AH-pruhz
/ˈɑpɹəz/
operas is pronounced AH-pruhz (/ˈɑpɹəz/). Operas refers to plural of opera, a staged dramatic work set to music, typically with orchestral accompaniment, singing, and elaborate staging. The word denotes a collection or performance of such works. In everyday use, it often appears in discussions of theater, music history, or programming and repertoire lists.
Operas refers to plural of opera, a staged dramatic work set to music, typically with orchestral accompaniment, singing, and elaborate staging. The word denotes a collection or performance of such works. In everyday use, it often appears in discussions of theater, music history, or programming and repertoire lists.
- You may default to emphasizing the second syllable (o-PE-ras) or turning the final into a full /æz/; correct by keeping first syllable strong and final as /əz/ or /ərz/ depending on accent. - Middle vowel often becomes overly clear; aim for a relaxed /ə/ (schwa) or a reduced /ər/ in rhotic accents. Practice by chunking OP-uh-ruhs and smoothing the link between /p/ and /ə/. - Final consonant /s/ or /z/ can be whispered in connected speech; ensure voicing is audible but not exaggerated; keep the final /z/ crisp.
"The city’s annual season includes two world-renowned operas."
"She collected operas from the late Romantic period."
"During the festival, audiences enjoyed performances of three operas in a row."
Pronounce as OP-uh-ruhs with stress on the first syllable. IPA for US: ˈɑː.pə.rəz or ˈɒ.pə.rəz depending on vowel choice, UK: ˈɒp.ɪ.rəz? In careful speech, say OP-ə-ruz; common US realization reduces the second syllable to a schwa and links smoothly to the final -əz. IPA reference: US ≈ /ˈɑːpəˌrɑːz/ (older) or /ˈɒpəɹəz/ in rhotic varieties; UK ≈ /ˈɒpərəs/; AU ≈ /ˈɒpərəs/.
Common errors: (1) stressing the second syllable instead of the first: OP-er-as; (2) overpronouncing the final -as as /æz/; correct is /əz/ or /əz/; (3) mispronouncing the middle vowel as a long /o/ or /oʊ/ instead of a schwa-like /ə/; Correction: keep the middle vowel relaxed as /ə/ and reduce the second vowel to /ə/ or /ɪ/ depending on speaker; practice with careful slow enunciation and then natural speed.
US: rhotics are pronounced, middle schwa often reduced, final /əz/ may be closer to /əz/ or /ər/ in some dialects. UK: non-rhotic or weak r; /ˈɒpərəz/ or /ˈɒpərəs/ with a softer r; AU: non-rhotic, similar to UK; both UK/AU tend to reduce the final to /əz/ or /əs/ with a more central vowel in the middle. Always listen to native speakers; IPA guides show /ˈɒpərəz/ (UK/AU) vs /ˈɑːpəˌræz/ in some US variants.
Difficulties include balancing the two adjacent unstressed vowels in the middle and final syllable, managing a quick transition from the stressed first syllable to the schwa, and maintaining a clear /p/ and /r/ sequence before the final /əz/. The consonant cluster /pr/ after stress can be softened in rapid speech. Focus on keeping the middle /ə/ relaxed and avoid over-articulating the final /z/.
The combination of an initial stressed syllable, a reduced middle syllable, and the final /əz/ can be hard to cue in a single breath. Non-native speakers often insert extra vowels or misplace stress, producing /ˌɒpəˈræz/ or /ˈɔːpəˌrɛz/. The best tactic is to practice the tri-syllabic flow with minimal pairs and targeted word-level rhythm, using IPA targets as a map.
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US: rhotic articulation includes a more pronounced /r/; ensure the middle vowel stays as a light schwa and the /p/ is released clearly before /ə/. UK/AU: flatter /r/; final /z/ may be lightly whispered in casual speech; keep the middle vowel shorter and less intrusive. IPA: US /ˈɑpɚəz/ or /ˈɑpəɹəz/; UK/AU /ˈɒpərəs/ or /ˈɒpərəz/.
Operas comes from the plural of opera, borrowed from Italian opera meaning ‘work’ or ‘a piece of work,’ with Latin roots in opus meaning ‘work’ or ‘composition.’ The term opera originated in the late 16th century Italian musical-dramatic art form, where the entire dramatic action was intended to be sung. The Latin opus influenced the Italian opera, but the modern sense of “an extended staged vocal work” developed in the 17th century as the art form matured in courts and theaters. The plural operas appears in English to denote more than one such work or performance, while the singular opera often refers to a single piece or the entire art form. The word’s pronunciation in English has retained the final -as ending from the Italian plural, though English stress is typically on the first syllable: OP-uh-ruhs. First known use in English appears in the 18th century, aligning with the expansion of opera houses and repertory across Europe and Britain, where references to multiple operas became common in concert programs and critical writing.
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Words that rhyme with "operas"
-mas sounds
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