rig-RETS
/ɹɪˈɡɹɛts/
regrets is pronounced rig-RETS (/ɹɪˈɡɹɛts/). Regrets refers to feeling sorrow or remorse for past actions, typically accompanied by a wish that one could undo them. As a noun (and verb form in phrases), it denotes a sense of penitence or disappointment about circumstances or choices. In everyday use, it often conveys unresolved emotional weight or speculative lament about what might have been.
Regrets refers to feeling sorrow or remorse for past actions, typically accompanied by a wish that one could undo them. As a noun (and verb form in phrases), it denotes a sense of penitence or disappointment about circumstances or choices. In everyday use, it often conveys unresolved emotional weight or speculative lament about what might have been.
- You might stress the first syllable (RE-grets) instead of the second (ri-GRETS). The fix: practice saying ri-GRETS in isolation, then in phrases, emphasizing the second syllable with a light tap of the tongue for the /ɡr/ onset. - Final /ts/ can be softened in rapid speech to /s/ or a quick /t/. Work on a crisp alveolar affricate by stopping air momentarily and releasing with a small burst. - The /ɪ/ in the first syllable might be confused with /eɪ/ or a schwa; keep it short and tense. Use minimal pairs like “rid/rat” to lock in the /ɪ/ sound. - Dreaming of a longer vowel in the second syllable isn’t correct here; keep /ɛ/ short and crisp to land the final /ts/ cleanly. Correction tips: record yourself, compare to native samples, and slow down to build precision before speeding up.
"She has several regrets about not pursuing music earlier in life."
"He regrets missing the crucial meeting and the opportunity it cost him."
"They regret the decision, knowing it affected the project’s outcome."
Pronounce as /rɪˈɡrɛts/. The primary stress falls on the second syllable: ri-GRETS. Start with a short “ri” like “rid,” then a clear “gret” with a short e as in “bets,” and end with a crisp /s/. In careful speech, you can audio-check via resources like Forvo or YouGlish to hear natural usage in context.
Common errors include misplacing the stress (saying RE-grets) and voicing the final consonant incorrectly, such as turning /ts/ into /t/ or /d/. Another slip is elongating the vowel in the first syllable (ri-GRETS). Correct approach: keep stress on the second syllable, end with a clear /ts/ or /t/ depending on speed, and avoid vowel lengthening. Practicing the exact /ɪ/ in the first syllable helps avoid a confused “ree-grets.”
In US and UK, the vowel in the first syllable remains a short /ɪ/ as in “kit,” with the main vowel in the second syllable as /ɛ/ in “bet.” The final /ts/ cluster often reduces slightly in rapid speech, sometimes sounding like /s/ or /t/ in some dialects. Australian speakers tend toward a slightly more centralized vowel in the first syllable and may reduce the final /ts/ cluster in quick speech. Overall, the primary stress on the second syllable persists across accents.
The challenge lies in the two-syllable rhythm and the final voiceless consonant cluster /ts/. Learners may misplace stress on the first syllable, produce a long vowel in the first syllable, or avoid the final /t/ leading to /s/ only. Tension-free oral posture and precise tail-end articulation help: end with a crisp /ts/ or, in fast speech, a glottalization in some dialects. Practice with a slow-to-fast progression to stabilize timing and consonant release.
Yes. The plural noun form accents a strong second syllable stress in typical usage, which can clash with surrounding phrases in rapid speech. The /ɹ/ initial is relatively strong and must be followed by a light, short /ɪ/. The transition from /ɪ/ to /ɡr/ can be tricky because it requires quick, clean onset of the /ɡr/ cluster, not a prolonged pause. Keeping the mouth ready for the /ɡ/ release will make the transition smoother.
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- US: rhotic /ɹ/ is pronounced; keep the tongue high but relaxed, and the /ɛ/ in the second syllable is clear, not centralized. - UK: /ɹ/ is often non-rhotic in some accents, which can affect the perceived placement of the /r/; maintain the /ɹ/ only in connected speech where applicable. /ɛ/ remains as a short vowel; end with a crisp /ts/. - AU: tends toward a slightly more centralized vowel in /ɪ/ and may have lighter /t/ releases; keep the /ts/ release distinct and avoid vowel shifting. All: reference IPA markers for precision; practice with minimal pairs and mirror cues to position lips for /t/ release and /s/ voicing.
Regrets comes from the Old French regret, from regreter (to lament, to bewail), derived from the Latin regretare, a frequentative form of regere meaning to guide or rule, but here used in the sense of lament over what is done or not done. The English noun form emerged in the late Middle English period, retaining the sense of sorrow or compunction about a past action. Through the centuries, the word broadened to cover polite expressions of regret, like apologies, and finally generalized to personal remorse and lament. The word cognates with regret and regretted; regret entered English from Old French, which borrowed from Latin regertare (to grieve vividly), with the original sense tied to lamentation. First known use in English literature appears in the 14th–15th centuries, aligning with the growing legal and moral discourse on accountability and personal responsibility. Over time, regret evolved to include emotional nuance beyond moral fault, encompassing speculative disappointment about possibilities not realized or choices not made. Modern usage solidified around emotional states and admissions of fault, with contemporary collocations like “regret doing” or “live with regrets,” reflecting both introspection and social nuance in communication.
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Words that rhyme with "regrets"
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