4 syllables: im, pos, si, ble. Stress on pos.
im-PAH-suh-buhl
/ˌɪˈmpɑsəbəl/
impossible is pronounced im-PAH-suh-buhl (/ˌɪˈmpɑsəbəl/). It has four syllables (im-pos-si-ble), with the stress on "pos". Impossible means something that cannot be done or achieved; it defies possibility or feasibility. It conveys a high degree of infeasibility or contradiction to what is known or assumed to be achievable, often prompting reconsideration or creative problem-solving. The term can express skepticism, determination against odds, or extraordinary difficulty in a given context.
Impossible means something that cannot be done or achieved; it defies possibility or feasibility. It conveys a high degree of infeasibility or contradiction to what is known or assumed to be achievable, often prompting reconsideration or creative problem-solving. The term can express skepticism, determination against odds, or extraordinary difficulty in a given context.
- Difficult consonant cluster handling: The sequence -poss- requires careful plosive release before the /s/. If you don’t release the /p/ clearly, you’ll get an indistinct “pom-s-” instead of “pah-s.” Practice with a full stop after /p/: /ɪm ˈpɒs-/. - Final syllable syllabic l: Many learners drop the syllabic /l̩/ or turn it into a vowel like /əl/. Focus on keeping a light, quick /l/ with a very short, almost silent vowel before it. - Vowel length in the stressed syllable: US speakers may reduce /ɒ/ to /ɑː/ or /æ/ depending on dialect; UK tends toward /ɒ/ or /ɒː/. Keep the vowel quality steady in the stressed syllable. - Stress placement mistakes: Place primary stress on the second syllable; some learners place it on the first syllable, resulting in im-POSS-i-ble sounding odd. - Linking and weak forms: Don’t connect the final -ble too strongly; allow it to be a light syllabic /l̩/.
"It seemed impossible at first, but with persistence, they found a solution."
"To complete the marathon in under three hours seemed impossible to many runners."
"The task appeared impossible until they broke it down into smaller steps."
Pronounce as /ɪmˈpɒsəbl̩/ (UK) or /ɪmˈpæsəbl/ (US, depending on speaker // General US often /ɪmˈpɑːsəbl/). The main stress is on the second syllable: im-POSS-i-ble. Start with a short light /ɪ/ in the first syllable, then a strong /pɒ/ (UK) or /pɑː/ (US) with a quick stop, followed by /sə/ (unstressed), and finish with /bl̩/ or /bəl/ with a syllabic consonant. In fast speech, the final /əl/ can be barely audible. Practice by isolating the stressed syllable: /ˈpɒs/ or /ˈpæs/.
Common errors include misplacing the stress (placing it on the first syllable instead of the second), mispronouncing the /p/ as a bilabial trill or delaying the /p/ release, and softening the final -ble into a weak vowel. To correct: maintain a clear /p/ with a sharp release before the /s/; ensure the secondary syllables are reduced but not eliminated (the /ə/ in -ble); keep the /b/ audible before syllabic /l̩/. Listen for the distinctive /ˈpɒ/ or /ˈpæs/ in the stressed syllable and echo it in practice.
In US English, the second syllable often bears strong stress with /pɑː/ or /pæ/ depending on speaker, and the final /əbl/ may be reduced to /əbl̩/. UK English tends to preserve a crisp /ɒ/ in the stressed syllable and may produce a more rounded /ə/ in the second unstressed syllable; the -ble often sounds as /bl̩/. Australian English usually aligns with UK rhoticity in practice, but vowels may be shorter and more centralized; the /ɒ/ vs /ɒ/ difference is subtler, and the final syllable tends to be a lighter /bl/. Awareness of rhoticity and vowel quality differences is key.
The difficulty lies in the multi-syllabic structure with a strong secondary cluster: the initial /ɪm/ can lead to a light, quick onset, the stressed /ˈpɒs/ or /ˈpæs/ requires precise plosive release, and the final /əbl̩/ or /əb(ɫ)/ requires careful articulation of a schwa plus a syllabic /l/ or a light /l/ sound. People often shorten the middle vowels or merge /s/ with /ɪ/ sounds, which reduces clarity. Practice focusing on the plosive release right after the stressed vowel and maintaining the syllabic /l/.
A unique feature is maintaining the rhythm: im-POSS-i-ble; the strong secondary syllable carries the primary stress, with a short, crisp /p/ release followed by a clear /s/ before the unstressed /ə/ and final /bl̩/ or /bəl/. In careful speech, you should clearly enunciate the /p/ before /s/ and avoid merging the /s/ with the preceding vowel. The final syllable is lightly pronounced, giving the word a brisk, four-beat cadence.
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- US: You’ll often hear /ɪmˈpɑsəb(ə)l/ with a clear American /ɑ/ or /æ/ in the stressed vowel; the final /–ɪbl/ may be compressed. - UK: Expect /ɪmˈpɒsəbl/ with a more rounded /ɒ/ in the stressed syllable; the -ble is often pronounced as /bl/ with a light /ə/ preceding it. - AU: Similar to UK with slightly flatter vowels; often less pronounced stress difference between syllables; the final /bl/ still shows, but the schwa before it is reduced. - IPA references: US /ɪmˈpɑsəbl/ or /ɪmˈpæsəbl/; UK /ɪmˈpɒsəbl/; AU /ɪmˈpɒsəbl/. Practical tip: exaggerate the stressed /ɒ/ or /ɑː/ for 2-3 practice sentences, then speed up while maintaining the same mouth positions.]
Impossible comes from the Latin im- (a negative or not) + posse (to be able). The root posse appears in words like possible, potent, and potential. The Latin prefix im- is a variant of in- before p, giving a negating force. The term congregated into Middle English and later Early Modern English via Old French impossible, formed as a compound of im- and possible. The earliest senses in English treated it as ‘not able to be done,’ and by the 17th century it had become common in philosophical and legal discourse to describe propositions, tasks, or outcomes that are not physically or logically possible. Over time, the nuance broadened to include extreme difficulty or improbable outcomes in everyday language. In modern usage, impossible frequently carries rhetorical weight, intensifying statements about feasibility or likelihood and often pairing with determined effort (e.g., “almost impossible without collaboration”).
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Words that rhyme with "impossible"
-ble sounds
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