veye-BRAY-shuhn
/vaɪˈbɹeɪʃən/
vibration is pronounced veye-BRAY-shuhn (/vaɪˈbɹeɪʃən/). A vibration is a rapid back-and-forth movement or oscillation of an object or system, often producing waves or sound. In everyday use, it describes the mechanical tremor felt or heard from machines, engines, or musical instruments. The term can also metaphorically refer to a feeling of excitement or atmosphere that seems to “resonate.”.
A vibration is a rapid back-and-forth movement or oscillation of an object or system, often producing waves or sound. In everyday use, it describes the mechanical tremor felt or heard from machines, engines, or musical instruments. The term can also metaphorically refer to a feeling of excitement or atmosphere that seems to “resonate.”
- You may flatten the diphthong in the first syllable, turning /vaɪ/ into a shorter /va/; keep the glide for the /aɪ/ by finishing with a slight rise into /ɪ/ before the /breɪ/. - The middle /breɪ/ part often gets rushed; practice as ‘BRAY’ with strong bilabial closure on /b/ then light tap into /r/. - Final /ʃən/ can sound like /ʃn/ or /ʃən/; aim for a light schwa before the nasal, and don't cluster the final consonants. - In connected speech, people may reduce /vɪˈbreɪʃən/ to /vəˈbreɪʃən/; keep primary stress on /ˈbreɪ/ and avoid dropping the /ɪ/ entirely.
"The mobile phone emits a faint vibration when a notification arrives."
"Engine vibration can indicate a misfire or imbalance in the machinery."
"The speaker detected a vibration in the floor as the bass surged."
Pronounce it as vi-BRĀ-shən with stress on the second syllable. IPA US: vaɪˈbreɪʃən. Break it into three parts: /vaɪ/ (like 'vi' in video) + /ˈbreɪ/ (rhymes with ‘bray’) + /ʃən/ (shən). The middle syllable houses the primary stress and the long /eɪ/ vowel; ensure the /b/ is clearly released before the /r/. For natural rhythm, have a quick, light /ɪ/ or schwa in the final syllable in connected speech. Audio reference: imagine saying “vai-BRAY-shun” with a soft final syllable.
Common errors: 1) Making /br/ blend too breathy, producing a loose onset; keep a crisp /b/ and quickly move to /r/. 2) Underpronouncing the final /ən/ as /ən/ or /n/; aim for a light, unstressed schwa before the final /n/ to avoid truncation. 3) Misplacing stress, saying vi-BRA-tion; remember the stress is on the second syllable /ˈbreɪ/. Correct by tapping the syllables and clapping on the stressed beat. Practice with slow, exaggerated syllables first, then normalize.” ,
Across accents, the core segments stay, but vowel quality and rhotacism differ: US often has a clear /ɪ/ in the first syllable and a strong /r/ in /breɪ/; UK may show a slightly shorter /ɪ/ and non-rhoticity in some speakers, though /r/ is often present in careful speech; AU tends toward a non-rhotic pattern similar to UK but with more rounded vowel quality and a faint /ə/ in the final syllable. The primary stress remains on the /breɪ/ syllable in all three. IPA references help: US vaɪˈbreɪʃən, UK vaɪˈbreɪʃən, AU vaɪˈbreɪʃən.
The difficulty lies in the consonant cluster /br/ immediately after the diphthong /aɪ/ and the unstressed final /ən/. The /ɪ/ vs /eɪ/ contrast in the stressed syllable must be crisp, and you should avoid linking the /r/ or /ʃən/ to neighboring words in fast speech. Also, the sequence /br/ can trip learners due to timing: ensure a clean, brief closure of /b/ before a quick /r/. Practice with slow enunciated reps, then speed up.”},{
There is no silent letter in vibration. All three syllables carry distinct sounds: /vaɪ/ for the first, /ˈbreɪ/ for the second, and /ʃən/ for the final. The /tə/ sound patterns aren’t silent; the final syllable includes a light /ən/. Ensure you vocalize the /ɪ/ in the first syllable clearly and avoid dropping any segment in careful speech.
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- US: rhotic /r/ after vowels, richer /ɹ/ colouring; /ɪ/ is clearer when stressed, final /ən/ often reduced to [ən] or [n]. - UK: non-rhotic tendency in careful speech; /r/ only when linked; diphthongs tend to be more clipped; maintain /eɪ/ in the stressed syllable; - AU: non-rhoticish like UK; vowels often more centralized; watch for broader /ɪ/ in first syllable; IPA: vaɪˈbreɪʃən in all three, with subtle vowel shifts. - General tip: anchor your jaw and lips for the diphthong /aɪ/ by finishing with a relaxed, rounded /ɪ/ transition toward the /breɪ/ vowel.”,
Vibration comes from the Latin vibrare, meaning 'to shake, brandish.' The root vibere evolved into Old French vibération before entering Middle English as vibration. The modern sense of rapid oscillation emerged in the scientific vocabulary of the 19th century with advances in physics and engineering—where devices that vibrate transfer energy through a medium. Early discussions of musical and mechanical vibrations treated vibration as a periodic movement; as belligerent machinery and telecommunication expanded, ‘vibration’ broadened to include any periodic, rhythmic movement. The phrase ‘vibration’ in popular language adopted extended metaphorical meanings, such as a ‘vibrating atmosphere’ or the sense that something has a rhythmic resonance. The technical sense now encompasses mechanical, acoustical, and electromagnetic contexts, but the core idea—repeated motion around a central position—remains constant. First known use in English traces to the 17th century in physical discussions, gradually specializing as science and technology demanded precise terms for oscillation phenomena.
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Words that rhyme with "vibration"
-me) sounds
-ion sounds
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