RITH-uhmz
/ˈɹɪðəmz/
rhythms is pronounced RITH-uhmz (/ˈɹɪðəmz/). Rhythms refers to the patterns of sounds and silences in music or speech, created by the arrangement and duration of stressed and unstressed syllables. It describes the beat and tempo-driven organization that gives flow and momentum to language or melody. Although typically used in music, rhythms also describe recurring patterns in spoken language, movement, and timing in performance.
Rhythms refers to the patterns of sounds and silences in music or speech, created by the arrangement and duration of stressed and unstressed syllables. It describes the beat and tempo-driven organization that gives flow and momentum to language or melody. Although typically used in music, rhythms also describe recurring patterns in spoken language, movement, and timing in performance.
"The rhythms of the drumbeat set the mood for the entire song."
"Poets study rhythms to create a musical cadence in their lines."
"Dance instructors emphasize rhythm to sync steps with the music."
US: /ˈrɪð.ðəmz/ or more commonly /ˈrɪð.əmz/ with a reduced second syllable; the dominant articulation is /ˈrɪð·əmz/ with a light, almost schwa-like /ə/ in the second syllable. UK: /ˈrɪð.ðəmz/ or /ˈrɪð.əmz/, similar to US but with a slightly shorter /ɪ/ quality. AU: /ˈrɪð.əms/ or /ˈrɪð.ə.mz/, can reduce the second syllable more in rapid speech. In fast connected speech you may hear /ˈrɪðəmz/ with a single, quick middle vowel. Always keep the dental fricative /ð/ clear before the final unstressed schwa.
Two fail points are (1) pronouncing the second syllable as a full vowel nucleus (/riːðˈɛmz/), and (2) dropping the /ð/ sound or misplacing it. Correction: keep the first syllable stressed with /ˈrɪð/ and ensure the second syllable uses a reduced /ə/ before /mz/, so you say /ˈrɪð.əmz/ or /ˈrɪð.ðəmz/ depending on rhythm. Practice by isolating /ð/ with a dental tip, then blend into an /ə/ before /mz/ while maintaining voicing.
US typically yields /ˈrɪð.əmz/ with a shorter, subtle second vowel and possible /ð/ to /d/ in fast speech, while UK often preserves a clearer /ð/ in the first syllable, producing /ˈrɪð.ðəmz/. Australian tends to reduce the middle vowel further and may merge syllables slightly, sounding like /ˈrɪð.əmz/ or /ˈrɪð.əms/. Across all, the final voiceless/voiced ending stays as /z/ or /s/ depending on voicing of the preceding consonant; careful voicing in fast speech matters for naturalness.
Rhythms packs a rare dental fricative cluster in onset and coda positions with reduced vowels and complex consonant transitions. The /ɪ/ versus /ɪ/ in fast speech, the /ð/ sound before a vowel, and the final /mz/ cluster demand precise voicing and place-of-articulation. It’s easy to drop the /ð/ or make it a /d/ or /z/; the solution is slow, deliberate transitions, then gradual speed. Maintain the alveolar edge of /ð/ and keep voicing of /m/ and /z/ continuous.
Unique to 'rhythms' is the tandem /ð/ sound sequence in an initial and medial position and the reduced vowel in the second syllable, which is uncommon in many English words. This pair of dental constructions, followed by a /mz/ consonant cluster, makes the word sensitive to coarticulation with neighboring sounds. Focus on a clean /ð/ in both positions, then release into a light /ə/ before /mz/ to preserve natural rhythm.
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Rhythm comes from Old French rhythme, which itself derives from Latin rhythmus, from Greek rhythmos (rhythmos), borrowed from the Greek verb rythizein meaning to measure rhythm, from rhuthmos meaning any measure, cadence, or stream. The family of words shares roots with Greek rheuma and rhythros, all denoting measured flow. In Greek, rhythmos signified measured movement in music and poetry, later expanding to describe the pattern of accented and unaccented syllables in language and performance. In English, rhythm was adopted in the 14th century via Old French rhythme, initially used mainly in musical contexts, later broadening to linguistics and metrical poetry. The word evolved to denote not only the audible cadence but also the timing and repetitiveness found in natural speech and movement. The concept became central in poetry, music theory, dance, and neurolinguistic studies of timing, with modern usage spanning from everyday speech cadence to complex rhythmic structures in music production and data patterns. Rhythm continues to be a fundamental feature in phonology and prosody, signifying the organization of sound over time across cultures and disciplines.
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Words that rhyme with "rhythms"
-ths sounds
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