2 syllables: shru, ti. Stress on shru.
SHROO-tee
/ˈʃruːti/
shruti is pronounced SHROO-tee (/ˈʃruːti/). It has two syllables (shru-ti), with the stress on "shru". Shruti is a term of Sanskrit origin used in Indian classical music and philosophy, referring to a precise pitch segment or microtone, and in Hindu scriptures it denotes auditory perception or that which is heard. In music, shruti marks the smallest perceptible interval, guiding intonation. The word has layered spiritual meaning as “that which is heard” and is foundational in melodic and liturgical practices.
Shruti is a term of Sanskrit origin used in Indian classical music and philosophy, referring to a precise pitch segment or microtone, and in Hindu scriptures it denotes auditory perception or that which is heard. In music, shruti marks the smallest perceptible interval, guiding intonation. The word has layered spiritual meaning as “that which is heard” and is foundational in melodic and liturgical practices.
"In Indian classical music, you’ll learn to tune notes to a shruti-level precision."
"The guru emphasized hearing the shruti as the basis for flawless intonation."
"She studied shruti alignment to ensure the raga performance stayed in tune."
Shruti is pronounced SHROO-tee, with the first syllable stressed. IPA: US/UK/AU typically /ˈʃruːti/. Start with a soft sh as in 'shrine,' then a long 'oo' vowel as in 'food,' followed by a crisp 'ti' with a light 't' and a quick 'ee' sound. mouth positions: /ʃ/ is a mid-palatal fricative, /r/ is alveolar tap, /uː/ is a high back vowel, /ti/ ends with a t, then /i/.
Common errors: misplacing the long vowel as a short /u/ (shruti pronounced as /ˈʃrʊti/). Another is mispronouncing the final /ti/ as /tiː/ or making the /r/ into a rolled /ɹ/ without a brief tap. Correct by keeping /uː/ length, producing a light alveolar tap for /r/, and ending with a precise short /t/ before /i/. Use tongue position: blade of the tongue near the alveolar ridge for /r/, not a hard trill.IPA targets: /ˈʃruːti/.
US/UK/AU share /ˈʃruːti/ but vowel quality and rhotics differ. US and AU typically maintain rhoticity in connected speech; UK often non-rhotic, but in careful speech you still hear /ɹ/ location. The /ʃ/ remains the same, /r/ may be a tapped or approximant depending on dialect, and the /i/ at the end is a short high front vowel in careful speech (/i/ or /iː/). Ensure the first syllable has the long /uː/ and a crisp /t/ before /i/.
The difficulty lies in maintaining a precise long /uː/ vowel while transitioning to a light /t/ before /i/; the alveolar /r/ can be subtle (tap vs. approximant), and the cluster /ruː/ must stay evenly voiced before the voiceless /t/. Tiny mouth adjustments—high back tongue position for /uː/, contact at the alveolar ridge for /t/ and /r/—are required, with careful breath control to avoid a clipped final syllable. IPA cues: /ˈʃruːti/.
Shruti relies on auditory micro-interval awareness; some speakers lengthen the first vowel slightly more before the /t/, emphasizing the second syllable’s crisp /ti/. This slight lengthening can vary by speaker and tradition. The key is keeping the /uː/ duration steady while not letting the /t/ become aspirated or too delayed before the /i/. Visualize a gentle, evenly spaced beat: /ʃ/—/ruː/—/ti/.
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Shruti derives from Sanskrit shruti, from the root shru- meaning 'to hear' or 'to listen.' This term appears in early Vedic and Upanishadic literature to denote what is heard or revealed through auditory perception, and later becomes a technical term in Indian music for the smallest audible pitch interval. In the Śruti-based music theory of Hindustani and Carnatic traditions, shruti specifies the microtonal subdivisions within a note, often described as 22 shrutis per octave in classical recitation and tuning systems, though practical usage varies with each tradition. Historically, shruti also linked to the idea of revealed or heard knowledge in the Vedas, where it signified the authoritative sound transmitted orally. The concept of shruti as an exact pitch unit became formalized with treatises on tuning and intonation, and remained central to both vocal and instrumental pedagogy across centuries. First known use in ancient Sanskrit literature predates modern musical notation, illustrating the long-standing interplay between hearing, perception, and performance in Indian auditory culture.
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Words that rhyme with "shruti"
-uty sounds
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