pree-TEN-ding
/pɹiˈtɛndɪŋ/
pretending is pronounced pree-TEN-ding (/pɹiˈtɛndɪŋ/). Pretending means acting as if something false is true, or behaving in a way to give a deceptive impression. It implies deliberate display or feigning for a purpose, often to fit a situation, avoid conflict, or achieve a goal. In everyday use, it can describe both temporary mimicry and sustained pretense in social interactions or storytelling.
Pretending means acting as if something false is true, or behaving in a way to give a deceptive impression. It implies deliberate display or feigning for a purpose, often to fit a situation, avoid conflict, or achieve a goal. In everyday use, it can describe both temporary mimicry and sustained pretense in social interactions or storytelling.
"She’s not angry, she’s just pretending to be calm so everyone will stay composed."
"The child was pretending to be a pirate, complete with a hat and dramatic voice."
"He pretended not to hear the call, pretending to be deeply absorbed in his phone."
Pronouncing it as /prɪˈtɛn.dɪŋ/ (US) or /prɪˈten.dɪŋ/ (UK/AU) with the main stress on the second syllable. Start with /prɪ/ (like 'prih'), then /ˈtɛn/ (like 'ten'), and end with /dɪŋ/ (like 'ding'). Ensure the /t/ is released clearly between the second and third consonants in careful speech, then the final /ɪŋ/ is a short, tucked vowel before the velar nasal. Practice by saying “pri- TEN-ding” and then blend into smooth connected speech.
Common errors: (1) Dropping the /t/ after /prɪ/ and making it /prɪˈɛn.dɪŋ/. (2) Misplacing the primary stress to the first syllable (/ˈprɪtɛn.dɪŋ/). (3) Slurring the /d/ into the following /ɪŋ/, producing /prɪˈtɛnɪŋ/ or /prɪˈtɛn.dɪn/. Corrections: keep the /t/ audible by a clean stop between /ten/ and /d/, emphasize the /ˈtɛn/ syllable, and articulate the final /d/ before the /ɪŋ/ with a light release. Use a slow, exaggerated version (prih-TEN-ding) to train the motor pattern.
US: /prɪˈtɛn.dɪŋ/, rhotic r not present in this word; clear /t/ and /d/. UK: /prɪˈten.dɪŋ/, similar but with shorter /ɪ/ in the second syllable and non-rhoticity is assumed; AU: /prɪˈtɛn.dɪŋ/, often with slightly wider vowel space in /e/ and a clipped /d/ depending on speaker. All variants keep primary stress on the second syllable, but vowel quality varies slightly: US often has a tighter /ɛ/; UK may have a fuller /e/; AU tends toward a more centralized vowel in some speakers.
The difficulty centers on the consonant cluster /tɛn.d/ where the /t/ must be released clearly before a nasal onset, and the /d/ must connect smoothly into the /ɪŋ/ ending. The vowel in the stressed syllable /ˈtɛn/ sits in a mid-front position that can be fuzzy in rapid speech. Clinching the exact timing of the /d/ before the suffix, and maintaining distinct /ɪ/ in a reduced final, challenges learners to master timing and mouth shaping in a fluid, connected form.
Focus on the medial tetral consonant sequence: /t/ + /ɛn/ + /d/. The 't' is released before the 'e' vowel of the stressed syllable, and the final /d/ is followed by a velar nasal /ŋ/. In careful speech, you’ll hear a clear boundary: prɪ-ˈtɛn-dɪŋ. In rapid speech, the /d/ may meld slightly with the following /ɪŋ/, but avoid full elision. Practicing with a deliberate pacing helps secure the exact segment order.
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Pretend comes from the Latin prae-tendere, to stretch forth, then prae- (before) with tendere (to stretch, extend). The sense originally implied an outward stretching of the truth, or presenting something in front to project an image. In English, pretend appeared in the 15th century, often associated with presenting or showing a behavior that is not real. By the 16th–17th centuries, the meaning shifted toward feigning or simulating as a social tactic, not merely displaying. The noun form pretension appeared slightly later, while pretending as a present participle usage expanded in literature, theatre, and psychology to describe ongoing acts of feigning. The word’s core idea remains “to present something to others that isn’t true,” but now also includes psychological connotations of deception, performance, or role-play across contexts like theatre, everyday social interaction, and media portrayal.
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