PAWR-truhts
/ˈpɔɹtɹəts/
portraits is pronounced PAWR-truhts (/ˈpɔɹtɹəts/). Portraits refers to multiple still images of a person, typically focusing on the face or upper body, created to capture likenesses or convey character. The word emphasizes individual representation in visual form and is used across art, photography, and historical contexts. In everyday use, it can describe both formal artistic works and casual pictures of people.
Portraits refers to multiple still images of a person, typically focusing on the face or upper body, created to capture likenesses or convey character. The word emphasizes individual representation in visual form and is used across art, photography, and historical contexts. In everyday use, it can describe both formal artistic works and casual pictures of people.
- You might flatten the first vowel to a lax /ɔ/ and lose the long /ɔː/ sound; to fix, elongate the vowel in /ˈpɔː/ and keep the lip rounding consistent. - You may rush the /t/ and blend into /r/; practice with a held /t/ and a separate /r/ before the vowel. - Final /ts/ can become /s/ or /z/ or /t/; train the alveolar release by ending with a crisp /t/ then /s/.
"The gallery features portraits from the 18th century to modern times."
"She studied several portraits to understand the sitter’s mood and personality."
"Those portraits were restored to reveal the original brushwork and color."
Pronounce as /ˈpɔːr.treɪts/ in US and UK; in practice the first syllable has a stressed open back vowel similar to ‘port,’ with a long aɪ? Wait—don’t confuse. The second syllable is /treɪts/ where the t is released and followed by /reɪ/ as in ‘tray’ and then /ts/ for the final s. Mouth positions: start with an open jaw for /ɔː/ in the first syllable, then a crisp /t/ with the tongue blade behind the upper teeth, followed by /r/ with the tip near the alveolar ridge, then /eɪ/ as in ‘day,’ ending with /ts/ with a sharp alveolar affricate release. Put stress on the first syllable: POR-traits.
Common errors: (1) pronouncing the first vowel as /ɒ/ like ‘port’ in American dialects where /ɔː/ or /ɔːr/ is more natural. (2) slurring the /t/ or turning the second syllable into /dræts/ or /trɪts/ due to rapid speech. (3) misplacing /r/ in /ˈpɔːr/ where non-rhotic listeners expect a silent /r/ in some accents. Correction: use a clear /ɔːr/ in the first syllable with a slight rhotic release, then proceed to /treɪts/ with a clean /t/ and /r/).
In General American, the first syllable has a strong /ɔːr/ with rhotic /r/; the second syllable uses /treɪts/ with a clear /eɪ/. In UK Received Pronunciation, /ˈpɔː.trɛɪts/ may feel crisper on the /r/ (often non-rhotic, so the /r/ is less pronounced). In Australian English, you may hear a more centralized /ɔː/ and a slightly longer /eɪ/ with subtle vowel lowering. Overall, stress remains on the first syllable, but rhoticity and vowel qualities vary by accent. IPA guides help show the exact differences.
The difficulty lies in the sequence /ˈpɔːr/ followed by /treɪts/, where the transition from a rounded back vowel with rhotic /r/ to a crisp /t/ and the simultaneous tongue movement for /r/ and /eɪ/ can be tricky. The final /ts/ cluster is also challenging for non-native speakers to execute without a sharp release. Practice isolating each sound and then blending them slowly, paying attention to the tongue tip action for /t/ and /ts/ at the alveolar ridge.
The word is stressed on the first syllable, with a secondary emphasis less pronounced on the second syllable in rapid speech. Syllable-timed rhythm in British English can produce a crisper /ˈpɔː.trɛɪts/, while American speakers often maintain a smoother /ˈpɔːr.treɪts/ with quicker heart-beat-like rhythm in connected speech. Emphasize the /ɔːr/ and the /treɪ/ clearly to avoid a loped pronunciation which can blur the /r/ and /t/ sounds.
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- US: emphasize rhotic /r/ in /ɔːr/ with clear tongue root retraction; keep /treɪts/ with a distinct /t/ then /r/ and /eɪ/; the final /ts/ is produced with a clean alveolar release. - UK: reduce rhoticity, the /r/ is less pronounced or dropped; maintain /ˈpɔː.trɛɪts/ with a modest /r/; the vowel in the second syllable may be slightly shorter. - AU: similar to US, but vowel quality in /ɔː/ and /eɪ/ can be more centralized; keep the /t/ crisp and the final /ts/ precise.
Portraits comes from the French word portrait, which originated from the Old French portraire meaning to depict, which itself derives from Latin portraĭre, meaning to present or show. The root por- suggests forward or forth, while -traire relates to drawing or tracing. During the Middle Ages and Renaissance, “portrait” referred primarily to representations of notable individuals, often commissioned by patrons and executed with a high degree of realism. The plural form portraits emerged in English usage as art printing and photography expanded. In the 16th–19th centuries, the term broadened beyond painting to include engravings and photographs, maintaining emphasis on likeness and character. In modern English, portraits can be formal or informal, digital or traditional, and are used metaphorically to describe scenes capturing the essence of a person. First known use in English appears in the 14th to 15th centuries, with evolving sense of “depiction of a person” and later “picture representing a person by painting, drawing, or photography.”
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💡 These words have similar meanings to "portraits" and can often be used interchangeably.
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Words that rhyme with "portraits"
-rts sounds
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