tohn
/toʊn/
tone is pronounced tohn (/toʊn/). Tone refers to the quality or character of a sound, a speaker’s attitude, or the pitch contour of speech or music. It encompasses vocal timbre, intonation patterns, and emotional coloration. In linguistic terms, tone can indicate meaning through pitch variation across syllables or words, while in general use it describes attitude or mood conveyed by voice. (2–4 sentences, ~60–80 words).
Tone refers to the quality or character of a sound, a speaker’s attitude, or the pitch contour of speech or music. It encompasses vocal timbre, intonation patterns, and emotional coloration. In linguistic terms, tone can indicate meaning through pitch variation across syllables or words, while in general use it describes attitude or mood conveyed by voice. (2–4 sentences, ~60–80 words)
"Her tone softened when she spoke to the child."
"The instructor’s firm tone made the expectation clear."
"She spoke in a sarcastic tone, which changed the room’s mood."
Tone is pronounced with a single stressed syllable: /toʊn/ in US/UK/AU. Start with a light, rounded lip position for /oʊ/ (a mid- to close-mid back vowel), then glide to the velar nasal /n/. Keep the tongue high-mid near the soft palate but not touching; the mouth closes smoothly to produce the long, steady vowel followed by /n/. IPA: US /toʊn/, UK /təʊn/, AU /təʊn/. Listen for the pure, steady vowel without a following consonant cluster.
Common mistakes include shortening the vowel and making it a lax /tɔn/ or /tɔn/ (like 'tawn') and adding a nasalized ending that malforms the /oʊ/ glide. Another error is articulating /t/ too aggressively, creating an audible staccato rather than a smooth onset. To correct: start with a clean /t/ release, use a steady /oʊ/ glide from mid-open to close, and end with a light /n/ without vowel intrusion. Practice with a slow tempo and record yourself for feedback.
In US English, /toʊn/ features a clear, rounded /oʊ/ diphthong and a rhotic or non-rhotic ending depending on speaker; the /n/ is alveolar. UK English typically uses /təʊn/ with a slightly more centralized onset and often non-rhotic, but most RP realizations still end with a distinct /n/. Australian English uses /təʊn/ with a more centralized vowel and a softly released /n/. All share the same final /n/, but vowel quality and vowel-to-consonant transitions vary subtly by region.
Tone is tricky because the key feature is the precise vowel shape /oʊ/ formed by a moving tongue height and/or lip rounding that must be held steady while articulating a quick /n/ closure. Subtle coarticulation with surrounding words can shift quality, and rapid speech can blur the diphthong. Mastery demands controlling lip rounding, jaw position, and the timing of the /n/ release to avoid trailing off or overemphasizing the consonant.
A tone-specific nuance is keeping the /oʊ/ glide smooth and avoiding a stop-gap between the vowel and the final /n/. Mouth position should maintain a rounded, forward tongue posture during the diphthong, with the tongue finishing just behind the alveolar ridge for the /n/. Avoid elevating the tongue in a way that creates a secondary echo or an unintended vowel after /n/.
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The word tone comes from the Old English tone, from the Latin tonus via French ton. Its earliest senses related to musical sound, pitch, and the quality of voice. In Latin, tonus meant stretch or tension, which migrated to describe the pitch height or musical note in the medieval period. By the 14th–16th centuries, English usage broadened to describe syllabic pitch in speech (intonation) and, more broadly, the character or mood conveyed by vocal expression. In modern times, tone spans multiple domains: musical tone (frequency height), tonal languages (lexical pitch contrasts), and pragmatic tone (attitude conveyed through voice). The term’s evolution reflects a shift from purely auditory frequency to embedded social meaning—how listeners interpret intent, emotion, and stance from vocal and instrumental sound. First known use in English appears in translations influenced by Latin thesaurus and French musical terms, with growing frequency in early modern linguistic and literary critique about voice and style.
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Words that rhyme with "tone"
-one sounds
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