3 syllables: re, vis, ta. Stress on vis.
riv-EE-stuh
/rɪˈviːstə/
revista is pronounced riv-EE-stuh (/rɪˈviːstə/). It has three syllables (re-vis-ta), with the stress on "vis". Revista is a feminine noun in Spanish for a magazine. It can also refer to a periodical or review in some contexts. In English, it can appear as a loanword to denote a periodical or fashion/society magazine. The term is commonly used in Spanish-speaking media and Latin American contexts to designate a publication, often with glossy or formal connotations.
Revista is a feminine noun in Spanish for a magazine. It can also refer to a periodical or review in some contexts. In English, it can appear as a loanword to denote a periodical or fashion/society magazine. The term is commonly used in Spanish-speaking media and Latin American contexts to designate a publication, often with glossy or formal connotations.
- You’ll often shorten the second syllable or flatten the accent; keep it long and steady: /ˈviː/. - The final -ta can be mispronounced as -ta or -ta; ensure a crisp/t sound: /tə/ or /tə/ depending on dialect. - Beginners sometimes use a rolled /r/ or a heavy Spanish trill; keep a light, quick alveolar tap or approximant if speaking English contexts. - In Spanish, stress is intrinsic to word: re-VIS-ta; do not shift to RE-vis-ta or re-vis-TA; ensure the second syllable carries emphasis.
"I bought la revista de moda para inspirarme."
"La revista publica entrevistas exclusivas con artistas."
"La editorial lanzó una edición especial de la revista."
Pronounce as re-VIS-ta. In IPA: US/UK/AU: rɪˈviː.stə. El acento recae en la segunda sílaba, con la vocal de la sílaba tónica alta y larga: /ˈviː/ como en 'see'. Articulación suave de la /r/ inicial, seguida de la schwa breve /ɪ/ en many settings en inglés, pero en español el sonido es /e/ cercano a 'eh' en 're-'. Mantén la -sta final clara, s suave y t crisp al final, sin silabear. Para angloparlantes: practicar el sonido medial /viː/ con una vocal larga. Escucha ejemplos en Cambridge Dictionary o Forvo para ver variaciones regionales.
Common errors: 1) pronouncing the second syllable with a short /ɪ/ or /ɪ/ as in 'kit', instead of /viː/. Correction: elongate /i/ to /iː/ or use /iː/ in stressed syllable. 2) devoicing final /t/ to /d/ or weakening it; correction: produce a crisp /t/ with a light, released stop at the end. 3) rolling the initial /r/ too much or as a Spanish alveolar trill; correction: use a light alveolar tap /ɾ/ or approximant /ɹ/ depending on influence; keep a clean single-tap with minimal friction. Practise with minimal pairs: re-VIS-ta vs re-VIS-da etc.
Across accents, the core vowels stay /ɪ/ or /iː/ in the second syllable depending on speaker. In US English: r-colouring is rhotic; /r/ may influence the following vowel slightly, but the stressed /ˈviː/ remains. UK English: non-rhotic tendencies, much like /ˈrɪːviːstə/ in careful speech, though loanword may preserve /r/ only in some speakers. Australian: tends toward non-rhotic with vowel quality close to /ɪ/ or /iː/ for the second syllable; final /t/ is released crisply. The main differences are rhoticity and vowel duration; final stop clarity. Always aim for the Lisbon to maintain /viː/ in the stressed syllable.
Key challenges: 1) Maintaining correct stress on the second syllable in English contexts where stress patterns differ; 2) Producing the long /iː/ vowel in /viː/ without reducing; 3) Ending with a precise /t/ without releasing too soon or too softly; 4) If pronouncing in English, the unexpected presence of /r/ in rhotic variants can slightly color the preceding vowel. Practicing with IPA helps: rɪˈviː.stə; keep the tongue high for /iː/ and avoid a heavy trailing /ə/.
A distinctive aspect is the combination of a long stressed central vowel in the second syllable /iː/ with a clean, unreleased /t/ final in many English renderings. For Spanish, the second syllable uses a pure /i/ or near /iː/ and the final consonant is crisp. Fine-tune by listening to Spanish language media and mimic the crisp, clear -sta ending and the long /iː/ in the stressed syllable.
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- US vs UK vs AU: American speakers often preserve the /ɹ/ sound and the long /iː/; UK speakers may de-emphasize the rhoticity in careful speech, keeping /ˈrɪviːstə/ or /ˈrɛviːstə/ depending on influence. Australian accents may show a more centralized /ɪ/ with less vowel length; the final /t/ remains crisp. Use IPA-based practice to align each variant: US r-colored /rɪˈviːstə/, UK /rɪˈviːstə/, AU /rɪˈviːstə/. Focus on /viː/ length and the final /sta/ or /stə/ depending on dialect. Ensure your mouth positions: lips relaxed but not spread widely; tongue high for /iː/; tip of tongue touches alveolar ridge for /t/.
Revista proviene del latín revisare, que significa ‘volver a ver’ o ‘revisar’. En español, el sustantivo apareció en tiempos modernos para designar publicaciones periódicas que se revisan o actualizan con regularidad. La palabra latina revisa deriva de re- ‘de nuevo’ y visus ‘visto’, combinando la idea de volver a ver o revisar contenidos. En español, el sufijo -ita se usa para formar sustantivos femeninos diminutivos o afectivos, pero en este caso ayuda a indicar un tipo o clase de publicación. A lo largo de los siglos, revistas se consolidaron como formatos impresos con secciones fijas (ficción, noticias, moda, arte) y mayor circulación a partir del siglo XIX y XX, especialmente con el auge de la prensa ilustrada. En contextos hispanohablantes, el término se popularizó para distinguir publicaciones periódicas frente a libros o folletos. En inglés, la adopción de revista como palabra extranjera suele conservar la marca de estilo y modismos hispánicos, especialmente cuando se refiere a revistas de moda, arte o cultura. En resumen, revista evoluciona de una idea de revisión a una categoría editorial completa con identidad visual y seña de calidad periodística.
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Words that rhyme with "revista"
-sta sounds
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