POH-uh-tree
/ˈpoʊətɹi/
poetry is pronounced POH-uh-tree (/ˈpoʊətɹi/). Poetry refers to the artful composition of language arranged for aesthetic and expressive impact, often employing meter, cadence, and imagery. It is a literary form that emphasizes condensed meaning, metaphor, and rhythm, typically using lines and stanzas rather than prose. In everyday use, poetry can describe anything with lyrical, evocative language or be a field of study and performance.
Poetry refers to the artful composition of language arranged for aesthetic and expressive impact, often employing meter, cadence, and imagery. It is a literary form that emphasizes condensed meaning, metaphor, and rhythm, typically using lines and stanzas rather than prose. In everyday use, poetry can describe anything with lyrical, evocative language or be a field of study and performance.
"She recited a piece of poetry at the school assembly."
"Modern poetry often experiments with line breaks and cadence."
"The poetry slam showcased raw emotion and clever wordplay."
Pronounce it as /ˈpoʊ.ə.tri/ in General American, with stress on the first syllable: POH-uh-tree. In UK English it’s /ˈpəʊ.ɪ.tri/, with a slightly lighter first vowel and a clearer second syllable, and in Australian English it’s typically /ˈpɔɪ.ə.tri/ or /ˈpɔː.ɪ.tri/, reflecting broader diphthongs. Mouth position: start with a rounded lip position for /poʊ/ or /pəʊ/ depending on accent, then a relaxed schwa in the middle, and a light “tree” ending. You’ll hear the middle syllable reduced in speed, but keep it distinct enough to avoid blending with the ending.
Two common errors: 1) Misplacing stress on the second syllable (po-ET-ry) or flattening the /ˈpoʊ/ vowel into a short /pɒ/ or /pə/. 2) Not clearly articulating the middle /ə/ (the schwa) so it sounds like ‘po-try’ instead of ‘po-uh-try.’ Correction: keep the first syllable clearly stressed as /ˈpoʊ/ (or /ˈpəʊ/), allow a relaxed, quick middle /ə/ before the final /tri/; ensure the final /tri/ has a clean /t/ followed by /ri/ without an extra vowel between.
US: /ˈpoʊ.ə.ti/ with a distinct /ə/ in the middle and a rhotacized or non-rhotacized ending depending on speaker. UK: /ˈpəʊ.ɪ.tri/ or /ˈpəʊ.ə.tri/, with a shorter middle vowel and less emphasis on the final syllable; non-rhotic typically, so the /r/ is less pronounced. AU: /ˈpɔɪ.ə.tri/ or /ˈpɔɪ.tri/ depending on region, with a more rounded /ɔɪ/ diphthong in the first syllable and similar middle schwa reduction.
The difficulty lies in the three-syllable structure with a stressed first syllable, plus a subtle middle schwa that’s quick and easy to swallow in fluent speech. The combination /poʊ.ə.ti/ requires precise articulation of the mid vowel and link from /poʊ/ into the schwa, then into /ti/. Non-native speakers may misplace stress or fuse syllables, turning it into ‘po-try’ or ‘poe-uh-tree.’ Practice focusing on distinct syllables and a crisp /t/ before the /i/.
Poetry isn’t written with silent letters, but the middle /ə/ can be subtly reduced in fast speech, and the /t/ can be flapped or softened in American casual speech, producing /ˈpoʊ.ə.dʒi/ for some learners who misinterpret the consonant cluster. The key is maintaining distinct syllable boundaries: /ˈpoʊ/ (or /ˈpəʊ/) + /ə/ + /tri/ with a clear /t/ before /ri/. Also, note that in some casual registers you may hear a light /d/ or a glottal stop before the /ɪ/ depending on dialect.
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The word poetry comes from the Old French poete (poet) and Latin poēta, derived from the Greek poiētēs (maker, creator, author) from poiein (to make). In Classical Greek, poiēs meant a creator, especially a craftsman or author of works. By the late Latin and Medieval Latin, poēta referred specifically to a poet. In English, poetry emerged as a distinct literary category by the 16th century, closely tied to the formal study of “poetry” as a collection of poems and the art of composing them. Over time, the sense broadened to include the field of poetic craft, including devices like meter, rhyme, and rhythm, and later, diverse modern forms and genres. The term has retained its core idea of crafted linguistic artistry, while expanding to encompass contemporary spoken-word and performance poetry. Earliest English attestations appear in translations of classical works and early Renaissance texts, with poets like Chaucer and later Shakespeare shaping the English conception of poetry as both art and craft. Historically, poetry has been a vehicle for emotion, political expression, and aesthetic experimentation, from lyric odes to epic narratives and beyond, reflecting changes in language, culture, and performance.
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