uh-BLIT-ur-ay-tid
/əˈblɪtɚˌeɪtɪd/
obliterated is pronounced uh-BLIT-ur-ay-tid (/əˈblɪtɚˌeɪtɪd/). Obliterated means wiped out or destroyed beyond recognition; often used for physical destruction, or for erasing evidence or memory. The term conveys complete erasure or obliteration of detail, marks, or existence, and is typically used in formal or narrative contexts to emphasize total loss or removal.
Obliterated means wiped out or destroyed beyond recognition; often used for physical destruction, or for erasing evidence or memory. The term conveys complete erasure or obliteration of detail, marks, or existence, and is typically used in formal or narrative contexts to emphasize total loss or removal.
- You may trip on the sequence of sounds in /ˌɒb.lɪ.təˈreɪ.tɪd/ and insert extra vowels or syllables. - Avoid diluting the /t/ into a flap in the middle positions; keep a crisp /t/ before /ə/ or /ɪ/. - Don’t reduce the final -ed to a weak vowel; pronounce /ɪd/ or /d/ clearly for perceptual completeness. - Some speakers overemphasize the /ɹ/ in US rhotic variants; keep /ər/ neutral, not a strong rhotic vowel. - Ensure you don’t glide the first syllable; maintain stable OB onset with clear lips and jaw closure. - Be careful not to compress syllables so you lose the long /eɪ/ in the penultimate stress; keep /ˈeɪ/ distinct while maintaining cadence.
"The temple was obliterated by the ancient volcano, leaving only a flat ruin."
"Her notes were obliterated by the rain, making the diary unreadable."
"The data on the drive was obliterated to prevent recovery."
Pronounce as /ˌɒb.lɪt.ərˈeɪ.tɪd/ in US/UK variants; the primary stress falls on the fourth syllable where the 'ate' carries the main sound /eɪ/. Start with OB (low back rounded), then LI (short i), TER (schwa), ATE (long a), D ending. Tip: keep the /t/ crisp, and avoid adding a syllable after the final /d/. Listen for the /ɪ/ in the second syllable and the /ˈeɪ/ in the stress-bearing third-to-last syllable; a compact articulation prevents a drawn-out ending.
Two common errors: (1) Misplacing primary stress, saying ob-LIT-er-ated or ob-li-TER-ated; (2) Slurring or softening the /t/ and /d/ into a flap or /ɾ/, making it sound like ob-litch-er-ayed. Correction: place the main stress on the fourth syllable with a clear /eɪ/ in /eɪ.tɪd/, keep /t/ precise before /ɪd/ and pronounce final /d/ clearly. Practice by segmenting: /ˌɒb.lɪ.təˈreɪ.tɪd/ and then blend.
US tends toward /ˌɒb.lɪt.ərˈeɪ.tɪd/ with a mid-back /ɒ/ and rhotic /ər/. UK often uses /ˌɒ.blɪ.təˈreɪ.tɪd/ with a shorter /ə/ in the second syllable and less rhoticity in some regions, while AU emphasizes a flatter /ɒ/ and clearer /ˈeɪ/ in the penultimate stress. The /t/ remains crisp in all. Key differences: rhoticity, vowel quality in stressed syllables, and the degree of vowel reduction in the unstressed middle.
The difficulty lies in the multi-syllabic rhythm and the sequence /tərˈeɪ.tɪd/ where the /t/ clusters with /ər/ and the /eɪ/ in a stressed syllable, plus the final /d/. Rapid speech can blur the /t/ and /d/ into a slur. To overcome: practice slow segmentation, emphasize the /ər/ and /eɪ/, and use minimal pairs to stabilize the /t/ before final /ɪd/.
A unique feature is the shift of stress toward the late syllable in many dialects, with strong secondary stress on обли or -bat, but in many accents the main stress lands on the fourth syllable. Also, be mindful of the archiphonemic /ɹ/ in rhotic accents when pronounced as ob-li-tə-ɹeɪ-tɪd; the r-colouring of the schwa in American English can subtly affect vowel quality.
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- US: rhotic /ər/; ensure the rhotic coloring doesn’t overly blur the following vowel; /ɒ/ can be more open in American. - UK: non-rhotic or weak rhoticity; stress can feel slightly more even; keep /ɒ/ rounded, lips less spread. - AU: similar to UK but with flatter intonation; keep final /ɪd/ pronounced crisply, not as a lifted vowel. - Vowel focus: the /ɒ/ or /ɒː/ in initial syllable; compare with /ɑ/ in some dialects. - Use IPA anchor: practice /ˌɒb.lɪ.təˈreɪ.tɪd/ with attention to the /ˈeɪ/ diphthong in the stressed target; practice in isolation and sentence contexts.
Obliterate comes from the Latin obliterare, formed from ob- meaning 'over, away' and litera meaning 'letter, line' (from Latin littera). The sense began as ‘to efface letters’ or ‘overwrite writing,’ reflecting the act of erasing inscriptions. In English, the metaphor broadened from erasing literal markings to erasing anything traceable, leading to figurative uses like destroying memories or evidence. The word appeared in English in the 17th century in contexts of art and writing, then expanded into general destruction. The shift from physical erasure to complete removal in various senses mirrors the broader usage in scientific, political, and common language. Over centuries, obliterated has retained its precise sense of total erasure, often emphasizing force or completeness, and appears in both academic and literary registers. First known use in print appears in late 1600s English texts, with evolving usage as engraving, inscription, and later digital erasure all conceptually linked to obliteration of information or form.
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Words that rhyme with "obliterated"
-ted sounds
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