OW-trayjd
/ˈaʊˌtɹeɪdʒd/
outraged is pronounced OW-trayjd (/ˈaʊˌtɹeɪdʒd/). Outraged describes a strong, publicly expressed feeling of anger or indignation, typically in response to a perceived wrong. It connotes a heightened emotional response and a moral stance, rather than mere irritation. The term is commonly used in journalism, opinion pieces, and formal discourse to characterize intense emotional reaction toward an event or action.
Outraged describes a strong, publicly expressed feeling of anger or indignation, typically in response to a perceived wrong. It connotes a heightened emotional response and a moral stance, rather than mere irritation. The term is commonly used in journalism, opinion pieces, and formal discourse to characterize intense emotional reaction toward an event or action.
- You may carry the /t/ into the /r/ causing /taɪrdʒ/ sounds; fix by releasing /t/ sharply before /r/. - Slurring the /dʒ/ into the final /d/ or into the previous /d/; practice with a small pause between /dʒ/ and final /d/ to keep separate sounds. - Not clustering the /aʊ/ as a proper diphthong; instead of /a/ then /ʊ/, glide from /aʊ/ tightly toward /t/; keep jaw slightly lowered for accuracy. - Stress misplacement (out-RAGED is incorrect); ensure main stress on /ˈreɪdʒd/ and secondary feel on the first syllable. - Underpronouncing the final /d/; ensure you finish with a clear /d/ to convey past-tense form.
"The editor issued an outraged editorial condemning the policy change."
"She felt outraged by the decision and spoke out at the meeting."
"Public outrage quickly spread on social media after the incident."
Pronounce as /ˌaʊtˈreɪdʒd/. The word has three segments: /aʊ/ as in 'now', then /t/ with a light release before the stressed /ˈreɪdʒ/ where the /eɪ/ glides into /dʒ/ (as in 'judge'), and finally a voiced /d/ plus the final /d/ or /d/ish suffix sound; the d is clearly pronounced. The stress falls on the second syllable: out-RAGED, with the primary beat on /reɪdʒ/. Try to keep the /t/ release short to avoid an extra syllable. Listening to native speech can help; search for phrases like outraged editor or outraged reaction to hear the exact rhythm.
Common errors include misplacing stress (saying OUT-raged with primary stress on the first syllable) and mispronouncing the /reɪdʒ/ as /redʒ/ or /raɪdʒ/. Another frequent mistake is a clipped /t/ or a heavily aspirated /t/ in rapid speech, which can blur the boundary before /reɪ/. Corrective tips: maintain secondary stress on the first syllable but keep primary emphasis on /ˈreɪdʒ/; produce /aʊ/ accurately as the diphthong in 'now' and ensure /t/ is a light, unreleased stop before /r/; finally articulate /dʒ/ as the j-sound in 'judge' followed by a clear final /d/, if the suffix -ed is pronounced as /d/.
In US, UK, and AU accents, the core /ˌaʊtˈreɪdʒd/ is maintained, but vowel qualities shift slightly: US /aʊ/ may be tighter, UK/ AU can have a slightly more open mouth for /aʊ/ and a crisper /dʒ/. Rhoticity generally doesn't alter the /r/ in this word since /ˈreɪdʒ/ is not rhotic; however, articulatory timing and intonation curves can differ—US tends to carry a flatter fall after the stressed syllable, while UK/AU may show a more pronounced uptick in pitch on /ˈreɪdʒ/.
The difficulty centers on the diphthong /aʊ/ in the first syllable and the /ˈreɪdʒd/ cluster, where the /dʒ/ must be a solid, precise palatal affricate, immediately followed by a voiced /d/. Beginners often misplace the stress or blend /t/ into /r/ producing /ˈaʊtrædʒ/ or drop the /d/ at the end. Practice the diphthong by starting with /a/ and sliding to /ʊ/ quickly, then release into /ˈreɪdʒd/ with a clean /dʒ/ before the final /d/.
The word’s second syllable carries strong emphasis on /reɪdʒ/. A unique consideration is the consonant cluster /t/ before /ˈreɪ/; ensure a clean alveolar stop with minimal aspiration preceding the /r/. In rapid speech, you may hear a slight Voracious glide from /t/ toward /r/, but you should maintain a distinct /t/ release. Visual cues: mouth opens into a rounded /aʊ/ then moves swiftly into the /reɪdʒd/ portion for the crisp final /d/.
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- US: slightly flatter intonation, /aʊ/ more centralized, non-rhotic in this word’s middle sounds; UK: crisper consonants, slightly more rounded /ɒ/ in some speakers? No, but the /r/ is less pronounced. AU: tends toward a more relaxed vowel quality, with subtle vowel length variations. - Vowel: monitor /aʊ/ diphthong; ensure you don't fuse it with /t/; keep /t/ release minimal. - Consonant: /t/ often unreleased in rapid speech; practice ensuring a light touch before /r/. - Rhythm: stress on the second syllable; maintain a strong beat there. - IPA references: /ˌaʊtˈreɪdʒd/ for all three accents; adjust acoustic cues per regional patterns.
Outraged comes from the prefix out- (exceeding, going beyond) combined with the verb ride, ultimately tracing to outride meaning to ride beyond. The modern sense of strong indignation emerged in the 18th century, aligning with expressions of moral or emotional excess. The form outraged first appeared in English print in the 18th to 19th centuries, with early usage in political rhetoric and journalism to describe a populace or individual experiencing moral outrage. The word’s structure mirrors other -ed past participles formed from verbs expressing action or emotion, reinforcing the idea of an outward, visible demonstration of anger. Over time, outraged has retained its emphasis on moral judgment and public display, often preceding nouns (outraged response, outraged audience) to foreground the intensity of reaction.
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💡 These words have similar meanings to "outraged" and can often be used interchangeably.
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Words that rhyme with "outraged"
-ted sounds
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