7 syllables: in, com, pat, i, bil, i, ty. Stress on bil.
in-kahm-puh-tib-IL-it-ee
/ˌɪˌnkɑmpətɪˈbɪlɪti/
incompatibility is pronounced in-kahm-puh-tib-IL-it-ee (/ˌɪˌnkɑmpətɪˈbɪlɪti/). It has seven syllables (in-com-pat-i-bil-i-ty), with the stress on "bil". Incompatibility refers to the quality or state of being unable to exist or work harmoniously with something else; a mismatch or lack of compatibility between two or more elements. It often implies structural, functional, or relational discord that prevents smooth interaction or integration. The term is common in science, technology, medicine, and everyday discussions about fit or suitability.
Incompatibility refers to the quality or state of being unable to exist or work harmoniously with something else; a mismatch or lack of compatibility between two or more elements. It often implies structural, functional, or relational discord that prevents smooth interaction or integration. The term is common in science, technology, medicine, and everyday discussions about fit or suitability.
- You may swallow the /t/ before /ɪ/ leading to /tɪbɪlɪti/ becoming /tɪbl̩ɪti/. Ensure you separate /t/ from /ɪ/: practice tipping the tongue for /t/ before the vowel. - Misplacing stress to the wrong syllable; the main stress is on the -tɪ- syllable (third from the end). Practice: mark the stressed segment as you tap through the word. - Weakening the unstressed syllables, causing /kɒmp/ to sound like /kɒmp/ with insufficient vowel reduction; maintain consistent articulation on /ə/ in the unstressed syllables to avoid a mangled rhythm. - Over-emphasizing the prefix in-; in- should be light as a prefix, with the primary stress on the /tɪ/ syllable. - Final -ty often sounds like /ti/ or /ti/; keep crisp /ti/ rather than /tiː/ or /tiə/.
"The incompatibility between the software update and his operating system caused frequent crashes."
"There is an incompatibility between their schedules that makes collaboration impossible."
"Genetic incompatibility can prevent successful embryo development in certain crosses."
Break it as in-com-pa-ti-bil-i-ty. Primary stress lands on the -bil- segment: /ˌɪnˌkɒmpəˈtɪbɪlɪti/ (US) or /ˌɪnkɒmpətəˈbɪlɪti/ (UK). Start with a light initial /ɪ/ in- then /n/ blending into /kɒm/; the prefix in- is short, the -pat- is reduced, and the -bili- stretches with clear /tɪ/ before /bɪ/ and /li/ then /ti/. Practice slowly, then increase speed while keeping the -bɪl- robust.
Common errors: misplacing stress, flattening the -bili- cluster, or running the /t/ into the following /ɪ/. Correction: place primary stress on the /tɪ/ syllable: /ˌɪnˌkɒmpəˈtɪbɪlɪti/. Practice by isolating syllables: in- /ˈɪn/; com- /ˈkɒm/; pa- /pə/; ti- /ˈtɪ/; bil- /ˈbɪl/; i- /ɪ/; ty- /ti/.
US tends to rhotically pronounce /ɪnˌkɒmpəˈtɪbɪlɪti/ with clear /ɹ/ at times in connected speech; UK tends to non-rhoticize, giving /ˌɪnkɒmpətəˈbɪlɪti/ and maybe lighter /ɹ/ omission; Australian blends similar to UK but with a broader vowel in /ɒ/ and more flattening of unstressed vowels. The /t/ is typically crisp in all, but some speakers may soften it in rapid speech. Use full enunciation of the -bil-i- sequence to avoid slipping into /-bili-ty/.
Because it contains a multi-syllabic load with consecutive unstressed and stressed vowels: in- (unstressed) + com- + pa- (unstressed) + tɪ- (stressed) + bil- (unstressed) + i- + ty. The sequence /tɪbɪ/ requires clear articulation to avoid running the /t/ into /b/. Also the suffix -lɪti is a tricky cluster for non-native speakers. Practicing with slow breakdowns and tempo-resets helps stabilize rhythm and prevent slurring.
There are no silent letters in incompatibility; every letter typically contributes to syllable structure. The challenge lies in maintaining ratio of syllables and the exact sequence of consonants (n-kmp- m-pre- notations vary). The unique aspect is preserving the integrity of the /tɪ/ and /bil/ transitions amid a long word, ensuring the /ɪ/ in the middle doesn’t get swallowed and the final -ti/ remains clear.
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- US: Keep rhoticity, but ensure vowel lengths differentiate /ɒ/ vs /ɔː/ in stressed sequences; UK: Slightly shorter vowels, non-rhotic; AU: Vowels may be broader, with flatter /ɒ/ and clearer final /ti/; treat /ɪ/ as a lax vowel in inner syllables. Use IPA guides to compare subtle vowel shifts and maintain the /tɪbɪlɪti/ rhythm. - Vowel quality: stress-bearing /tɪ/ is a short, sharply pronounced vowel; unstressed /ə/ or /ɪ/ should be lighter but still audible. - Consonant linkage: avoid adding an extra vowel between /n/ and /k/; keep /nɪn/ distinct. - Rhythm: keep a steady iambic feel: unstressed- stressed- unstressed- stressed across the syllables; aim for 4-5 beats per segment in longer speech.
Incompatibility comes from the prefix in- (not, opposite) + compatibility (the condition of being able to exist or work well together). Compatibility itself derives from Latin compatibilitas, from compati (to agree, endure together) + -bilitas (-ability). The root compat- is related to Latin compatere (to agree, to be suitable), and -ibility/-ability are Latin suffixes forming nouns that denote capacity or condition. The modern sense of incompatibility as “not able to exist or function well together” emerged in English by the late 16th to early 17th centuries, expanding to general use in science, medicine, and technology as systems and organisms became more complex. Over time, the term has taken on both everyday and specialized meanings, frequently paired with adjectives like genetic, functional, or ideological to specify the domain of discord. First known uses can be traced in early English scientific and philosophical writings, where debates about fit, match, and causality required a precise term for non-coexistence. The word has since become a staple in both formal discourse and public discussion, reflecting ongoing concerns with interoperability, compatibility testing, and relational fit across disciplines.
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Words that rhyme with "incompatibility"
-ity sounds
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