2 syllables: night, mare. Stress on night.
NEYET-mer
/ˈnaɪˌtmɛɹ/
nightmare is pronounced NEYET-mer (/ˈnaɪˌtmɛɹ/). It has two syllables (night-mare), with the stress on "night". A nightmare is a frightening or disturbing dream that can wake you. It can also describe a situation causing great fear or anxiety. The term often implies something more vivid or disturbing than an ordinary bad dream, sometimes provoking lasting unease or concern after waking.
A nightmare is a frightening or disturbing dream that can wake you. It can also describe a situation causing great fear or anxiety. The term often implies something more vivid or disturbing than an ordinary bad dream, sometimes provoking lasting unease or concern after waking.
- You often mispronounce by speeding through the /ˈnaɪt/ portion and rushing the transition into /ˌmɛər/. This can make the second syllable sound blurry. Take a breath and aim for a clean boundary before /m/. - Another frequent error is misplacing stress, e.g., saying /ˈnaɪtˌmɛr/ with the second syllable more prominent; keep the primary stress on the first syllable. - Some learners reduce the /ɛər/ to a pure /ɛ/ or /eə/, which shortens or distorts the rhotic quality. Practice the full /mɛər/ with a raised tongue blade and lip rounding. - Don’t separate “night” and “mare” too abruptly in connected speech; blend them into a smooth two-syllable unit with light liaison.
"Last night I woke up sweating after a nightmare about being chased."
"The project turned into a nightmare when deadlines collided and the team fell behind."
"She described her childhood home as a nightmare of creaking floors and strange noises."
Pronounce as two syllables: /ˈnaɪtˌmɛər/. Start with the diphthong /aɪ/ like “eye,” then /t/, followed by the stressed second syllable /mɛər/ where /ɛə/ is a mid-to-high front vowel sequence. The primary stress is on the first syllable: NI—. In US, UK, and AU, the second syllable often reduces to /mɛə/ or /mɛəɹ/ depending on accent. Practicing slowly: /ˈnaɪt/ + /mɛər/ with smooth transition between /t/ and /m/. Audio resources: listen to Cambridge or Oxford pronunciations for nuance.
Common errors: 1) Splitting into three syllables (night-mare) with an extra vowel sound; 2) Ambiguity between /ɛər/ versus /eər/ leading to ‘nait-meer’ instead of the correct /ˈnaɪtˌmɛər/; 3) Overemphasizing the /t/ or the /m/ resulting in an audible stop before the second syllable. Correction: keep /ˈnaɪt/ as a unit, then glide into /mɛər/ quickly; ensure the /t/ transitions directly into /m/ without a vowel intrusion. Use careful isolation: “night” + “mare”, then fuse them with light contact between the lips.
In US English, /ˈnaɪtˌmɛər/ with a rhotic end leads to a clear /ər/ or /ɹ/ in a linked form. In UK English, /ˈnaɪtˌmeə/ leans toward a non-rhotic ending so /ə/ quality of /ə/ in /meə/. Australian English tends to be closer to UK contours but with slightly broader mouth openness and a more centralized second vowel, often realized as /ˈnaɪtˌmɛə/ or /ˈnaɪtˌmɪə/. Stress remains on the first syllable in most varieties. Listen to regional samples to notice subtle vowel shifts in /ɛər/ vs /eə/.
The difficulty comes from the two-syllable structure with a noticeable consonant cluster between syllables and a reduced second vowel in some accents. The /t/ immediately preceding /m/ can cause a subtle delay or misarticulation if you overemphasize the /t/. Additionally, the /ɛər/ vowel sequence in the second syllable has different realizations across accents, which can cause native-like smoothing issues for learners.
There are no silent letters in nightmare. The word comprises two full syllables: /ˈnaɪt/ and /ˌmɛər/. The /t/ is pronounced as a hard /t/ immediately before the /m/; there is no elision. For natural speech, maintain a crisp /t/ boundary, then glide into the /mɛər/ with a gentle lips seal to achieve the /m/ without nasal leakage.
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- US: /ˈnaɪtˌmɛər/ with rhotic-ness on the second syllable, a clear /ɹ/ at the end of the second syllable in connected speech. Keep the /aɪ/ diphthong tight, then transition quickly to /m/ with the lips closed enough to start the nasal. - UK: /ˈnaɪtˌmeə/ with a more centralized vowel in the second syllable; no rhotic ending, so avoid adding an /r/ unless in an American-influenced context. The /eə/ glides to a more open fronted vowel. - AU: /ˈnaɪtˌmɛə/ or /ˈnaɪtˌmeə/ depending on region; keep the second vowel stable but with a slightly more centralized vibe; many speakers maintain non-rhotic endings like UK. - Common tip: practice with minimal pairs to feel the /t/ to /m/ transition without an extra vowel between them.
The word nightmare originates from Middle English mare, a term for a goblin or supernatural being believed to sit on people’s chests during sleep, causing bad dreams. The root mare is linked to Old English mara, related to Old Norse mar, and is associated with a sleep paralysis-like experience. By the 16th century, the composite term nightmare described the frightening dream itself, not a literal horse-like entity. The broader sense of “nightmare” as something terrifying in general emerged in English usage by the 18th century, merging the idea of a night-time visitation with the distress commonly associated with bad dreams. The evolution reflects pre-scientific explanations of sleep disturbance, evolving into a figurative expression for daunting, anxiety-inducing situations in modern usage.
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Words that rhyme with "nightmare"
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