Paralysis is the loss of muscle function in part of the body, typically caused by nerve damage or disease. It can be temporary or permanent and may affect one area or the entire body. The term is commonly used in medical and clinical contexts to describe impaired motor control.
Tip: practice with slow syllable tapping: pa-ra-LI-sis, then gradually reduce pauses as you gain steadiness.
"After the stroke, she faced paralysis on her right side but gradually regained some movement."
"The accident caused paralysis in his legs, requiring adaptive devices for mobility."
"Paralysis can be focal, affecting only a limb, or generalized, impacting larger regions of the body."
"In medical literature, paralysis is distinguished from weakness by the presence of actual loss of motor function."
Paralysis comes from the Late Latin paralysi, from Greek paralusis, from para- 'beside, alongside' + lysis 'a loosening or dissolving' (from lyein). The Greek term referred to loosening or loosening apart, later specialized in medicine to describe loss of nerve or muscle function. In English, paralysis emerged in the 16th-17th centuries within medical discourse, originally referring to the loss of motion in a limb or organ. The suffix -sis marks a process or condition, so paralysis denotes the condition of being paralyzed. Over time, the term broadened to describe various motor dysfunctions, including spinal cord injuries, strokes, and neurological diseases. First known uses appear in translations of medical texts and anatomical treatises, with escalating usage in clinical literature as understanding of neuromuscular disorders advanced in the 19th and 20th centuries. Etymology traces through Latin and Greek, reflecting a long-standing medical vocabulary that maps bodily disruption to a named pathology.
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Words that rhyme with "Paralysis"
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Paralysis is pronounced /ˌpærəˈlɪsɪs/ (US) or /ˌpærəlˈɪsɪs/ (UK). Primary stress falls on the third syllable: par-a-LI-sis. Start with /p/ followed by /æ/ as in 'cat', then a schwa /ə/, then /ˈlɪ/ in the stressed syllable, then /sɪs/ for the final two sounds. Mouth position: lips neutral to light rounding, tongue relaxed for /ə/ and high for /ɪ/. You’ll want crisp, clear /p/ and a steady rhythm to avoid rushing the unstressed syllables. Audio reference: consider listening to a medical pronunciation channel or dictionary audio to hear the stress peak on LI-.
Common errors include stressing the wrong syllable (e.g., pa-RAL-uh-sis in US); mispronouncing /æ/ or conflating /lɪ/ with /lɪsi/; and running the unstressed vowels together. To correct: place primary stress on the third syllable: pa-ra-LI-sis; clearly articulate /æ/ in the first syllable, use a light, relaxed /ə/ in the second, and ensure the /l/ is light but not a heavy 'l'. Practice slow, then speed up while maintaining the syllable timing. Use minimal pairs to lock in the rhythm.
In US English, the word typically carries a stronger /æ/ in the first syllable and the stress on LI, with /ˈlɪsɪs/ ending. UK English often places similar stress but with subtler vowel qualities, sometimes a slightly reduced second syllable /əˈlɪsɪs/ depending on speaker. Australian speakers tend to be non-rhotic and may de-emphasize the second vowel slightly, with /ˌpæɹəˈlɪsɪs/ reflecting broader /æ/ and a lighter /ɹ/ or non-rhotic /ɹ/ depending on region. Overall, core rhythm remains three syllables with stress on the third syllable, but vowel qualities vary.
The difficulty stems from the three-syllable structure with a strong trisyllabic rhythm and the mid-word stress shift to LI- syllable. The combination of an open front vowel /æ/ in the first syllable, a reduced /ə/ in the second, and a clearly stressed /ɪ/ in the third requires precise timing and tongue coordination. Additionally, the alveolar /l/ followed by the /ɪ/ vowel can create a subtle li- cluster that challenges non-native speakers. Practicing with slow, deliberate enunciation helps lock in the stress pattern and mouth positions.
Unique inquiry into a specific point: the 'li' consonant cluster often carries the stress, but the /l/ should be light and the /ɪ/ precise; avoid turning it into 'par-uh-lee-sis' or 'par-a-luh-sis'. Focus on a clean /l/ followed by a crisp /ɪ/ in the stressed syllable, with the preceding /ə/ not overly reduced. The second syllable should be an unstressed schwa, not a full vowel. This subtle balance governs native-like pronunciation.
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