mis-FAWR-chuhnz
/mɪˈsfɔɹtʃənz/
misfortunes is pronounced mis-FAWR-chuhnz (/mɪˈsfɔɹtʃənz/). Misfortunes are unfortunate events or circumstances that bring bad luck or hardship. The word conveys multiple instances of mischance, typically affecting a person or group, and is often used in formal or reflective contexts. It emphasizes the recurrence of negative outcomes rather than a single incident.
Misfortunes are unfortunate events or circumstances that bring bad luck or hardship. The word conveys multiple instances of mischance, typically affecting a person or group, and is often used in formal or reflective contexts. It emphasizes the recurrence of negative outcomes rather than a single incident.
- You may place the primary stress on MIS or on TUNE; ensure the natural pattern is mis-FOR-tunes (secondary stress on MIS, primary on FOR). - Commonly, speakers shorten the ending to 'fortunes' without the /tj/ cluster, producing /ˈfɔːtənz/; practice the /tj/ sequence clearly. - Some confuse the /ɔːr/ vowel with a pure /ɔː/ or /ɔːə/; keep the rhotic /r/ or its non-rhotic equivalent as your accent dictates. Practice with minimal pairs that highlight /r/ presence or absence and the /tj/ sequence.
"She reflected on the series of misfortunes that had struck her family in the past decade."
"The novel traces the misfortunes of its protagonist as he navigates social and financial upheaval."
"Despite their misfortunes, the community remained hopeful and resilient."
Pronounce as /ˌmɪsˈfɔːr.tjuːnz/ (US) or /ˌmɪsˈfɔː.tjuːnz/ (UK) with primary stress on the second syllable 'FOR' and a secondary stress on the first syllable 'MIS'. The sequence 'for-tunes' rhymes with 'port-unes' but with 'tjuːnz' ending representing the 'tunate' consonant cluster. Start with a light 'm' and keep the 'i' as a short i, then stress the 'FOR' strongly, then glide into the 'tjuːnz' ending. For accuracy, maintain a clear 't' release before the 'juːnz'.
Two common errors: (1) Misplacing stress, saying mis-FOR-tunes with even emphasis; correct by ensuring the primary stress sits on FOR and lightly preceding MIS. (2) Slurring the 'tjuːnz' into 'tunes' as a simple 'tunes'; instead, pronounce the 't' with a crisp release followed by the 'j' sound /tj/ sequence; avoid turning 'juːnz' into a simple /unz/. Practice isolating the 't' + 'juː' to maintain the /tj/ cluster.
In US English you have /ˌmɪsˈfɔːr.tjuːnz/ with rhotic 'r' and a clear /fɔːr/; UK often uses /ˌmɪsˈfɔː.tjuːnz/ with non-rhotic or weak rhotic depending on speaker; AU tends toward /ˌmɪsˈfɔː.tjuːnz/ with non-rhotic tendencies and vowel length similar to UK. The main difference lies in rhoticity and vowel quality of the /ɔː/ and the /tj/ cluster realization; Americans tend to have a slightly more rounded /ɔːr/.
Three challenges: the multi-syllabic rhythm with secondary stress on MIS and primary stress on FOR; the /fɔːr/ vowel that contrasts with the /juːnz/ glide, requiring precise lip rounding and tongue advancement; and the /tj/ cluster at the end, which demands a crisp tie between the 't' release and the 'j' glide. Mastery comes from practicing the /tj/ cluster and maintaining syllable rhythm without inserting an extra vowel before the final /nz/.
A notable feature is the syllable boundary between 'for' and 'tunes' where the /t/ must release softly into the /tj/ cluster rather than merging into /tunz/; this transition demands precise timing to avoid a mispronounced 'fortoons' sound. Focus on the 't' release followed by the /j/ glide to form /tjuːnz/.
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- US: emphasize rhotic /r/ in 'for' and maintain a strong /tjuːnz/ ending; UK: often non-rhotic or weak rhotic; AU: similar to UK with slightly more rounded /ɔː/; IPA references: /ˌmɪsˈfɔːr.tjuːnz/ US, /ˌmɪsˈfɔː.tjuːnz/ UK/AU.
Misfortunes derives from mis- (a prefix meaning wrongly or badly) + fortune (chance, luck). The earliest sense of fortune in English included both luck and fortune as auspicious or ill-omened outcomes. By the high or late Middle English period, mis- began signaling negative deviations from expected luck, yielding misfortune to refer to adverse outcomes in general. The plural form misfortunes reflects the abstract, pluralizable concept of recurring bad luck or setbacks rather than a single incident. The term has long carried formal or literary tone, appearing in sermons, novels, and essays discussing hardship, fate, and social circumstance. The evolution tracks from simple discussions of luck to a broader, moralized concept of recurring negative events, often with an undertone of resilience or critique of fortune’s whims. First known uses appear in Middle English texts to describe ill luck or adverse circumstances, expanding in the Early Modern period as language grew in complexity and semantics widened to include societal misfortunes and personal misfortune as a thematic element in literature.
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Words that rhyme with "misfortunes"
-nes sounds
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