3 syllables: Al, ces, tis. Stress on ces.
al-SES-tis
/ælˈsɛstɪs/
Alcestis is pronounced al-SES-tis (/ælˈsɛstɪs/). It has three syllables (Al-ces-tis), with the stress on "ces". Alcestis is a proper noun (a classical figure) used primarily in literary and theatrical contexts. It refers to the legendary queen of Pleuron, wife of Admetus, whose story has been retold in plays, poetry, and translations. In contemporary usage, the name appears in scholarly references and performance programs to denote this specific character. The pronunciation is the main focus for non-Greek readers, given its unusual consonant cluster and vowels.
nounAlcestis is a proper noun (a classical figure) used primarily in literary and theatrical contexts. It refers to the legendary queen of Pleuron, wife of Admetus, whose story has been retold in plays, poetry, and translations. In contemporary usage, the name appears in scholarly references and performance programs to denote this specific character. The pronunciation is the main focus for non-Greek readers, given its unusual consonant cluster and vowels.
"- In Euripides’ Alcestis, the heroine sacrifices herself to save her husband."
"- The translation included a note on how to pronounce Alcestis for the audience."
"- Scholars discussed Alcestis in the context of Greek tragedy and ritual.""
US: /ˌælˈsɛstɪs/; UK: /ˌɔːlˈsɛstɪs/; AU: /ˌɔːlˈsɛstɪs/. The stress commonly falls on the second syllable (ceded by the prefix Al-). Start with a clear /æ/ or /ɔː/ depending on accent, then /l/ followed by /ˈsɛ/ in the middle syllable, and end with /tɪs/. The middle vowel is a short ɛ as in 'bet.' Keep the final /-tis/ as a crisp /-tɪs/. Try to produce a smooth transition from the first to the second syllable without an intrusive vowel. Consider recording yourself to compare with a standard pronunciation.”,
Common errors include: 1) misplacing stress on the first or third syllable (e.g., al-CES-tis or al-CE-stis in non-native speakers). 2) mispronouncing the middle vowel as /i/ or /iː/ instead of /ɛ/. 3) adding an extra schwa between syllables or pronouncing final /s/ too later. Correction: place primary stress on the second syllable, keep /ˈsɛ/ in the middle, and finish with a crisp /tɪs/. Practice with slow, syllable-by-syllable articulation and then link the segments smoothly.”,
US tends toward /ˌælˈsɛstɪs/, with a flatter, shorter /æ/ in the first vowel and rhotic influence, UK tends to /ˌɔːlˈsɛstɪs/ with a longer /ɔː/ and less rhoticity in non-rhotic contexts, AU mirrors UK but often maintains a broader vowel for /ɔː/ and crisp /tɪs/. All share the second-syllable stress; the main drift is the first syllable vowel and the presence or absence of rhoticity in connected speech. In all cases, keep the middle /ˈsɛ/ and final /tɪs/ clear.”,
Because it combines a non-English prefix Al- with a Greek-derived -estis ending and a final -is that can invite a mis-syllabification. The middle syllable houses /ˈsɛ/ which is easy to mispronounce if you rush, and the final /-tɪs/ should be crisp to avoid blending into an extra syllable. The shift in initial vowel from /æ/ to /ɔː/ across accents can unsettle speakers. Focused practice on the second syllable’s vowel and the crisp final -tis will stabilize pronunciation.”,
Alcestis has fixed stress on the second syllable in English practice, with no silent letters. The challenge lies in the initial vowel quality and the short, open middle vowel /ɛ/ versus a longer or clipped vowel in different accents. The -tis ending is not silent; it’s /tɪs/. You’ll hear the name pronounced clearly as al-CES-tis, not al- CE-stis or al- CES-tis with extra vowels. The key is to maintain crisp consonants and a steady rhythm.”]} ,
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Alcestis derives from ancient Greek Αλκηστις (Alkestis), named from the root αλκη- (alkhē), meaning 'strength, valor.' The feminine form -ιστις (-is) marks a proper name, common in Greek heroides and tragedy. The name appears in classical texts and was later transmitted into Latin and modern European languages with minimal phonetic changes; the stress typically falls on the penultimate syllable in Greek but shifts in English to align with English stress patterns for polysyllabic Greek loanwords. The earliest attestations occur in ancient Greek tragedy, notably in plays by Euripides and Aeschylus, with Alcestis consistently used as the queenly figure who embodies self-sacrifice. Through Latin translations and Renaissance blesses of classical literature, Alcestis maintained its pronunciation across scholarly circles, though anglicized forms varied slightly. In English, the pronunciation settled into three syllables, with a fronted initial Al- and a front vowel in the second syllable, while preserving the -tis ending that evokes the Greek -τις. The word has appeared in modern editions, dictionaries, and theater programs, preserving its classical identity while accommodating contemporary English phonotactics. The first known use in English drama texts traces to early modern period translations and commentaries that aimed to render the Greek name accessible to English-speaking audiences. Overall, Alcestis remains a quintessential example of a classical proper noun that challenges readers with nonstandard Greek phonology but is stabilized in modern usage through scholarly transliteration and theatrical practice.
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Words that rhyme with "Alcestis"
-tis sounds
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