2 syllables: out, laws. Stress on out.
OWT-lawz
/ˈaʊˌtlɔz/
outlaws is pronounced OWT-lawz (/ˈaʊˌtlɔz/). It has two syllables (out-laws), with the stress on "out". Outlaws refers to people who operate outside the law or government authority, often resisting enforcement or engaging in illicit activities. The term can describe individuals or groups deemed criminals, rebels, or bandits. It conveys a sense of notoriety and nonconformity, frequently carrying a historical or literary connotation of social defiance and clandestine actions.
Outlaws refers to people who operate outside the law or government authority, often resisting enforcement or engaging in illicit activities. The term can describe individuals or groups deemed criminals, rebels, or bandits. It conveys a sense of notoriety and nonconformity, frequently carrying a historical or literary connotation of social defiance and clandestine actions.
"The posse pursued the outlaws across the desert after the train robbery."
"In classic Westerns, the town is ruled by outlaws who fear no lawman."
"The documentary examines how outlaws shaped early frontier economies."
Outlaws is pronounced with two syllables: /ˈaʊtˌlɔːz/ (US/UK) and /ˈaʊtˌlɔːz/ (Australian typically mirrors US). The primary stress is on the first syllable OUT-, with a lighter secondary stress on the second syllable -laws in connected speech. Start with the diphthong /aʊ/ as in now, then move to /t/ and an open back vowel /lɔː/ before the final /z/ sound. Ensure the /t/ is released clearly before the /l/ to avoid blending it into a /d/ or /ɾ/.”,
Common mistakes: (1) Slurring the /t/ into the following /l/, producing /aʊlˈɔːz/. (2) Deleting the /t/ in rapid speech, sounding like /aʊlɔːz/. (3) Misplacing stress, saying /aʊtˈlɔːz/ or /ˈaʊtlɔːz/. Correction: keep a crisp /t/ release before /l/, maintain primary stress on OUT- and a light secondary stress on -laws, and ensure the /l/ is not velarized. Practice with deliberate stops and slow tempo, then speed up while maintaining clarity.”,
In US/UK, the word retains /ˈaʊtˌlɔːz/ with primary stress on OUT-. UK tends to be non-rhotic in affected phrases, but this standalone maintains rhotic-ish /lɔːz/; Australian English often features a similar /ɔː/ quality but with a more centralized vowel in some speakers. Vowel length and quality of /ɔː/ can vary, and the /r/ is not pronounced in non-rhotic dialects before vowels, but in 'outlaws' the /r/ does not appear; keep the /l/ clear and the final /z/ voiced. Overall, minor vowel height and rhoticity differences influence resonance, not core consonant sequence.”,
The difficulty lies in the clustered consonant sequence OUT- + /l/ and the diphthong /aʊ/ followed by a tense /ɔː/ vowel. Coordinating the vowel glide /aʊ/ with a crisp /t/ release before the /l/ and maintaining the voicing of /z/ at the end can create sloppiness, especially in rapid speech. Additionally, listeners expect a two-syllable rhythm with clear primary stress on OUT-, which can be hard when speaking quickly or in connected speech. Slow practice helps fix the timing and mouth positions.”,
A useful tip is to practice a controlled stop between /t/ and /l/: say Out -t- l- awz with slight separation to avoid running /t/ into /l/. This keeps /t/ audible and prevents /l/ from taking on a vocalic quality that softens the final /z/. Also exaggerate the /aʊ/ diphthong slightly at first to anchor the move from /aɪ/ to /aʊ/ transitions you’ll hear in fluent speech. Finally, practice with chunks to sustain the rhythm: OUTlaws; the stress remains clearly on OUT-.
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Outlaw originated in Old English under the influence of Norse and Germanic terms meaning “unprotected” or “outside the protection of law.” The compound likely formed from out- (outside) + law (legal code) with social framing in medieval and early modern contexts. In the 16th–18th centuries, outlawry was a formal status: someone declared outside the protection of the courts, subject to punishment without trial. The plural outlaws appeared as people so branded, or as groups threatening the legal order. In American frontier and Western lore, the word expanded into popular culture to symbolize rebellion against centralized authority. Over time, usage broadened from legal designation to describe people who habitually violate social norms or criminal statutes, often with a romantic or cautionary connotation depending on the narrative. First known written usages emerge in medieval English legal documents and ballads; the modern sense gained prominence through literature and film in the 19th and 20th centuries, crystallizing the dual sense of danger and anti-hero charisma that endures in contemporary usage.
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Words that rhyme with "outlaws"
-aws sounds
-use sounds
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