. Stress on di.
uh-nuh-DIP-loh-sis
/ənəˈdɪploʊsɪs/
Anadiplosis is pronounced uh-nuh-DIP-loh-sis (/ənəˈdɪploʊsɪs/). It has five syllables (A-na-di-plo-sis), with the stress on "di". Anadiplosis is a rhetorical device in which a word or phrase is repeated at the end of one clause and the beginning of the next. It creates emphasis and continuity, often heightening emotion or momentum. While common in classical oratory, it appears in modern prose and poetry to reinforce a key idea through deliberate repetition.
nounAnadiplosis is a rhetorical device in which a word or phrase is repeated at the end of one clause and the beginning of the next. It creates emphasis and continuity, often heightening emotion or momentum. While common in classical oratory, it appears in modern prose and poetry to reinforce a key idea through deliberate repetition.
How to Pronounce Anadiplosis
"- In the tale, fear is the mind-killer; fear is strong enough to break the bravest heart."
"- We enjoy getting what we want because we want what we deserve, and we deserve to be heard."
"- The night was cold, a cold that whispered of danger, and danger lurked just beyond the door."
Pronounce as /ˌæn.ə.dɪˈploʊ.sɪs/ (US) or /ˌæn.ə.dɪˈpləʊ.sɪs/ (UK). Stress falls on the third syllable: a-nad-i-PLI-sis. Start with a light schwa in the first syllable, then a crisp /dɪ/ in the third, and end with /ˈsɪs/. Keep the final -sis soft, not sizzle. Picture the mouth opening slightly for the first syllable, with the lips relaxed, then raise the tongue for the main stress before a smooth, rounded /oʊ/ in the penultimate syllable.
Two frequent errors are misplacing the primary stress (often stressing the wrong syllable) and slurring the internal vowel sounds in the middle: a-nad-i-DI-plo-sis is wrong if you compress /dɪˈploʊ/ into /dɪˈploʊ/ too early. Another error is under-pronouncing the final -sis, which should sound like /sɪs/, not /səs/. Correct by isolating the three main vowel blocks: /æ/, /ə/, and /ploʊ/ with the strong mid- to high-front vowel on the third beat. Practice slow, then speed up while maintaining clear coda consonants.
In US English, you’ll hear rhotic /ɹ/ in stressed positions; the diphthong in /ploʊ/ is pronounced with a rounded vowel. UK English tends to less rhoticity in some speakers; /ploʊ/ may be closer to /pləʊ/ with a more rounded vowel in non-rhotic accents. Australian pronunciation often reduces unstressed vowels toward a schwa and features a clear, clipped /ˈæ.nə.dɪ.pləʊ.sɪs/ with less aggressive American rhotics. Key differences: stress placement remains on the third syllable, but vowel qualities (plɔʊ vs pləʊ) and rhotic realization vary; keep the main emphasis on /ˈploʊ/ or /ˈpləʊ/ depending on accent.
Three main challenges: 1) multisyllabic length makes accurate syllable division tricky; 2) the mid-word movement of the tongue to the /dɪ/ and the peak on /ploʊ/ requires precise timing so the root word echoes cleanly into the next clause; 3) the final /sɪs/ must stay crisp while preceding consonants could blur in rapid speech. Practice breaking the word into three blocks /ˌæn.ə.dɪˈploʊ.sɪs/, then blend using slow tempo and phonetic cues to hold each segment distinctly.
The distinctive feature is the deliberate, immediate repetition of a word at a clause boundary, making the word both terminal and initial. This needs precise crosstalk control: the final consonant cluster of the first clause must align with the initial consonant of the next, so you seat the glottal and tongue positions for the /dɪ/ and /ploʊ/ syllables cleanly, ensuring a seamless echo effect.
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Anadiplosis comes from the Greek ana- ‘up, again’ + diploos ‘double, doubled’ (from diploos ‘twice, double’), reflecting its repetitive structure. The term was adopted in rhetoric studies in English to label the stylistic device where the final word of a clause reappears at the start of the next. The concept has roots in classical Greek oratory, notably in the works of Aristotle and later Roman rhetoricians, and entered English analytical discourse through 16th–19th century rhetorical treatises. Early uses emphasize cadence, rhythm, and the persuasive build created by repetition. In modern literary criticism, anadiplosis is discussed as a device that links ideas across clauses, intensifying emotion or argument. The technique became synonymous with rhetorical flourish in the Renaissance and persisted into contemporary prose and political speech analysis. Its perception ranges from elegant artistry to overt manipulation, depending on context and density of repetition. First known English usage papers trace the term to Latinized Greek scholarly traditions; however, the device itself predates the word, appearing in oratory and poetry well before formal nomenclature existed. In scholarly references today, anadiplosis is valued for its ability to weave coherence, increase tempo, and foreground central motifs through repeat-echo patterns.
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Words that rhyme with "Anadiplosis"
-tis sounds
-sis sounds
Practice with these rhyming pairs to improve your pronunciation consistency:
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