3 syllables: o, ver, laps. Stress on o.
OH-vur-laps
/ˈoʊvɚˌlæps/
overlaps is pronounced OH-vur-laps (/ˈoʊvɚˌlæps/). It has three syllables (o-ver-laps), with the stress on "o". Overlaps is a verb in the third-person singular and a noun form referencing areas or actions that cover the same space or share common boundaries. In everyday use it often means two things extending over one another or occupying the same range, with emphasis on intersection or shared timing or space. It’s pronounced with two syllables in common usage and can function as a noun or verb depending on context.
Overlaps is a verb in the third-person singular and a noun form referencing areas or actions that cover the same space or share common boundaries. In everyday use it often means two things extending over one another or occupying the same range, with emphasis on intersection or shared timing or space. It’s pronounced with two syllables in common usage and can function as a noun or verb depending on context.
"The two schedules overlaps, so we need to reschedule."
"Her duties overlaps with mine, causing some duplication of effort."
"We found overlaps between the two datasets that suggest a common source."
Say /ˌoʊˈvɚlæps/ (US) or /ˌəʊˈvæləps/ (UK). The primary stress is on the second syllable in the verb form (over-LAPS) and on the first syllable as a noun in some phrases (THE overlaps). The vowel in the first syllable is a long diphthong in US English, and the second syllable ends with a clear /æ/ before /p/. Practice slow, then accelerate to normal speech, keeping /v/ as a voiced labiodental fricative and the final /p/ with a light burst.
Common mistakes include misplacing the stress (saying OVERlaps as a noun instead of verb and mixing stresses), mispronouncing the /v/ as /f/, and slurring the final /p/ into a /b/ or /t/. To correct: keep the /v/ voiced, clearly articulate /læps/ with a short /æ/ and release the /p/ crisply. Ensure the sequence is /oʊ/ or /əʊ/ + /v/ + /ər/ + /læps/ with the second syllable carrying the primary beat. Slow it down to feel the boundary between /læ/ and /ps/ without adding extra vowel.
In US English, /ˌoʊˈvɚlæps/ with a rhotacized /ɚ/ in the second syllable and a pronounced /r/ after the initial vowel. UK English tends toward /ˌəʊˈvæ.læps/ with non-rhoticity, a schwa-like second vowel, and a longer final syllable. Australian English is often /ˌəʊˈvæ.læps/ with a flat /æ/ and a light /r/ in non-rhotic contexts; some speakers reduce /ə/ to a centralized vowel. The key differences: rhoticity, vowel quality of the first syllable, and the degree of vowel reduction in the second syllable.
The difficulty lies in blending an unstressed schwa or rhotacized vowel in the second syllable with a precise, rapid /læps/ ending, while ensuring the /v/ is clearly voiced and the final /p/ is released distinctly. Non-native ears may struggle with the /v/ between lips and teeth and projecting the final /p/ without extra voicing. Additionally, coordinating the syllable boundary with stress placement (second syllable emphasis for the verb) requires careful timing and mouth movement to avoid turning it into ‘overslaps’ or ‘ov er laps’ with separate words.
No silent letters in overlaps, but the word carries a stress pattern that shifts with part of speech—primary stress on the second syllable when used as a verb (o ver LAPS) and a potential shift if used as a noun phrase in a larger sentence. The diphthong in the first syllable is the main sonority center, and because /ɚ/ in US English can influence the following syllable’s perceived vowel, you’ll want clear articulation of /æ/ before /ps/. This makes accurate timing and fusion essential for natural pronunciation.
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Overlaps originates from the phrase overlap, composed of over- (above, beyond) and lap (as a boundary, a loop, or a reach). The base verb overlap appeared in Middle English with senses of extending over or lying on top of something. The noun sense—areas or elements that run across or cover part of another object—emerged from the same metaphorical root around early modern English, where “overlap” could describe bordering edges or shared space in maps, architecture, and later in statistics or data contexts. The verb’s “overlapping” participle form is used across technical, mathematical, and everyday language to indicate a partial coincidence in time, space, or function. The term has remained stable in form but expanded in semantics with the advent of data science, scheduling, and project management, where the concept of overlapping tasks or datasets is routine. First known uses appear in legal and mechanical texts from the 16th to 18th centuries, progressively appearing in scientific writing by the 19th and 20th centuries as systems, processes, and datasets increased in complexity. The noun adoption for shared areas, timelines, or boundary crossing likely coalesced in industrial and urban planning discourse, where overlaps signaled adjacency or concurrence. In contemporary usage, overlaps often imply partial rather than complete coincidence and carry implications for coordination, resource sharing, or conflict potential.
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💡 These words have similar meanings to "overlaps" and can often be used interchangeably.
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Words that rhyme with "overlaps"
-ers sounds
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