shahts
/ʃɑts/
shots is pronounced shahts (/ʃɑts/). A plural noun or verb form meaning small, cylindrical projectiles or to fire a weapon, or to measure a serving in a quick, informal way. In pronunciation terms, it is a short, clipped plural with final /s/ that follows a short vowel in typical American English; in some contexts it can be de-emphasized in rapid speech. The word commonly appears in casual speech and sports/medical contexts alike.
A plural noun or verb form meaning small, cylindrical projectiles or to fire a weapon, or to measure a serving in a quick, informal way. In pronunciation terms, it is a short, clipped plural with final /s/ that follows a short vowel in typical American English; in some contexts it can be de-emphasized in rapid speech. The word commonly appears in casual speech and sports/medical contexts alike.
"He took three shots before the end of the game."
"The camera captured close-up shots of the sunset."
"She hors d’oeuvre bites were served in shot-length portions."
Pronounce as /ʃɑts/ (US) or /ʃɒts/ (UK/AU). Start with the “sh” blend, then a short open-mid back vowel. End with a clear voiceless /t/ plus a final /s/. Your tongue should stay near the alveolar ridge for the /t/ release, and the lips stay relaxed. If you’re hearing a difference between US and UK/AU, note the vowel quality in the first syllable: /ɑ/ (US) versus /ɒ/ (UK/AU). Audio reference: try recording yourself saying “shots” and compare to native examples on Pronounce or Forvo.
Two frequent errors are: 1) Lengthening the vowel too much, turning /ɑ/ into a fuller /ɑː/ and sounding like “chaots.” 2) Weakening or delaying the /t/ so it blends into the /s/ (e.g., /ʃɑs/). Correction: keep a crisp release of /t/ before the final /s/ to achieve /ʃɑts/. Ensure clear voiceless /s/ after the /t/ and avoid postvocalic voicing. Practice with a deliberate pause before the /s/ to emphasize the final consonant cluster without sounding like “shots” without a release.
In US English, /ʃɑts/ with a short, flat /ɑ/. UK/AU often use /ʃɒts/ with a shorter, rounded /ɒ/ and the /t/ a lighter tap in rapid speech. Rhoticity affects adjacent sounds more than the target word itself; however, US rhotics may color the preceding /ɹ/ if in phrases like “shots on.” Australians preserve the /ɒ/ vowel but may have slightly tighter mouth closure and faster tempo in casual speech. Overall, the core is the /ʃ/ onset and final /ts/ cluster, with vowel quality being the main difference.
The difficulty lies in the abrupt /t/ release into /s/ in a consonant cluster, plus maintaining a short, lax vowel before the cluster. Learners often either over-pronounce the /t/ or omit it, producing /ʃɑs/ or /ʃæts/ with a mis-timed /s/. The rapid transition requires precise tongue positioning: tip behind the alveolar ridge for /t/, blade for /ʃ/, and a quick, voiceless /s/. Additionally, dialectal variability can shift vowel length and quality in fast speech, challenging consistent production.
The vowel in shots is a short, lax back vowel. In American English, it tends toward /ɑ/ as in cot-cot contrasts are common, so /ʃɑts/ is typical. In many UK/AU varieties, the vowel is nearer to /ɒ/ (as in lot). It is not a long vowel; keep it short and relaxed. The exact quality can shift with surrounding sounds and regional variation, but the target remains a short back vowel before a consonant cluster after /ʃ/.
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US: /ʃɑts/ with a lax /ɑ/ and crisp /t/ before /s/. UK/AU: /ʃɒts/ with a shorter, rounded /ɒ/ and sometimes a light /t/ in rapid speech. In all, keep the /t/ released and clearly audible before /s/, and ensure the /s/ is voiceless and slightly aspirated. Vowel length is reduced in fast speech; avoid elongating the first vowel. IPA reminders: note the transition from the tongue blade to the tip for /t/; keep lips relaxed for /s/ unless in a coarticulated phonation of the phrase.
The word shots derives from the sense of “to shoot” and the associated noun for small projectiles. In Middle English, similar forms appeared as schotes or shottes, tied to the Old English scōt, and the act of shooting or striking with a weapon. The sense of “a single firing” evolved in parallel with the verb shoot; by the 16th century, shot referred to a discharge or the ammunition used in archery and firearms. Over time, the modern plural shots emerged to describe multiple projectiles or attempts, and in colloquial usage expanded to include “shots” of liquor or measurements taken in rapid succession as in photography or sports broadcasting. The term’s flexibility mirrors broader English patterns where nouns derived from verbs gain pluralized senses to indicate instances, opportunities, or servings, often in casual registers. The word’s semantic breadth—from weaponry to photography to culinary or beverage servings—reflects its short, crisp phonology and its utility as a concrete count noun in everyday speech. First known written uses appear in the 16th–17th centuries in English legal and military texts, with the modern sense of multiple attempts proliferating in the 20th century through sports commentary and mass media.
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Words that rhyme with "shots"
-ots sounds
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