2 syllables: mi, rrors. Stress on mi.
MIR-urz
/ˈmɪɹɚz/
mirrors is pronounced MIR-urz (/ˈmɪɹɚz/). It has two syllables (mi-rrors), with the stress on "mi". Mirrors refers to plural of mirror: objects that reflect light to show images, and figuratively, things that reveal truth about oneself or a situation. The word denotes multiple reflective surfaces or metaphorical reflections, used in everyday discourse from descriptions of bathrooms to discussions of self-awareness. It is a common noun in English with stress on the first syllable.
Mirrors refers to plural of mirror: objects that reflect light to show images, and figuratively, things that reveal truth about oneself or a situation. The word denotes multiple reflective surfaces or metaphorical reflections, used in everyday discourse from descriptions of bathrooms to discussions of self-awareness. It is a common noun in English with stress on the first syllable.
- You will often hear people merge the middle vowel with the first syllable, producing /ˈmɪrz/ or an almost monosyllabic form. The fix is to elongate and clearly insert a central vowel, giving /ˈmɪr.ɚz/ with a distinct second syllable. - Mispronounce the final consonant as /s/ instead of /z/; practice voicing the final consonant before you release to /z/: say /ˈmɪr.ɚz/ clearly. - Neglect the rhotic quality in the second syllable for US, making it sound like /ˈmɪr.əz/; keep the /ɚ/ sound or full /ər/ in careful enunciation, not a pure schwa. Practical steps: practise slow, isolate the second syllable and nail the /ɚ/ before /z/.
"She checked her outfit in the mirrors in the hallway."
"The shop window displays featured antique mirrors from the 19th century."
"In psychology, mirrors are used to discuss self-perception and identity."
You say /ˈmɪr.ɚz/ in many American dialects, with the first syllable stressed and a rhotacized middle. In IPA for US: /ˈmɪr.ɚz/; UK generally /ˈmɪ.ɒ.rɪz/ or /ˈmɪ.rəz/ depending on speaker, but the common practical UK form is /ˈmɪr.əz/. Australian English tends to /ˈmɪ.əz/ or /ˈmɪr.əz/ with a light unstressed middle. Imagine starting with “mirth” without the th, then slide into a clear /r/ and a voiced final /z/. You’ll want a crisp initial /m/, then a smooth, nearly schwa-like /ɚ/ or /ə/ in the middle, finishing with /z/. Audio reference: [pronunciation app or dictionary audio can be used to hear the /ɚ/ vs /ə/ quality].
Common mistakes: 1) Slurring the two syllables into a single beat, e.g., /ˈmɪrz/; correct by clearly lifting the middle vowel to a full /ɚ/ or /ə/ before the final /z/. 2) Dropping the final /z/ or making it /s/, as in /ˈmɪr.ɚs/; practice by adding a voiced end, e.g., /ˈmɪr.ɚz/. 3) Not distinguishing the /r/ in the second syllable; ensure you retain an audible rhotic /ɚ/ or /ə/ then move to /z/.
In US English, stress remains on the first syllable with a clear /r/ in both syllables and a voiced final /z/: /ˈmɪr.ɚz/. UK English tends to reduce the middle vowel to a schwa and may sound like /ˈmɪ.rəz/ or /ˈmɪ.rəz/ with less rhoticity in some southern varieties, but many speakers still voice the final consonant /z/. Australian English often centers around /ˈmɪəz/ or /ˈmɪ.rəz/, with a shorter, less pronounced middle vowel and a smoother /ɜː/ or /ə/ quality depending on region.
The word involves a cluster of features: a strong initial /m/, a rhotic central vowel in /ɚ/ or /ə/, and a voiced final /z/. The challenge is maintaining the mid-second syllable vowel quality while ensuring the final /z/ remains voiced, not devoiced to /s/. Additionally, some speakers compress the two middle sounds, making the /ɚ/ sound more like a schwa; focus on keeping a distinct second syllable with audible /ɚ/ before /z/.
Not always. In many American accents you’ll hear /ˈmɪr.ɚz/ with a rhotacized schwa /ɚ/ in the second syllable. In some UK variants, the middle may approach a reduced /ə/ or even a light /ɐ/ depending on region, resulting in /ˈmɪ.rəz/ or /ˈmɪ.ərz/. The key is that the second vowel is reduced rather than fully pronounced, but you should keep it voiced and relaxed before the final /z/.
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- US: maintain strong rhotics in both syllables; ensure the second vowel remains central and voiced /ɚ/ before /z/; avoid tensing the jaw. - UK: allow a lighter middle vowel, often reduced to /ə/ or /ɪ/ and may reduce rhotics; still voice the final /z/. - AU: tends to glide the middle vowel toward /ə/ or /ɜː/ depending on region; practice keeping /z/ voiced and audible; use IPA references /ˈmɪ.əz/ or /ˈmɪ.rəz/.
The noun mirrors comes from Middle English mirour, borrowed from Old French miroir, which itself derives from Latin mirari ‘to look at in wonder, admire.’ The French form likely came from a Frankish or Germanic root related to ‘to wonder’ and reflection. The plural form mirrors was established in English usage as the object of multiple reflective surfaces, with the modern plural -s suffix dating from standard English morphology in the medieval period. By Middle English, mirour was used for both physical reflective surfaces and ceremonial or symbolic reflections, evolving into modern mirrors as highly polished metals and later glass with silver backing allowed clearer images. In the 16th–18th centuries, mirrors became more common household items, expanding into decorative and optical quality forms. The word’s semantic shift toward self-reflection and introspection—both literal and metaphorical—grew in early modern English as literature and philosophy used mirrors as symbolic devices. First known use attested in Middle English texts around the 14th century, with broader adoption as glass mirror production spread in Europe. The evolution tracks from a simple reflective surface to a symbol for truth, perception, and identity, a trajectory mirrored in many languages’ terms for self-examination.”,
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Words that rhyme with "mirrors"
-ers sounds
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