TRIP-luht
/ˈtɹɪplət/
triplet is pronounced TRIP-luht (/ˈtɹɪplət/). Triplet refers to a set of three identical or similar items grouped together, such as three notes played in the time of two or three children born from the same pregnancy. In music, it denotes a rhythm where three beats occupy the time usually allotted to two, producing a distinct subdivided feel. In genetics or data, it can describe a trio of related elements. The term emphasizes a closeness or threeness within a sequence or concept.
Triplet refers to a set of three identical or similar items grouped together, such as three notes played in the time of two or three children born from the same pregnancy. In music, it denotes a rhythm where three beats occupy the time usually allotted to two, producing a distinct subdivided feel. In genetics or data, it can describe a trio of related elements. The term emphasizes a closeness or threeness within a sequence or concept.
- Misplacing stress by giving equal weight to TRI and PLET; keep primary stress on TRI and a short second syllable. - Over-articulating the final /t/; instead, deliver a light, quick /ət/ with minimal air for a clean release. - In rapid speech, inserting an extra vowel or lengthening the middle syllable; aim for a clipped /plət/ transition. - Confusing /pl/ with the /bl/ or /kl/ sound; maintain a simple plosive blend and avoid a heavy lip closure. - Failure to maintain a crisp /t/ release; practice with a final syllable snap and stop.
"In the melody, a triplet divides a beat into three equal parts."
"She played a rapid triplet figure on the piano."
"The orchestra inserted a triplet rhythm to accelerate the passage."
You pronounce it as /ˈtrɪ.plət/ in US and UK English, with primary stress on the first syllable. The initial /trɪ/ sounds like ‘TRI’ in rhetoric, the /pl/ blends quickly, and the final /ət/ is a light schwa plus a t, like “plit.” For Most Australian speakers, the /r/ is still rhotic in non-initial syllables, giving /ˈtrɪ.plət/. Listen to the breakdown: TRI-plet, where the second syllable is reduced to a soft /plət/; avoid inserting extra vowel before the t. Audio references: try Cambridge dictionary or Forvo entries for native clears.
Common mistakes include pronouncing the second syllable as /riː/ or /ri/ instead of a reduced /plət/, over-emphasizing the /t/ at the end, or inserting an extra vowel before the final consonant. To correct: keep the stress on TRI-, reduce the middle to a quick /pl/ cluster, and end with a brief, unstressed /ət/. Practice by chaining sounds: /ˈtrɪ/ + /plət/ in a quick, clipped rhythm. Focus on the transition from /r/ to /p/ without a lingering vowel.
US English typically maintains a rhotic /r/ and a clear /ɪ/ in /ˈtrɪ/. UK English keeps /ˈtrɪ/ with a non-rhotic or weakly rhotic approach in certain regions, still ending with /plət/. Australian English is rhotic and often features a tighter /ɹ/ onset and a compact /ət/ ending; some speakers may reduce the final /ət/ toward /ɪt/ or /ət/. Across all, the main differences are rhoticity and vowel length, while the consonant cluster /tr/ remains stable.
Because it combines a initial consonant cluster /tr/ with a light, unstressed final /ət/, requiring precise timing and a quick transition between a quick /pl/ and the soft end /ət/. The triad syllable boundary challenges speakers to avoid inserting a long vowel between /r/ and /pl/ and to maintain the crisp /t/ at the end. Additionally, the /ɹ/ or /ɻ/ in different accents can influence the rhythm, making it hard to keep the stress clean on TRI- while compacting the second syllable.
A unique aspect is the subtle vowel reduction in the second syllable and the final /ət/ forming a light, fast close to /plət/. The /r/ coloring and the /t/ release play critical roles: avoid a heavy final /t/ or a de-voiced ending; keep a short, relaxed final vowel. The pronunciation hinges on a tight /tr/ onset followed by /ɪ/ and a sharp /pl/ onset into /ət/.
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- US: rhotic /ɹ/ in onset, keep /trɪ/ crisp; the /t/ release should be audible but not forceful. - UK: may sound slightly more clipped in the final /ət/, with less vowel length; keep /ˈtrɪ.plət/ steady. - AU: often retains rhoticity; practice a compact /ɹ/ and a quick /pl/ transition; you may hear a slightly shorter /ə/ in the final syllable. IPA references help: /ˈtrɪ.plət/ across accents, with minor vowel quality shifts.
The word triplet comes from the combination of the prefix tri- meaning three, with -plet from the Latin duplicare via Old French pleter, ultimately from the Latin pellere ‘to fill, fill up’ in the sense of filling with three parts. The term appears in English in the late Middle English period as a descriptor for threefold groups or clusters. In music, triplets emerged in the Baroque and Classical eras as a standard rhythmic subdivision: three notes received the value of two of the same kind, creating a flexible, lilting feel. The genetic usage arose in modern biology to describe three offspring born from the same pregnancy, distinguishing from twins or single births. The general sense across domains is “three closely related items,” and the term gained specialized technical uses in music, dance, statistics, and genetics as a universal descriptor for triads or triadic groupings. First known written uses appear in 14th–15th century English texts for trio-like arrangements, with musical applications formalized in treatises by the 17th century and beyond.
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Words that rhyme with "triplet"
-ket sounds
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