SHAH-king
/ˈʃɑkɪŋ/
shocking is pronounced SHAH-king (/ˈʃɑkɪŋ/). Shocking is an adjective describing something that causes intense surprise, fear, or disgust. It often signals a sudden, startling effect or revelation and is used to convey strong emotional impact. The form can function as a noun in set phrases, but is most commonly an attributive or predicative descriptor in everyday language.
Shocking is an adjective describing something that causes intense surprise, fear, or disgust. It often signals a sudden, startling effect or revelation and is used to convey strong emotional impact. The form can function as a noun in set phrases, but is most commonly an attributive or predicative descriptor in everyday language.
"The footage showed a shocking scene that left viewers speechless."
"It was shocking to learn how overlooked the issue had been."
"The projectile’s impact created a shocking blast that rattled nearby windows."
Pronounce as SHOCK-ing with primary stress on SHOCK. In IPA for US: /ˈʃɑː.kɪŋ/ (British often /ˈʃɒk.ɪŋ/), Australian typically /ˈʃɒk.ɪŋ/. Start with a long back lax vowel in the first syllable (US: /ɑː/; UK/AU: /ɒ/), then a short /ɪ/ in the second syllable and a final /ŋ/. Keep lips rounded for the /ɒ/ or /ɑː/ if your accent supports it, and finish with a velar nasal. Think “SHAWK-ing” but short, crisp consonant release for American practice and a slightly shorter second vowel in UK/AU variants.
Common errors include reducing the first syllable to a lax /ʃɒk/ with a weak vowel, or slurring the second syllable so it sounds like /ˈʃɒkɪŋ/ quickly into /ɪŋ/. Another pitfall is misplacing vowel quality: Americans may produce a broader /ɑː/ or /ɒ/ depending on region, UK speakers may shorten the first vowel too much. Correct by maintaining clear separation: /ˈʃɒk.ɪŋ/ or /ˈʃɑː.kɪŋ/ with the /k/ released crisply, and the /ɪ/ clearly voiced before the final /ŋ/.
US tends to have a beansier /ɑː/ in the first syllable with rhotic influence in connected speech, UK tends to a shorter /ɒ/ with non-rhoticity and crisper /k/ release, AU generally mirrors UK but with distinctive vowel shifts and smoother linking; some speakers may vocalize the /ɒ/ more openly. In all, the final /-ŋ/ remains a clear velar nasal. Pay attention to the first vowel length and rhoticity (US) vs non-rhotic rhotic behavior (UK/AU).
The challenge lies in the vowel quality of the first syllable and the rapid transition to the /k/ and /ɪ/ sequences. Achieving a distinct /ʃ/ onset with a proper mouth opening for the /ɒ/ or /ɑː/ before /k/ requires careful tongue retraction and jaw position, followed by a crisp /k/ release and a short /ɪ/ before the /ŋ/. Practice enforcing a clean syllabic boundary and precise consonant timing to prevent blending.
The word’s unique feature is the immediate transition from a strong stressed syllable to a light, high-fronted /ɪ/ before the final /ŋ/. This requires maintaining strong jaw closure for the /k/ while allowing the tongue to relax into the lax /ɪ/ before the nasal. Focus on timing: ensure the /k/ is released before the /ɪ/ begins, preventing a clipped /ɪŋ/ instead of a clean /ɪŋ/.
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- US: Aim for a broader, more opened first vowel in stressed syllable (often /ɑː/), rhoticity may color vowels in connected speech; emphasize /ˈʃɑː.kɪŋ/ with clear /k/ release and short /ɪ/. - UK: Shorter first vowel, non-rhotic; often /ˈʃɒk.ɪŋ/ with crisp /k/ and a tight /ɪ/ before /ŋ/. Use less lip rounding than US; keep /ɒ/ compact. - AU: Similar to UK, but with Australian vowel inventory; may hear slight /ɒ/ to /ɒː/ shift depending on speaker; ensure non-rhoticity and clear /k/ release. IPA references provided above help align with local norms.
Shocking comes from the verb shock, dating to the Middle English schokken (to strike suddenly). The noun shocky, sense of ‘overwhelming surprise’ emerged in Early Modern English, with the adjective form shocking appearing by the 17th century to describe startling events or revelations. The core sense centers on abrupt, forceful impact—emotional or physical. Over time, shocking often connotes something morally unsettling or disturbing, intensifying the affective charge beyond mere surprise. The word traveled from general ‘to strike or jolt’ to ‘causing strong emotional reaction,’ and evolved to include social or ethical implications (a shocking scandal, shocking behavior). In contemporary usage, shocking can also serve as an intensifier, as in “a shocking number,” though that broadens the exact semantic slot. First known use evidence points to Shakespearean and post-Elizabethan prose, with printed usage becoming common in the 18th and 19th centuries as journalism popularized dramatic phrasing.
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💡 These words have similar meanings to "shocking" and can often be used interchangeably.
🔄 These words have opposite meanings to "shocking" and show contrast in usage.
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Words that rhyme with "shocking"
-ing sounds
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