4 syllables: mo, no, lith, ic. Stress on lith.
mah-nuh-LITH-ik
/ˌmɑnəˈlɪθɪk/
monolithic is pronounced mah-nuh-LITH-ik (/ˌmɑnəˈlɪθɪk/). It has four syllables (mo-no-lith-ic), with the stress on "lith". Monolithic describes something treated as a single, rigid block or system, often implying a lack of diversity or modularity. It conveys a sense of uniformity and indivisibility, typically used of large-scale structures, organizations, or ideologies that resist change. In usage, it can suggest heaviness, permanence, and centralized control.
Monolithic describes something treated as a single, rigid block or system, often implying a lack of diversity or modularity. It conveys a sense of uniformity and indivisibility, typically used of large-scale structures, organizations, or ideologies that resist change. In usage, it can suggest heaviness, permanence, and centralized control.
- You; look at 2-3 specifics: misplacing stress (saying mo-NO-lith-ic instead of mo-nə-LITH-ic). - Inaccurate /θ/ production; substitute with /s/ or /f/. - Weak final consonant cluster; keep /k/ audible. Tips: practice with a mirror; place tongue tip on upper teeth for /θ/; use a short, breathy release for /θ/; exaggerate until you’ve got it, then scale back. - Finally, connect syllables with rhythm: mo-nə-LITH-ic, not mo-nə-nə-LITH-ik.
"The new software project faced criticism for its monolithic architecture, making updates slow and risky."
"A single, monolithic statue dominated the square, towering over the surrounding buildings."
"The company faced pushback on its monolithic corporate culture, which stifled innovation."
You say /ˌmɒn.əˈlɪθ.ɪk/ (US: /ˌmɒn.əˈlɪθ.ɪk/). The primary stress lands on the third syllable (li). Start with a clear /m/ and move to a reduced /ə/ in the second syllable, then the stressed /ˈlɪθ/ across your teeth with a light, quick /θ/ and end with /ɪk/. Use a short, crisp /k/ at the end. Listening to the sequence helps: mon-ə-LITH-ik, with the emphasis on LITH. Audio reference: consider ears-on practice with a native speaker recording or pronunciation tool.
Two frequent errors: (1) misplacing the stress, saying mon-uh-LITH-ic or MO-nə-LITH-ic. (2) mispronouncing the /lɪθ/ segment, replacing /θ/ with /s/ or /f/ or making /l/ too light. Corrections: place primary stress on the syllable -li-: mo-nə-LITH-ic, ensure the /θ/ is a voiceless dental fricative produced between the tongue tip and upper teeth; keep it brief and voiceless before a clear /ɪ/ vowel. Practice with minimal pairs around the dentals to solidify the /θ/.
In US, UK, and AU, the core is /ˌmɒn.əˈlɪθ.ɪk/ or /ˌmɑː.nəˈlɪθɪk/ depending on vowels. US tends to rhoteless /ɒ/ in the first syllable; UK often uses /ˈmɒnəˌlɪθɪk/ with more pronounced /ɒ/ and closer /θ/. Australian tends to broadening: /ˌmɒn.əˈlɪθɪk/ similar to UK but with slightly more centralized vowels; stress remains on -li-. Differences are mainly vowel quality, not the consonant sequence, but some speakers have a lighter /θ/ or syllabic consonant realization. Listen for the /θ/ awareness and the tripartite stress pattern across accents.
The difficulty lies in the dental fricative /θ/ and the sequence of three syllables with a secondary rhythm: mo-NO-lith-ic. Many speakers slide the /θ/ into /f/ or /s/ or misplace the primary stress, saying mo-NO-lith-ic. Also, English speakers sometimes mispro nounce the second vowel as a reduced /ə/ but the correct unstressed vowel in the second syllable is a schwa. Focus on isolating the /θ/ between the tongue and upper teeth and keeping the /l/ clear before it.
A unique pronunciation cue is the sequence mo-nə-LITH-ic with the strong dental fricative /θ/ preceding the final -ɪk. You’ll hear a light, breathy /θ/ sound that sits between the sibilant /s/ and the dental /t/ in place; the tongue tip lightly touches the upper teeth. The strongest stress is on the -li- syllable, so aim for a crisp /lɪ/ with the /θ/ just before it.
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- US: /ˌmɒn.əˈlɪθ.ɪk/. Vowel /ɒ/ in first syllable is round; /ə/ in second is reduced; /ɪ/ in third is short; /θ/ is voiceless dental fricative; final /ɪk/ is quick. - UK: /ˌmɒn.əˈlɪθ.ɪk/ with similar vowels; some speaker may have a slightly longer /ɪ/. - AU: /ˌmɒ.nəˈlɪðɪk/ or /ˌmɒn.əˈlɪθ.ɪk/; more vowel reduction in casual speech; /θ/ preserved. - Tips: keep lips relaxed; for /ɒ/ keep jaw slightly dropped; for /θ/, tip of tongue to upper teeth; for final /ɪk/ keep the /k/ crisp.
Monolithic traces its roots to the French monolithique, from Medieval Latin monolithus, combining Greek monos (one, single) and lithos (stone). The term entered English in the early 19th century, originally in geology and archaeology to describe a single massive stone or statue hewn from one block. As science and engineering evolved, monolithic broadened to metaphorically describe systems or structures that are seamless, indivisible, and resistant to subdivision. In architecture and computing, the word captured the concept of a single, unified entity as opposed to modular or distributed forms. The evolution reflects a shift from concrete, literal stone monuments to abstract, organizational and software paradigms. First known use in print appears in geological texts and scholarly discussions of monuments, then increasingly in engineering discourse as computers and software architectures adopted the term to convey rigidity and centralization. The sense of an unbroken, solid whole remains central, even as modern usage often emphasizes drawbacks like lack of adaptability.
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Words that rhyme with "monolithic"
-tic sounds
-nic sounds
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