3 syllables: par, a, llels. Stress on par.
PER-uh-lelz
/ˈpɛɹəˌlɛlz/
parallels is pronounced PER-uh-lelz (/ˈpɛɹəˌlɛlz/). It has three syllables (par-a-llels), with the stress on "par". Parallels refers to things that are very similar or corresponding in form, function, or position, often used to describe comparable relationships or lines in geometry. It can also denote comparable situations or phenomena across different contexts. As plural noun, it implies multiple such correspondences. In formal use, you discuss parallels to highlight similarity or alignment between ideas, regions, or objects.
Parallels refers to things that are very similar or corresponding in form, function, or position, often used to describe comparable relationships or lines in geometry. It can also denote comparable situations or phenomena across different contexts. As plural noun, it implies multiple such correspondences. In formal use, you discuss parallels to highlight similarity or alignment between ideas, regions, or objects.
- Over-emphasizing the middle syllable: You may say PAH-ruh-lels instead of PA-rə-LELS. Keep the middle as a quick schwa and reserve emphasis for the first and last syllables. - Dropping or flattening the final /lɛlz/: Many learners turn it into /l/ or /z/ only. Practice the /l/ followed by a crisp /z/ with a short vowel between them. - Misplacing stress in rapid speech: In careful speech, PA-rə-LELS is common; in hurried contexts, you might shift toward PÆ-rə-LELS. Track the natural rhythm by clapping or tapping on the stressed syllables.
"The engineer drew parallels between the two systems to show their similar load capacities."
"Scholars seek parallels between ancient and modern legal codes."
"There are clear parallels in the plot and the novel's original draft."
You say /ˈpær.əˌlɛlz/. The primary stress falls on the first syllable, with a secondary stress on the third syllable in careful speech. The middle syllable is a reduced schwa /ə/, and the final /lɛlz/ combines /l/ + /ɛ/ (as in bed) + /lz/. In natural speech, you’ll often hear the ending as /-əlz/. Think: PA-rə-LELS, with a light, quick middle and a clear /ɛ/ before the final /lz/.
Common errors include misplacing stress (ta-DA-ler instead of PA-ral-LELS), mispronouncing the middle as a full vowel instead of a schwa, and slurring the final /lz/ into a simple /z/ or /l/ cluster. Correction tips: keep the first syllable stressed, use a quick, relaxed /ə/ in the second position, and articulate the /l/ before the /z/ clearly: /ˈpær.əˌlɛlz/. Practice by isolating the /l/ and /z/ transition: /lɛl z/.
Across accents, the initial /pæ/ remains similar, but vowel quality can shift: US and UK typically have /ˈpær.əˌlɛlz/, with /æ/ in the first syllable; Australian English may have a slightly broader vowel in the first syllable and a more centralized /ə/ in the second. The /r/ is rhotic in US and most AU accents, but non-rhotic in many UK varieties, which can slightly mute the middle vowel before the /l/ and /z/. In rapid speech, the final /lɛlz/ can be reduced to /ləz/ in some dialects.
The challenge lies in the sequence PA- (strong initial stress), a quick, unstressed middle /ə/ that is easy to swallow, and the final /lɛlz/ cluster with two voiced consonants /l/ and /z/ in close proximity. Coordinating tongue tip and blade for the /l/ and the alveolar /z/ without letting either degrade into a slower or slurred sound requires precise timing. Additionally, the final /lz/ often reduces in casual speech, which can mislead learners about the true phonemic structure.
Parallels ends with a voiced alveolar sibilant cluster /lɛlz/. A useful check is to hold the final consonant as a clear /l/ then a crisp /z/ without vocalizing the /z/ too long. You’ll hear a brief pause between /l/ and /z/ in careful speech; in quick speech, it may blend to /lz/ or even /lz/ with partial devoicing. Ensure the /ɹ/ or /ɹ/ (if present in your accent) is not introduced as a separate sound in non-rhotic varieties. IPA reference: /ˈpær.əˌlɛlz/.
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- US: Rhoticity means you maintain an /ɹ/ sound; in careful speech, keep /ɹ/ or the slight flap depending on context. The middle /ə/ stays reduced and unstressed. Final cluster /lz/ is voiced; keep the /l/ clear, then release to /z/. - UK: Often non-rhotic; you may hear a less pronounced /ɹ/ or even none before vowels. The middle /ə/ remains a short schwa; the final /l/ can be lightly tapped before /z/. - AU: Typically rhotic-like with a stable /ɹ/; vowels tend to be a touch broader; keep the /ə/ short and the /l/–/z/ cluster crisp. Reference IPA is /ˈpær.əˌlɛlz/ across accents, with small phonetic variances.
Parallels comes from Latin parallela, from Greek parallēlos, meaning “side-by-side, at the same distance,” from παρά (para) meaning “beside” and ἄλλος (allos) meaning “other.” The term entered English via late Latin and early modern usage in geometry to describe lines that never intersect, i.e., lines at constant distance from each other. Over time, the sense broadened from a strictly geometric notion to include any two things that share a similar direction, structure, or tendency. In the 17th–19th centuries, “parallels” was commonly used in mathematical discussions but also appeared in literature and philosophy to draw analogies between diverse domains (science, politics, culture). The plural form emphasizes multiple such alignments. The word maintains strong clarity in formal prose and technical writing, while its figurative sense appears across disciplines whenever a likeness or correspondence is identified. First known use in English literature traces to the 16th century, aligning with similar Latin-Greek root studies in scholarly treatises and later expanding in metaphorical discourse in the 18th and 19th centuries.
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Words that rhyme with "parallels"
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