TAN-tuh-luhs
/ˈtæntələs/
tantalus is pronounced TAN-tuh-luhs (/ˈtæntələs/). Tantalus is a proper noun and mythic figure used in literature and science to denote endless, unreachable desire or reward. In everyday usage it refers to a person or situation that promises something desirable but remains just out of reach. The term is also used in scientific naming to imply tantalum, reflecting the mythic name’s enduring allure and unattainability.
Tantalus is a proper noun and mythic figure used in literature and science to denote endless, unreachable desire or reward. In everyday usage it refers to a person or situation that promises something desirable but remains just out of reach. The term is also used in scientific naming to imply tantalum, reflecting the mythic name’s enduring allure and unattainability.
- You often place too much emphasis on the first syllable; slow down to give the second syllable its natural weight: tan-TAL-us. - You over-pronounce the final -us; keep it as a weak schwa, /əs/. - You mispronounce the central /æ/; ensure a short, bright vowel like 'cat' and avoid turning it into /e/ or /ɛ/. - Correction tips: practice with minimal pairs tan-tan with ‘tan’ vs ‘tall’ to feel the second syllable. Use a metronome at 60 bpm, then 90 bpm to keep the rhythm. Record and compare with a reference pronunciation; aim for the two-beat rhythm where the middle syllable carries the stress. Breathe between syllables to avoid rushing.
"In the story, Sisyphus faced endless punishment, while Tantalus faced endless temptation."
"The physicist described the cold trap as a modern tantalus, endlessly attracting particles but never capturing them."
"Investors chased the latest startup with tantalus promises, only to be disappointed by unattainable outcomes."
Pronounce as tan-TAH-ləs in broad syllable breaks, with stress on the second syllable: /tænˈtæləs/ (US/UK). The first syllable uses the short a as in man, the second syllable features a clear æ in the stressed position, and the final syllable is a schwa with a light ‘s’ ending: /ə s/ or /-əs/. Keep the /l/ light but not silent. For audio reference, imagine saying 'tan-TAH-luhs' with a soft end. IPA: US/UK /tænˈtæləs/. Audio dictionaries can confirm the second-syllable emphasis and the final unstressed schwa.
Common errors: 1) Placing stress on the first syllable (tan-TAL-us mistake) — fix by practicing the two-beat rhythm with a slight delay before the stressed second syllable. 2) Merging the final 'us' into a strong 'us' (/juːs/ or /əs/) instead of a reduced /əs/ — practice a quick, relaxed schwa in the final syllable. 3) Mispronouncing the central vowel /æ/ as /e/ or /a:/ — cue: keep a short, bright /æ/ like ‘cat’ and avoid a lengthened vowel.
In US and UK, the primary difference is vowel quality and rhotics. US/UK both place the stress on the second syllable: tan-TAL-us. US speakers may have a slightly flatter /æ/ in the first two syllables; UK speakers may have a crisper /æ/ and less vocalization on the final syllable. Australian English tends to a slightly broader vowel in /æ/ and may introduce a faint non-rhoticity at the end, giving a softer /s/ or a light “-er” avoidance. Overall, the rhythm and stress pattern stay the same; the main variation is vowel height and final syllable aspiration.
Difficulties include crisp second-syllable stress and accurate vowel height in /æ/ and /æ/ that can drift toward /ɛ/ or /a/. The final /əs/ is often reduced quickly, risking a voiced or unrehearsed ending. Additionally, subtle second-syllable vowel length and lip rounding can trip speakers who aren’t emphasizing the correct syllable. With practice, focus on a sharp /æ/ in the stressed syllable and a clean, light /əs/ ending.
There are no silent letters. The word presents a straightforward three-syllable structure with a stressed second syllable. The tricky part is the short, precise /æ/ in the first two syllables and the unstressed final /əs/. You’ll benefit from slow, deliberate pronunciation during initial practice, then tăng speed while maintaining the same rhythm and tempo.
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- US: /tænˈtæləs/. Vowel /æ/ in both first and second syllables; final /əs/ is a reduced, unstressed ending. - UK: /tænˈtæləs/; slight vowel quality difference in the final syllable with a crisper /s/, and less vowel reduction in some speakers. - AU: /tanˈtæləs/ or /tæˈtæləs/? Preference varies; often the second syllable remains stressed. Expect non-rhotic tendencies, so final /s/ may be softer and the ending glides more. IPA references: US /tænˈtæləs/, UK /tænˈtæləs/ or /tænˈtæləz/, AU /tanˈtæləs/. Provide practice focusing on the central /æ/ and the final /əs/.
Tantalus originates from Greek myth, named after Tantalus, the legendary king of Lydia. The root is the Greek word tanthánō, meaning ‘to stretch’ or ‘to reach,’ reflecting the legendary punishment of standing in water with fruit just out of reach. In classical Greek literature, Tantalus is linked to extreme punishment for hubris and wrongdoing against the gods. The term evolved through Latin translations into European languages, where it became a literary device to describe unattainable desires or promises. In English, tantalus (often tantalize in base form) extends from these mythic associations, shaping usage in fiction, philosophy, and science as an emblem of enticing but unreachable rewards. The spelling and capitalization as “Tantalus” typically indicate the mythic figure, while lowercase “tantalus” can be used metaphorically. The earliest known English uses date back to the Renaissance as scholars adopted Greek myth terms to convey moral and existential themes, and later scientific discourse adopted the root in various compound terms and allusions to refractory or elusive phenomena.
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Words that rhyme with "tantalus"
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