ris-EYE-tuhlz
/ɹɪˈsaɪtəlz/
recitals is pronounced ris-EYE-tuhlz (/ɹɪˈsaɪtəlz/). Recitals is the plural form of recital, meaning formal public performances or a series of performances, often by musicians or speakers. The word typically refers to a curated program or set of performances, sometimes within a larger concert or event. In usage, it can describe multiple individual performance events or the repertoire presented in such events.
Recitals is the plural form of recital, meaning formal public performances or a series of performances, often by musicians or speakers. The word typically refers to a curated program or set of performances, sometimes within a larger concert or event. In usage, it can describe multiple individual performance events or the repertoire presented in such events.
"- The music department organized several chamber recitals this semester."
"- Her poetry recitals drew a large audience."
"- The public library hosted a series of evening recitals."
Pronounce as rɪ-ˈsaɪ-təlz. Stress falls on the second syllable (si). Start with an alveolar trill-free r, then a clear /r/ onset for the syllable, a long /aɪ/ as in “sigh” for the second syllable, a light schwa or short /ə/ in the third, and end with a voiced z. Think: re-SIGH-tulls, with the final z after the t. IPA: /rɪˈsaɪ.təlz/. Audio: use reputable dictionaries or Pronounce for native-pronunciation examples.
Common mistakes: misplacing stress (e.g., /ˈrɛsɪtɔːl/ or /ˌriːˈsɪtəlz/), mispronouncing the /saɪ/ as /siː/ or /sai/ with a long vowel stretch, and slurring the final /lz/ into a simple /l/ or /z/. Corrections: keep the tonic stress on the second syllable, use the diphthong /aɪ/ for the “si” part, and articulate a crisp /t/ before the final /əl/ plus /z/. Practice with minimal pairs like rɪ-ˈsaɪ-təlz vs. ri-ˈsaɪ-təlz.
In US, UK, and AU, the main differences are rhoticity and vowel quality. US tends to be rhotic; /r/ is pronounced in r- controlled syllables. UK often non-rhotic in many accents; postvocalic /r/ is weaker or non-pronounced before vowels. AU is rhotic but vowels can be more centralized and vowel qualities differ slightly. The key core /rɪˈsaɪ.təlz/ core remains, but the /r/ and the /ə/ in the final syllable may shift subtly. IPA: US /rɪˈsaɪ.təlz/, UK /rɪˈsaɪ.təlz/, AU /rɪˈsaɪ.təlz/ with possible less pronounced postvocalic /r/.
Difficult areas include the diphthong /aɪ/ in the second syllable and the cluster /təlz/ at the end. The transition from /saɪ/ to /t/ requires precise timing to avoid blending into an /sajt/ or /saɪd/. Getting the final /əl/ as a light schwa and then a clear /z/ can trip speakers. Focus on separating the middle syllable with a distinct /t/ release and a voiced /z/ rather than an approximated /s/ or /l/.
The word has no silent letters, but the challenge lies in the two consecutive consonants at the end (-lz) that must be clearly voiced. The middle syllable carries the strongest stress but contains a quick, delicate /t/ before the final vowel; failing to distinctly articulate /t/ and the following /əl/ can cause a blurred end. Emphasize a crisp /t/ and a light /əl/ before the final /z/ for clean articulation.
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Recitals derives from the French word recitais, from medieval Latin recitare meaning to recite, chant, or recount. The root recit- comes from Latin recitare (to recite), combining re- (again) with citare (to summon, call). The English form began appearing in the 17th century, originally indicating the act of reciting verses or declaiming literature, often in a formal or performative setting. Over time, the sense broadened to include public performances that feature a sequence of pieces—especially music, poetry, or dramatic readings—rather than a singular recitation. By the 18th and 19th centuries, recitals had become standard event formats in concert programming and literary circles, emphasizing a curated program rather than a spontaneous reading. In modern usage, recitals are typically more formal or intimate than large concerts, with attention to repertoire, order of pieces, and audience etiquette. First known use evidence appears in English texts of the 1600s referencing public recitation of verses, with musical and theatrical connotations developing in the following centuries.
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Words that rhyme with "recitals"
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