MAHN-sturz
/ˈmɑnstɚz/
monsters is pronounced MAHN-sturz (/ˈmɑnstɚz/). Monsters refers to imaginary or legendary beings that are frightening or monstrous in shape or behavior. In common usage, it also describes anything notably large, formidable, or terrifying. The term can carry playful or literary connotations when describing non-human threats in stories, films, or discussions about fear or awe.
Monsters refers to imaginary or legendary beings that are frightening or monstrous in shape or behavior. In common usage, it also describes anything notably large, formidable, or terrifying. The term can carry playful or literary connotations when describing non-human threats in stories, films, or discussions about fear or awe.
"The old lighthouse kept its distance from the sea monsters that locals claimed lurked offshore."
"In the final scene, the monsters of the story reveal their surprising vulnerability."
"The new horror game pits you against monstrous creatures with exaggerated features."
You pronounce it as MON-stərz in General American, with two syllables and primary stress on the first: /ˈmɑːn.stɚz/. In UK English it’s MON-stəs, often with a lighter final /z/ and a reduced second syllable: /ˈmɒn.stəs/. In Australian English, you’ll hear MON-stəz, with a schwa in the second syllable: /ˈmɒn.stəz/. Mouth positions: start with the back of the tongue raised for /m/, then open for /ɑ/ or /ɒ/ depending on accent, then a rhotic schwa for /ɚ/ in US, or a reduced /ə/ in UK/AU. The final z is voiced, teeth lightly touching lower lip or tongue tip for /z/. Audio reference: try the IPA pronunciations and mimic from reputable dictionaries to capture the rhotics and vowel length.”,
Common mistakes include neutralizing the vowel in the first syllable (saying /ˈmɔn.tərz/ with a mid/back vowel instead of /ɑː/ or /ɒ/ depending on accent) and softening the final /z/ to /s/ in rapid speech. Another is misplacing stress by saying mon-STERs, which sounds off in standard speech. To correct: keep primary stress on MON- and ensure final consonant is voiced /z/ by keeping your teeth lightly together and voice is continuing from the larynx. Practice with a slow, then faster tempo, emphasizing /ˈmɑːn/ or /ˈmɒn/ and finishing with a clear /z/.”],
In US English you keep a strong rhotic /ɚ/ in the second syllable and a clear /z/ at the end, yielding /ˈmɑːn.stɚz/. UK English tends to reduce the second syllable closer to /stə/ with less rhoticity, sounding /ˈmɒn.stəs/; the final /z/ may be devoiced in careful speech. Australian English often renders the second syllable as /stə/ or /z/ with a light /ə/ or /ɪ/ quality, giving /ˈmɒn.stəz/; the vowels in the first syllable may be shorter and flatter. Across accents, the crucial differences are rhoticity in US, imperial vowel quality in UK, and vowel centralization in AU, with the final consonant sometimes slightly devoiced in rapid speech.”,
The difficulty lies in the two-syllable structure with a stressed first syllable and a voiced final consonant cluster. The second syllable uses a schwa or reduced vowel and a voiced sibilant /z/, which can be tricky for non-native speakers who merge vowels or drop voicing. Also, the contrast between /ɚ/ in American English and /ə/ or /ə/ in other varieties can cause subtle changes in pitch and length. Practicing the precise lip position for /m/ and the airflow for /z/ helps stabilize the sound.”,
A key unique point is the final 's' being a voiced /z/ after a consonant-vowel-consonant structure. The primary stress on the first syllable makes it essential to maintain a crisp, extended /ɑː/ or /ɒ/ in the first vowel, rather than shortening it. Also, the middle vowel in US tends to be rhotically colored /ɚ/, while UK/AU often feature a more schwa-like /ə/. Keeping the final /z/ lively and not devoicing in careful speech is important for intelligibility.
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Monsters comes from the Latin monstrum, meaning a divine omen or something to be marvelled at, from Latin monstrare, to reveal or show. The word entered English via Old French monstre, which meant a marvel, a portent, or a being with frightening or extraordinary features. In Middle English, monster began to denote a prodigy or something extraordinary in size or form. Over time, the sense narrowed to beings that inspire fear or horror in myths, legends, and literature. The modern plural monsters to describe generic monstrous beings emerged as fantasy and Gothic storytelling expanded in the 19th and 20th centuries, adapting the term for both singular and plural uses in fiction and colloquial speech. The term has since broadened to describe anything extremely large or formidable in non-fiction contexts as well, preserving the core idea of something that stands out as abnormal or alarming. First known use in English appears in medieval texts, with parallels to Latin-era usage in discussing marvels, portents, and frightening creatures in religious and folkloric traditions. The plural form follows regular English pluralization by adding -s. In contemporary usage, “monsters” can describe both literal mythic beings and metaphorical, non-supernatural threats or powerful people or things that are exceptionally bad or formidable in character.
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Words that rhyme with "monsters"
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