3 syllables: oe, di, pus. Stress on oe.
ED-ip-uhs
/ˈɛdɪpəs/
oedipus is pronounced ED-ip-uhs (/ˈɛdɪpəs/). It has three syllables (oe-di-pus), with the stress on "oe". Oedipus is a proper noun referring to a legendary Theban king, best known from Greek myth and Sophocles’ plays. The word denotes a character’s name and, by extension, the complex of fate, prophecy, and tragic family dynamics. In scholarly and literary contexts, it is used with capital O and as part of phrases like “Oedipus complex.”.
Oedipus is a proper noun referring to a legendary Theban king, best known from Greek myth and Sophocles’ plays. The word denotes a character’s name and, by extension, the complex of fate, prophecy, and tragic family dynamics. In scholarly and literary contexts, it is used with capital O and as part of phrases like “Oedipus complex.”
- You often stress the wrong syllable or lengthen the wrong vowel; keep the primary stress on the first syllable with /ˈiː/ and use a short /ɪ/ in the second syllable. - Don’t over-articulate the final 'pus'; keep /pəs/ crisp and quick. - Avoid inserting extra vowels or doubling consonants in the middle; say /ˈiːdɪpəs/ with a clean /d/ and rapid /pəs/.
"- In Sophocles’ tragedy, Oedipus’s search for truth leads to catastrophe."
"- The term ‘Oedipus complex’ was introduced by Freud to describe certain psychodynamic dynamics."
"- Scholars study Oedipus’s hamartia as a classic example of tragic flaw."
Pronounce as /ˈiːdɪpəs/ in US/UK/AU. Stress on the first syllable: EE-dih-puss. The initial vowel sounds like 'ee' as in 'see', the middle is a short 'ih' as in 'sit', and the final 'pus' rhymes with 'puss'. If you’re aiming for a classical touch, some scholars say /ɔɪˈdɪpəs/, but the common modern usage is /ˈiːdɪpəs/. Mouth positions: lips neutral to light spread for /iː/, relaxed jaw for /ɪ/, and a soft, short /p/ followed by /əs/.
Common mistakes: 1) stressing the second syllable (o-EE-dipus) instead of the first. 2) mispronouncing the initial /iː/ as a short /ɪ/ or /eɪ/. 3) adding an extra syllable or misplacing the final /s/ as /z/. Corrections: emphasize the first syllable with a long /iː/ then a quick /dɪ/ and stop with /pəs/. Use /ˈiːdɪpəs/ and avoid linking to 'oh-DEE-puss'.
US/UK/AU share /ˈiːdɪpəs/, but subtle differences exist: US tends to more centralized /ɪ/ quality and clearer /d/ release; UK often purer /iː/ and crisper /p/; AU can be slightly broader vowels and non-rhoticity does affect surrounding vowels in connected speech. In careful speech, all three keep /ˈiːdɪpəs/. The main variation is vowel quality and rhythm, not the syllable count.
Key challenges: the sequence /iːdɪ/ requires a long high-front vowel followed by a short lax vowel; the final /pəs/ cluster can be rapid, and many English speakers insert a schwa before s or mispronounce /p/ as /b/. Additionally, the Greek origin makes some listeners expect /ɔɪ/ in the first syllable; sticking to /ˈiːdɪpəs/ helps clarity. Practice slow, then speed up while keeping the first syllable prominent.
The name Oedipus carries a Greek root meaning ‘swollen foot,’ but in English pronunciation the initial focus remains on the long /iː/ vowel and the single-stressed first syllable; there is no silent letter as in many other Greek-derived terms, and the final /s/ is not voiced as in /z/. The notable feature is its Greek-derived rhythm and the expectation of a short, quick final /pəs/ after the secondary /d/.
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US: fuller /iː/ quality, more rhotic rhythm; UK: crisper vowels, slightly more clipped final /s/; AU: similar to US but with a slightly broader vowel space and less rhotic influence. IPA references: /ˈiːdɪpəs/ in all, with minor vowel shifts: US /ˈiː.də.pəs/, UK /ˈiː.dɪ.pəs/, AU /ˈiː.dɪ.pəs/. Focus on maintaining first-syllable stress and even tempo across accents.
Oedipus derives from the ancient Greek Οἰδίπους (Oidípous). The name is commonly interpreted as meaning “swollen foot,” from oi- ‘egg-like’ or oiō- related roots and pous ‘foot,’ referencing a mythic story in which his feet were pierced and bound in infancy. The form Oidípous appears in Classical Greek texts, later Latinized as Oedipus. The name entered English through translations of Greek tragedy and classical scholarship, preserving the diacritic-friendly version Creon’s Greek names. Over time, “Oedipus” became a standard reference to the doomed king in literary criticism, psychoanalytic theory (Freud’s Oedipus complex), and discussions of fate in tragedy. The pronunciation settled into English as /ˈiːdɪpəs/ in many modern contexts, though some scholarly and classical pronunciations retain closer to Greek /ɔiːˈdiːpəs/ or /ɔɪˈdɪpəs/. First known use in English literature traces to 1600s translations of Greek dramas, with broader adoption in the 18th–19th centuries as classical education popularized Greek proper nouns. In linguistics, the shift from classical Greek vowels to English approximations reflects typical anglicization of Greek borrowed names.
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Words that rhyme with "oedipus"
-cus sounds
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