3 syllables: o, ver, lap. Stress on o.
OH-vur-lap
/ˈoʊvɚˌlæp/
overlap is pronounced OH-vur-lap (/ˈoʊvɚˌlæp/). It has three syllables (o-ver-lap), with the stress on "o". Overlap is a verb or noun meaning to cover part of something with another thing or to occur simultaneously with something else. It describes a partial intersection in space or time, where two elements cross or share common ground. In communication, overlap often refers to voicing having parts of sounds occur together, creating a blended segment in rapid speech.
Overlap is a verb or noun meaning to cover part of something with another thing or to occur simultaneously with something else. It describes a partial intersection in space or time, where two elements cross or share common ground. In communication, overlap often refers to voicing having parts of sounds occur together, creating a blended segment in rapid speech.
"The circle and the square overlap at their corners."
"There is some overlap between the two departments’ duties."
"Her shift overlaps with mine, so I’ll need to adjust my schedule."
Pronounce as /ˌoʊ.vɚˈlæp/ in US English, with primary stress on the second syllable: oʊ-vɚ-LAP. In careful speech, the first syllable carries a lighter secondary cue. The /oʊ/ glide blends into /vɚ/; the /l/ is clear before the final /æp/ or /əp/ depending on vowel reduction. In UK English, it's typically /ˌəʊ.vəˈlæp/, with initial schwa-like reduction in non-stressed position and a clearer /l/ before the final syllable.
Common errors include pronouncing the first syllable with a hard /o/ as in 'go' (/ˈoʊ.və.læp/), which flips the natural accent pattern; misplacing stress by emphasizing the first syllable (/ˈoʊ.vɚˌlæp/); and substituting the /æ/ vowel with a more open /a/ sound in the final syllable. To correct, center the primary stress on the second syllable: oʊ-vɚ-LAP, keep the /l/ crisp, and use a quick, unstressed first syllable with a light /ə/ in non-stressed variants.
In US English you’ll likely hear /ˌoʊ.vɚˈlæp/ with rhotic /ɚ/ and a clear /l/ before the final /æp/. UK English often reduces the first syllable to /ˈəʊ.vəˈlæp/ with less rhoticity and a somewhat shorter final vowel; AU tends toward /ˈəʊvəˌlæp/ with a more centralized /ə/ in the second syllable and non-rhotic tendencies in casual speech. The primary stress remains on the second or third syllable depending on rhythm, but the flap of /t/ or /d/ is not present here—it's a clean /l/ onset before /æp/ in all; differences lie mainly in vowel quality and rhoticity.
It challenges you with a three-consonant cluster transition: /v/ into /l/ and a short, tense final /æp/. The middle /ɚ/ vowel in US /ˌoʊ.vɚˈlæp/ can be reduced in fast speech, causing flapping or vowel centralization. The final /æp/ can slip toward /əp/ in rapid talk. Additionally, maintaining accurate stress placement on the 2nd syllable while keeping the first syllable unstressed requires precise timing and tongue control—especially the /v/ to /l/ transition without a consonant in between.
In 'overlap,' you often see the /v/ sound immediately preceding /l/ without an intervening vowel; practice this tight transition by placing the tongue blade against the upper teeth for /v/ and then quickly lifting the tongue to initiate /l/. The stress falls on the second or third syllable depending on dialect; in many speakers, the peak is on /læp/. Focus on keeping the /l/ light and the /æ/ clear, not a schwa, to preserve the word's integrity.
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US: rhotic /ɚ/ in the second syllable, clear /v/ before /l/, final /æp/ with a crisp /p/. UK: reduced first syllable, less rhoticity, more centralized vowels; keep /ə/ in the second syllable and a clean /l/ before /æp/. AU: balanced reductions with less rhotic coloring; aim for /ˈəʊvəˌlæp/ or /ˈəʊvəlæp/ depending on speaker group; maintain a clear /l/ and final /p/. Vowel differences: practice /oʊ/ vs /əʊ/ in first syllable, the second syllable often features schwa-like /ə/ in UK; US often features /ɚ/ before /læp/. Consonants: maintain /v/ as a true labiodental fricative, avoid turning into /f/; /l/ should be light but audible; /p/ as a clean aspirated or unreleased depending on pace.
Overlap derives from the prefix over- meaning ‘extending across or beyond’ combined with load or clo?ap? The sense evolved from physical layering—placing one thing over another—to figurative uses such as time or areas of responsibility, where activities intersect or encroach upon each other. The earliest attested uses center on physical placement in Middle English and early Modern English texts, with sense-extension to temporal or functional coincidence. By the 16th–18th centuries, overlap appears in discussions of coverage, layers, and overlap in fields like geometry, architecture, and logistics. Over time, it also came to describe concurrency in conversations (two voices overlapping) and, computationally, overlapping intervals in scheduling or data sets. The modern verb form for ‘to overlap’ is well established by the 19th century, and the noun form follows in technical and everyday language, retaining the core idea of shared space or duration. First known uses appear in general discussions of stacking, layering, and later in abstract domains such as timelines and responsibilities. The evolution reflects a broad semantic trajectory from physical superposition to metaphorical intersection in time, space, and function.
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Words that rhyme with "overlap"
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