sen-sit-IV-it-eez
/ˌsɛnsɪˈtɪvɪtiz/
sensitivities is pronounced sen-sit-IV-it-eez (/ˌsɛnsɪˈtɪvɪtiz/). Sensitivities refers to the quality or state of being sensitive, especially the tendency to be easily affected by external stimuli or to have acute perception. In plural form, it can denote multiple areas of heightened awareness or vulnerability, including emotional, social, or physical sensitivities. The term is commonly used in psychology, medicine, and everyday discourse to discuss nuanced responses or concerns about subtle cues or impacts.
Sensitivities refers to the quality or state of being sensitive, especially the tendency to be easily affected by external stimuli or to have acute perception. In plural form, it can denote multiple areas of heightened awareness or vulnerability, including emotional, social, or physical sensitivities. The term is commonly used in psychology, medicine, and everyday discourse to discuss nuanced responses or concerns about subtle cues or impacts.
- You often misplace the primary stress, saying sen-SI-vi-ties or sen-sih-VI-tiess. Fix: mark the stress on the third syllable with a firm /ˈtɪv/ and keep the rest lighter. - The vowels in the middle can drift toward long /iː/ or reduced schwa. Practice /sɛn/ or /sɛn/ for first, /sɪ/ for second, and a crisp /ˈtɪv/ for the third, final /tɪz/. - Final -ties pronounced as /-tiz/ (short i) rather than /-tiːz/. Make sure you end with the short 'i' sound followed by z.
"Her sensitivities to bright lights made it hard for her to work in the sunny office."
"The company acknowledged the customers' sensitivities around data privacy and revised its policy."
"Parents should consider the sensitivities of children with sensory processing differences."
Pronounce as /ˌsɛn.sɪˈtɪv.ɪ.tiz/ in US and /ˌsen.sɪˈtɪ.vɪ.tiz/ in UK. The primary stress falls on the third syllable '-TIV-'. Start with 'sen' [sɛn], then 'si' as 'si' in sit, then 'vi' as 'vih', and end with 'tiz' /tiz/. Make sure the second syllable is light, and the final '-ties' sounds as 'ti-iz' with a clear z. Practice: sen-sih-TIV-ih-teez.
Common errors: misplacing the stress (putting it on the first or second syllable instead of the third), pronouncing the second 'i' as /i:/ as in 'see' rather than a short /ɪ/ as in 'sit', and blending the final '-ties' as /-tiːz/ instead of /-tɪz/. Correction: emphasize the third syllable with a crisp /ˈtɪv/ and keep the final /-ɪtiz/ or /-ɪtɪz/ depending on the accent. Slow, then speed up while maintaining the syllable rhythm.
In US you’ll hear /ˌsɛn.sɪˈtɪv.ɪ.tiz/ with lighter /ɪ/ vowels and a more pronounced schwa in unstressed syllables. UK typically /ˌsen.sɪˈtɪ.vɪ.tiz/ with a slightly shorter first vowel and less rhoticity; AU mirrors US but often dries vowels slightly and keeps the final /tiz/ crisp. The rhoticity isn’t a primary factor here, but vowel quality, vowel length, and the linking /ɪ/ between syllables can vary. Pay attention to the central vowel in “-vi-” and keep the final /tiz/ clear.
The difficulty comes from the multi-syllable structure and the cluster 'sens-' followed by 'i-' and the mid-stressed 'tiv' sequence. The main challenge is the third-syllable stress and ensuring the /ɪ/ in 'ti' isn’t reduced to a schwa. The final '-ties' requires a crisp /tɪz/; slight assimilation can turn it into /tiz/ or /təz/. Focus on the sequence sen-sih-TIV-ih-tiz with strong but natural rhythm.
No silent letters in sensitivities. Every letter contributes to the syllable structure and stress pattern. The challenge is not silent letters but accurate vowel sounds and timing across the four mid-to-long syllables. Ensure you articulate /sɛn/ or /sen/ at the start, the /sɪ/ second syllable, and the strong /ˌtɪ/v/ sequence before the final /tiz/.
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- US: stress the third syllable, use a clear /ɪ/ in /tɪ/ and a faint schwa in second syllable; rhotic if you’re strong with 'r' but this word isn’t rhotic-specific. - UK: slightly shorter vowels, keep /ˈsen.sɪˈtɪ.vɪ.tiz/ with crisp final /tɪz/. - AU: tends to flatter vowels, keep the sequence smooth with less vowel length differences; maintain final /-tiz/ crisp. IPA references help anchor your vowels.
The word sensitivities comes from sensitivity, which originates in Late Latin sensitivitas, from Latin sensus ‘feeling, perception’ plus the suffix -ity. The Latin root sens- relates to feeling and perception (sensus). English borrowed sensitivity in the 16th century, capturing the property of being easily affected or perceptive. The plural form sensitivities emerged through standard English morphology by adding -ities to form a plural abstract noun for multiple salient qualities or domains of sensitivity. Over time, the term broadened from physiological and sensory contexts to psychological, social, and political realms, where “sensitivities” refer to nuanced reactions, cultural awareness, and emotional or moral considerations. In modern usage, it frequently appears in professional settings (privacy, healthcare, inclusivity) and everyday discussions about caution and tact in responses to external cues or individual differences. First known attestations appear in medical and philosophical texts of the 18th–19th centuries, with broader adoption in social science discourse in the 20th century as the concept of subjective experience gained analytic prominence.
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Words that rhyme with "sensitivities"
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