4 syllables: o, per, a, tic. Stress on a.
ah-pur-AT-ik
/ˌɑpɚˈætɪk/
operatic is pronounced ah-pur-AT-ik (/ˌɑpɚˈætɪk/). It has four syllables (o-per-a-tic), with the stress on "a". Operatic describes or relates to opera, especially its dramatic style, vocal technique, or performance. The term often characterizes something grand, theatrical, or highly expressive in tone, similar to operatic singing. It can also describe music, scenes, or emotions that resemble grand, stylized opera performance in scale or intensity.
Operatic describes or relates to opera, especially its dramatic style, vocal technique, or performance. The term often characterizes something grand, theatrical, or highly expressive in tone, similar to operatic singing. It can also describe music, scenes, or emotions that resemble grand, stylized opera performance in scale or intensity.
"Her performance had an operatic scale, with sweeping crescendos and dramatic pauses."
"The soundtrack borrowed operatic motifs to heighten the film’s emotional arc."
"She delivered an operatic aria, full of ornamentation and powerful dynamics."
Pronounce it as /ˌɒpəˈrætɪk/ in UK and /ˌɑːpəˈrætɪk/ in US with secondary stress on the third syllable. Break it as o-pert-atic with stress on the third syllable: o-per-AT-ic. Start with a short, unrounded 'op' followed by a light schwa, then a strong 'rat' before the final 'ic'. Listen for the secondary stress pattern in fast speech. Audio resources: Cambridge/ Oxford dictionaries provide native speaker audio; try hearing several British and American pronunciations to compare.
Two common errors: misplacing stress and vowel quality. Many learners say /ˌɒpəˈrætɪk/ with primary stress on the second syllable or pronounce the middle vowel as a full vowel (op-ER-a-tic) instead of a neutral schwa in the second syllable. Correction: keep secondary stress on the second syllable (o-PE-ra-tic) and reduce the second syllable to a weak /ə/; ensure the final -tic ends with a clear 'k' /tɪk/ or /tɪk/? It’s /-tɪk/. Practicing with minimal pairs helps fix this timing and vowel reduction.
In US English, the word usually has stress on the third syllable with an /ɪ/ at the end: /ˌɒpəˈrætɪk/ or /ˌɑːpəˈrætɪk/. In UK English, /ˌɒpəˈrætɪk/ tends to have a shorter first vowel and a stronger 'a' in the penultimate syllable, with non-rhoticity affecting the 'r' before the vowel. Australian English closely mirrors UK with rhoticity less pronounced in some regions; you’ll hear /ˌɒpəˈrætɪk/ with a more centralized second syllable vowel. Focus on consistent vowel quality and the /t/ release. IPA references: US /ˌɑpəˈrætɪk/, UK /ˌɒpəˈrætɪk/; AU typically /ˌɒpəˈrætɪk/.
Several factors: a mid-central vowel in the second syllable, a stressed third syllable with a strong /æ/ or /æ/ depending on pronunciation, and a crisp final /k/ that ends the word. The combination of multi-syllable stress, vowel reduction, and the presence of a hard consonant cluster can trip up non-native speakers. Practice by isolating each phoneme, using IPA cues, and mirroring native speech rhythms in slow-to-fast cadence to lock in the feel of the word.
Yes. In natural speech, the first syllable often uses a reduced vowel, typically a schwa /ə/ or near- schwa after a light /o/ sound. It’s common to hear /ˌɒpəˈrætɪk/ in British and American speech, with the first syllable sometimes shortened to /ə/ in fast delivery. Paying attention to the rhythm helps ensure the first syllable doesn’t become a full /ɒ/ sound; keep it light and brief while maintaining initial lip rounding.
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Operatic comes from opera, the plural of opus in Italian, originally signifying a work or composition. The word opera itself derives from the Latin opera (plural of opus) meaning work, with the Venetian Italian term opera used for dramatic musical works that combine singing, acting, and orchestral accompaniment. The suffix -atic is a productive English adjective-forming ending that yields ‘operatic’ around the 18th–19th centuries as musicology and literary criticism started to borrow Italian musical vocabulary. The concept of opera emerged in late Renaissance Italy, especially among Florentine and Venetian composers like Monteverdi and others, who fused music, drama, and stagecraft. In English, operatic as an adjective to describe style, vocal effect, or dramatic sentiment began to appear as opera culture spread globally, retaining strong associations with high drama, virtuosity, ornate vocal lines, and heightened emotional expression. First known uses in English date to the 18th century in discussions of opera and its expressive conventions, and the term has since broadened to describe anything reminiscent of or suitable to opera’s grand, stylized character.
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💡 These words have similar meanings to "operatic" and can often be used interchangeably.
🔄 These words have opposite meanings to "operatic" and show contrast in usage.
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Words that rhyme with "operatic"
-tic sounds
Practice with these rhyming pairs to improve your pronunciation consistency:
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