3 syllables: in, jur, ing. Stress on in.
IN-jur-ing
/ˈɪndʒɚɪŋ/
injuring is pronounced IN-jur-ing (/ˈɪndʒɚɪŋ/). It has three syllables (in-jur-ing), with the stress on "in". Injuring is the present participle of injure, meaning to cause physical harm or damage to someone or something. It denotes the act of causing injury, often in a physical or accidental context, and is used as a verb in progressive or gerund forms. The word emphasizes the action of causing harm rather than the harm itself.
Injuring is the present participle of injure, meaning to cause physical harm or damage to someone or something. It denotes the act of causing injury, often in a physical or accidental context, and is used as a verb in progressive or gerund forms. The word emphasizes the action of causing harm rather than the harm itself.
- You may default to a plain 'injur-ing' instead of the accurate /ɪnˈdʒʊə.rɪŋ/, particularly in fast speech; slow down to protect the /dʒ/ onset and the /ʊə/ diphthong. - Commonly you might misplace stress on the first syllable (IN-juring) or reduce the second syllable too much; ensure the stress sits clearly on the second syllable /ˈdʒʊə/. - The ending /ɪŋ/ can become a weak nasal vowel; practice ending with a crisp /ɪŋ/ rather than an elongated schwa; keep the tongue relaxed and the jaw stable. - Many learners blend /dʒ/ with /tʃ/ or /j/; ensure you use a true affricate with a brief stop then fricative, not a collapsed /dʒ/.
"The fall while hiking ended up injuring her leg."
"The report notes that attempting to cross the damaged bridge could injure bystanders."
"She slipped, injuring her wrist, and had to seek medical attention."
Pronounce as in-JUR-ing, with primary stress on the second syllable: /ɪnˈdʒʊə.rɪŋ/ (US) or /ɪnˈdʒʊər.ɪŋ/ (UK). The initial /ɪ/ is lax as in kit, the /dʒ/ is the single-phoneme 'j' sound, and the vowel in the stressed syllable is a central to back rounded /ʊə/. Final -ing is /ɪŋ/, with a short, relaxed offglide. Practice by isolating /dʒ/ and the /əʊə/ diphthong to avoid vowel servering into /ʊ/ or /ɔː/.
Common mistakes include reducing the /ɪ/ in the first syllable to a schwa too early, giving a: un-jer-ing instead of in-JUR-ing; misplacing the stress on the first syllable (in- juring) or blending /dʒ/ with a /j/ or /tʃ/ sound; and mispronouncing the /ʊə/ sequence as a simple /u/ or /ɔː/. To correct: keep a clear II- syllable /ɪn/ ; raise the second syllable with /ˈdʒʊə/; end with clean /rɪŋ/ or /rɪŋ/ depending on accent. Consistency in the -ing ending helps reduce trailing vowel sounds.
In US English, you’ll hear /ɪnˈdʒʊər.ɪŋ/ with a rhotic /ɹ/ influence in the second syllable; the /ɪə/ sequence becomes /ʊə/. In UK English, the second syllable tends toward /ʊə/ with less rhotic influence, giving /ɪnˈdʒʊə.rɪŋ/; Australians often maintain /ə/ in unstressed positions, leading to /ɪnˈdʒʊə.rɪŋ/ with slightly flatter vowels. The key variation is the treatment of the /ʊə/ diphthong and rhoticity: US rhotic, UK less rhotic, AU intermediary.
Two main challenges: first, the /dʒ/ is a voiced palato-alveolar affricate that sits between a d and a y; getting it to blend smoothly without creating a separate /d/ and /ʒ/ can be tricky. Second, the /ʊə/ or /ʊər/ vowel sequence in the stressed syllable is a diphthong that can drift toward a simple /ʊ/ or /ɔː/ in fast speech. Focus on a tight tongue position for /dʒ/ and maintain a rounded, moving tongue for /ʊə/ with a quick glide into /ɪŋ/.
A unique aspect is the transition from the strong /dʒ/ onset to the mid-central vowel in the diphthong /ʊə/ before the final /rɪŋ/ in non-rhotic dialects. In rhotic accents, the /ɹ/ influences the preceding diphthong subtly, making /ʊə/ slightly elongated and the final /ɪŋ/ more compact. Paying attention to the glide between /ʊ/ and /ə/ and the lift of the tongue into the /ɹ/ region is crucial for naturalness.
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- US: rhoticity leads to a noticeable /ɹ/ influence in the second syllable; keep /ˈdʒʊə/ prominent and finish with /ɪŋ/. IPA: /ɪnˈdʒɚɪŋ/ is often heard in rapid speech; focus on preserving the /ʒ/ quality before /ŋ/. - UK: less rhoticity; /ɪnˈdʒʊə.rɪŋ/ with a clearer diphthong /ʊə/ and a slightly rounded lip shape; practice with a light rhotic element if you’re aiming for a broad accent. - AU: tends to be close to UK in vowel quality but with more relaxed vowels; maintain /ɪnˈdʒʊə.rɪŋ/ with a softer final /ɪŋ/; keep mouth open a bit more to maintain the vowel length.
Injuring comes from the verb injure, with the -ing suffix forming the present participle or gerund. Injure originates from Old French blessure, later influenced by Latin vulnerare (to wound) and English injure. The early sense in English centered on harming or crippling in a general physical sense. Over time, injure broadened to include psychological or figurative harm in certain contexts. The modern pronunciation and spelling stabilized in Middle English and Early Modern English as medical and legal language developed more precise distinctions between harm, damage, wound, and injury. First known uses appear in medical texts and legal records from the 14th to 16th centuries, aligning with evolving concepts of liability and causation in injury-related discourse. The present participle form injuring entered common usage with progressive tense constructions and nominal gerunds, retaining the root vowel quality of injure while adding the -ing suffix to signal ongoing action. The word remains common in everyday speech, journalism, and legal contexts when describing ongoing harm or actions that cause harm.
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Words that rhyme with "injuring"
-ing sounds
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