2 syllables: in, trigues. Stress on trigues.
in-TREEGZ
/ˌɪnˈtɹiɡz/
intrigues is pronounced in-TREEGZ (/ˌɪnˈtɹiɡz/). It has two syllables (in-trigues), with the stress on "trigues". Intrigues (verb or noun) refers to the act of plotting or fascinating someone, often with secret schemes or appealing qualities that arouse curiosity. In plural form with -es, it commonly appears as a verb third-person singular or plural noun, as in.
Intrigues (verb or noun) refers to the act of plotting or fascinating someone, often with secret schemes or appealing qualities that arouse curiosity. In plural form with -es, it commonly appears as a verb third-person singular or plural noun, as in
- You’ll often mispronounce by misplacing stress or reducing the /iː/ to /ɪ/. Focus on keeping the second syllable long and stressed. - Dropping or softening the final /gz/ into /z/ or /s/ reduces clarity; keep the voiced affricate. - Slurring /tr/ into /tɹ/ or misproducing the /ɡz/ cluster can make it sound like 'trigz' or 'trigs'. Practice by isolating the second syllable and ending with a clean /gz/ in 3 slow reps, then in a normal pace.
"Her stories intrigues the audience with unexpected twists."
"The complex intrigues of court politics fascinated historians."
"It intrigues me how quickly new ideas spread online."
Pronounce as ɪnˈtriːgz. The primary stress is on the second syllable. Start with a short 'i' as in 'in', then stretch the long 'ee' vowel in 'trie' /triː/. End with a voiced /gz/ cluster, like 'geez' but shorter. IPA: /ɪnˈtriːgz/. You’ll often hear the final /gz/ softened in rapid speech to a light /g/ followed by a quick z, but keep it as /gz/ for accuracy.
Common errors: 1) Misplacing the stress (say 'in-TRIGES' instead of 'in-TRIIGES'); 2) Slurring the long /iː/ to a short /ɪ/ or confusing /ɪn/ with /ən/ in fast speech; 3) Dropping the final /z/ or turning /gz/ into /s/ or /z/. Correction: keep the second syllable with a clear /iː/ and finish with an audible /gz/ cluster. Practice by saying 'in-TRIIGZ' slowly, then naturally.
In US/UK/AU, the core /ɪnˈtriːgz/ remains, with vowel length differences. US often has a slightly more rhotic and crisp /ɹ/ influence, UK tends to more clipped consonants and non-rhoticity in careful speech though /ɹ/ is present in some accents; AU mirrors General Australian with similar /ɪnˈtriːgz/ but may be slightly broader /ɪnˈtɹiːgz/. The main variation is vowel quality: US may have a more tense /iː/; UK/AU can show a marginally ostentatious /iː/ diphthong before z. IPA remains /ɪnˈtriːgz/ across, with nuance in rhythm and vowel length.
The difficulty lies in the long /iː/ vowel in the second syllable and the voiced /gz/ cluster at the end. Many non-native speakers struggle to maintain the length of /iː/ before a consonant cluster and to pronounce /gz/ as a single unit rather than /g/ + /z/. Exercises that emphasize holding the /iː/ for a beat and smoothly connecting into /gz/ help. Also monitor the syllable boundary after 'in-' to avoid 'in-trig' missegmentation.
A unique aspect is the strong /ˈtriː/ center where the vowel length and a tight front tongue position create a bright, tense quality. Practitioners should ensure the second syllable carries the primary stress distinctly and then transfer quickly to the final /gz/ without voicing dilution. The tie between /t/ and /r/ is also important: avoid a heavy /t/ onset; aim for a smooth /tɹiː/ transition.
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- US: rhotic, sharper /ɹ/; UK: non-rhotic but you still hear /ɹ/ in some accents; AU: similar to US with slightly broader vowels. Vowel /iː/ may be tenser in US; UK often shorter but still long enough to distinguish; AU often a bit more rounded with a slightly lower vowel height before z. - Emphasize the middle syllable with /iː/ and practice the /gz/ end with a crisp voicing. - IPA cues: /ɪnˈtriːgz/; ensure the second syllable is the peak.
Intrigue comes from French intrigue, from Old French entre- ‘between’ and creer ‘to create’ via late Latin intricare ‘to perplex, puzzle, entangle’. The English use emerges in the 16th century, having evolved from the sense of ‘to entangle or perplex’ to ‘to plot or scheme’ and later ‘to arouse curiosity or interest’. The noun form ‘intrigue’ gained prominence in the 17th century, with “intrigues” used to describe secret schemes or complicated political maneuvers. Across centuries, the word carried notions of secretive artifice and fascination—two threads that persist in modern usage: political maneuvering and captivating stories. By the 1800s, intrigue often referred to elaborate plots in fiction and history, while today it also describes the alluring quality of ideas, people, or events. In contemporary usage, intrigue conveys both the act of plotting and the sense of interest or curiosity sparked by mysterious or complex situations.
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Words that rhyme with "intrigues"
-ngs sounds
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