wurldz
/wɝldz/
worlds is pronounced wurldz (/wɝldz/). Worlds refers to multiple distinct global realms or spheres, often used metaphorically to denote different environments, domains, or perspectives. It contrasts with a single 'world' to emphasize plurality and diversity. In usage, it can denote imaginary or real domains and is commonly paired with phrases like 'in many worlds' or 'two different worlds'.
Worlds refers to multiple distinct global realms or spheres, often used metaphorically to denote different environments, domains, or perspectives. It contrasts with a single 'world' to emphasize plurality and diversity. In usage, it can denote imaginary or real domains and is commonly paired with phrases like 'in many worlds' or 'two different worlds'.
"Scientists study many worlds of flora and fauna, each with its own ecosystem."
"In different literary worlds, the rules of magic can vary greatly."
"Tourists visited three worlds within the same country, each offering a unique culture."
Pronounce it as /wɜːrldz/ in US and UK. Start with /w/ (lip rounding similar to 'water'), then /ɜː/ (stressed mid-central vowel like 'bird' in non-rhotic accents, but rhotic speakers may show a rhotic schwa-like quality), followed by /r/ and the consonant cluster /ld/. The final /z/ is a voiced postalveolar fricative. The sequence results in a single syllable with a quick, smooth transition: 'world' + 'z'. Use a light tongue elevation for /ɜː/ and ensure the /ld/ is merged cleanly without an intrusive vowel.
Common errors include pronouncing it as two syllables (e.g., 'wor-lds' with an added vowel) or simplifying the cluster to /wərlz/ by dropping the /d/ sound. Some learners also voice the /l/ incorrectly, producing a weak /l/ or an unintended vowel before /z/. To correct: keep the /ld/ cluster tight, avoid inserting a schwa between /l/ and /d/, and finish with a clear /z/. Practice a quick transition from /r/ to /ld/ without a break.
Across US/UK/AU, the main difference is rhoticity and vowel quality. US accents retain rhotic /r/; /ɜː/ tends to be a mid-central vowel with less length; in non-rhotic UK accents, the /r/ may be silent before vowels but still influence preceding vowels, shaping /ɜː/ differently. Australian English generally features a centralized vowel sound with a less curled lip and a lightly trilled or tapped /r/. The /z/ at the end remains voiced in all three, but vowel length and r-coloring vary subtly.
The difficulty lies in the consonant cluster /ld/ immediately after the rhotic vowel, forming a rapid sequence that can blur without careful tongue control. The transition from the r-controlled vowel /ɜː/ to the alveolar /l/ and then /d/ demands precise timing in the mouth. Additionally, ending with /z/ requires voicing immediately after a alveolar stop, which can lead to de-voicing or a hiss if breathy. Practice the tight tongue position and a quick, clean /ldz/ glide.
No letters are silent in worlds. Every letter contributes to the pronunciation: the /w/ onset, /ɜː/ vowel, /r/ or rhotic color, /l/ and /d/ forming the cluster, and the final /z/ voice. The challenge is coordinating the /r/ sound with the following /ld/ cluster and ensuring the /z/ is voiced with clean voicing immediately after /d/. The word is phonetically tight: /wɜːldz/ in many dialects.
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Worlds is the plural of world, from Old English worold or weorold, meaning 'the fabric of human existence' or 'the earth and its inhabitants.' The root is Proto-Germanic weraldaz, from Proto-Indo-European wer- (to turn, turn into, turn over) and al- (earth, ground). Early senses referred to the physical globe, but by Middle English it broadened to include figurative realms—places, domains, or spheres of life—culminating in the modern usage of multiple realms or imaginations, as in literature or science fiction. The term’s evolution reflects a shift from concrete, geographic meaning to abstract, cultural, and fantastical senses. First known written uses appear in Old English texts and later in Middle English, with sustained metaphorical use in poetic and theological contexts, culminating in contemporary usage that routinely pairs worlds with adjectives (parallels, alternate worlds, virtual worlds).
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Words that rhyme with "worlds"
-rls sounds
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