NOO-truhlz
/ˈnutɹəlz/
neutrals is pronounced NOO-truhlz (/ˈnutɹəlz/). Neutrals refers to people or things that do not take sides; in music or art it can describe tones or palettes that are not vivid or saturated. In grammar or logic, neutrals can describe systems or approaches that are balanced or impartial. The term often functions as a plural noun or a noun adjunct, and is pronounced with stress on the first syllable in common usage.
Neutrals refers to people or things that do not take sides; in music or art it can describe tones or palettes that are not vivid or saturated. In grammar or logic, neutrals can describe systems or approaches that are balanced or impartial. The term often functions as a plural noun or a noun adjunct, and is pronounced with stress on the first syllable in common usage.
- Focus on the /tr/ cluster: many learners over-aspirate or cause a vowel intrusion, which muddles the /æ/ sound. Practice by isolating /tr/ then attaching a short /æ/; say it slowly: /t/ + /ræ/ + /lz/ to build muscle memory. - Final /z/ is often devoiced in fast speech, making it sound like /s/ or /l/: ensure your vocal cords vibrate for /z/ by starting with a light touch and ending with active voicing. - Vowel quality in the second syllable: avoid a long /uː/ or /oʊ/ and target /æ/ as in 'cat' to keep the right vowel height and tongue position for /træl/. - Rhythm: neutrals often comes out with weak stress on the second syllable in connected speech; practice with a metronome to lock in the stress and maintain natural intonation.
"The neutrals in this debate are hard to identify because the data is inconclusive."
"She wore neutrals—beige, taupe, and gray—to maintain a restrained, professional look."
"The neutral tones of the room create a calm, unintrusive backdrop."
Pronunciation: nu-TRALZ (US: /nuˈtrælz/; UK: /njuˈtrælz/; AU: /njuˈtræːlz/). The primary stress is on the second syllable: neutrals. Start with an initial /n/ followed by /u/ or /ju/ depending on accent, then a strong /ˈtræ/ vowel cluster and end with /lz/. The tongue rises for the /tr/ cluster, the lips are neutral or slightly rounded, and the final /z/ is voiced. Listen for the short-a in ‘trail’ and the subtle schwa avoidance in rapid speech.
Common mistakes: 1) Dropping the /r/ or not fully releasing the /tr/ cluster, leading to a /njuːtælz/ or /neutrz/ sound. 2) Misplacing stress, saying nu-TRALS instead of nu-TRALZ. 3) Vowel quality errors in the second syllable, using a long /æ/ or dull /a/ instead of /træl/. Correction tips: practice the /tr/ blend by starting with /t/ and smoothly releasing into /r/. Use a quick, light /æ/ as in 'trap' for the /træ/ portion, not a heavy /a/; keep the /l/ light and the final /z/ voiced.
Differences: US often produces /nuˈtrælz/ with a slightly clearer /r/ and crisp /lz/ end. UK tends to have a non-rhotic taste in some varieties, giving /njuːˈtrælz/ with a less overt /r/ before vowels; Australian often blends toward /ˈnjuːtrælz/ with slightly broader vowel in the second syllable and may reduce the final /z/ to a voiced alveolar approximant in casual speech. In all, stress remains on the second syllable, but vowel quality and rhotics shift subtly.
Difficulties arise from the /tr/ cluster, the short /æ/ in /træl/ versus other /æ/ realizations, and the final /lz/ which can blur into /l/ or /z/ in fluent speech. The combination of the fronted vowel, rapid consonant cluster, and a voiced final creates coarticulation effects that can cause listeners to misplace vowel length and mishear the final consonant. Practice the /tr/ onset in isolation, then add the /æ/ and final /lz/ with slow tempo.
A unique aspect is balancing vowel length and quality across the /æ/ and the following /l/ sound while maintaining a crisp /z/ at the end. The 'neutral' stance of the mouth—slightly open, relaxed jaw—must still activate the tongue to produce the /t/ and /r/ accurately in the /tr/ cluster. Focus on keeping the jaw stable and jaw-tongue coordination steady as you transition from /tr/ to /æl/ to /z/.
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- US: rhotic /r/ is pronounced; keep an American /r/ tip raised but relaxed. The /tr/ cluster should be tight with the tongue blade approaching the alveolar ridge; the /æ/ should be short and crisp. The final /z/ should be voiced and clear. - UK: many speakers are non-rhotic; you may hear a subtle /r/ absence before vowels, yielding /njuˈtrælz/ with a lighter /r/ influence. The /æ/ remains central, but the preceding /t/ can be slightly aspirated. - AU: you may hear a broader vowel in /æ/ and a slightly longer, more relaxed /z/ ending; the /r/ is non-rhotic in many dialects, giving a smoother final cluster. IPA: /nuːˈtrælz/ (US), /njuːˈtrælz/ (UK), /njuˈtræːlz/ (AU).
The word neutrals derives from the noun neutral, borrowed from Old French neutre, from Latin neutrālis (not active, neutral), and ultimately from the Proto-Indo-European stem *ne-, meaning not, and *tro-, meaning pour or to turn? The sense evolved in the Middle Ages to describe people or things that were neither on one side nor the other, i.e., nonpartisan or noncombatant. In chemistry and physics, neutral gained modern extensions to describe electrical charge without net positive or negative charge. By the 17th–18th centuries, neutral began to appear in English in a more general sense of neutrality or impartiality, before spreading to broader uses in aesthetics (neutral colors), statistics (neutral data), and gaming (neutral moves). The plural form neutrals appears when referring to groups or categories containing multiple neutral elements, or to cultures, policies, or agents described as neutral. First known use as a plural noun in the late 19th to early 20th century in technical or descriptive prose, with increasing literary usage by mid-20th century. Today, neutrals commonly appear in fashion, design, politics, and linguistics to denote a lack of strong sentiment or hue.
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Words that rhyme with "neutrals"
-als sounds
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