4 syllables: im, per, fec, tion. Stress on fec.
im-pur-FEK-shuhn
/ˌɪmpɚˈfɛkʃən/
imperfection is pronounced im-pur-FEK-shuhn (/ˌɪmpɚˈfɛkʃən/). It has four syllables (im-per-fec-tion), with the stress on "fec". Imperfection refers to a state or quality of not being perfect; a flaw or deficiency that prevents something from meeting unattainable ideals. It often implies a deviation from an ideal standard rather than a fatal fault, and can be perceived as a minor flaw or as part of natural variation. The term emphasizes incompleteness rather than absolute failure, guiding attitudes toward acceptance or critique in various contexts.
Imperfection refers to a state or quality of not being perfect; a flaw or deficiency that prevents something from meeting unattainable ideals. It often implies a deviation from an ideal standard rather than a fatal fault, and can be perceived as a minor flaw or as part of natural variation. The term emphasizes incompleteness rather than absolute failure, guiding attitudes toward acceptance or critique in various contexts.
"Her painting was praised for its emotional depth, despite the evident imperfection in shading."
"In science, imperfection in a sample can lead to biases, but it also reveals variability worth studying."
"The essay acknowledges its imperfections while presenting a compelling argument."
Imperfection is pronounced /ˌɪm.pərˈfek.ʃən/ (US) or /ˌɪm.pəˈfek.ʃən/ (UK). The main stress falls on the third syllable of the four-syllable word: im-per-FEC-tion. Start with a light, unstressed /ɪ/ sound, then /m/, followed by a reduced /ər/ in the second syllable, and the stressed /fek/ with /e/ as a short vowel, ending with /ʃən/. Think: im-per-FEC-tion. Listening to native speakers can help nail the rhythm and the subtle vowel reductions.
Common errors include misplacing the stress on the first or second syllable (e.g., IM-perfec-tion or im-PERF-ection) and confusing the /ɜːr/ in the second syllable with a full /ə/ or /ɝ/ in non-rhotic accents. To correct: ensure the primary stress lands on the FEC- syllable: im-per-FEC-tion, and produce the /ɜr/ or /ər/ as a quick, reduced vowel before /f/; avoid stretching the /ə/ into a full vowel, and keep /ʃən/ neat and unstressed.
In US English, you’ll hear /ˌɪm.pɚˈfek.ʃən/ with rhotic r in the second syllable. UK speakers often reduce /pər/ to /pə/ and may have a shorter, tighter /ɪ/ in the first syllable; /ˌɪm.pəˈfek.ʃən/ is common. Australian English tends to be non-rhotic with a softer /ə/ in the second syllable and a slightly flatter /e/ in /fek/. Listen for stress timing: US and AU often have more syllable-timed rhythm, UK can feel more staccato in stressed syllable. Reference IPA for each variant.
Three main challenges: the unstressed, reduced vowel in the second syllable (/pər/ or /pə/), the cluster /fek/ linking to /tʃən/ leading into the -tion ending, and the two consonant clusters around the nasal: /mɪm- p ər- FEK - ʃən/. You’ll need to maintain smooth transitions through /ər/ to /f/ and quickly release /ʃən/. Practice with fast, repeated moves to keep the rhythm natural. Use IPA cues and mouth-position awareness to avoid over-articulating the /r/ in non-rhotic variants.
There are no silent letters in imperfection, but the spelling can tempt you to over-articulate the /r/ in non-rhotic dialects. The second syllable contains a reduced vowel, so you should not fully vocalize /ɜr/ as in 'sir'—instead, aim for a quick /ər/ or /ə/ depending on the accent. The ending -tion is pronounced /ʃən/ in most standard varieties; ensure the /t/ is softly released before /ʃ/ rather than a strong /t/.
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Imperfection comes from the Old French imperfection, from late Latin imperfectio, from Latin imperfectus meaning unfinished or incomplete, from in- (not) + perfectus (completed, finished). The English form appeared in the 14th–15th centuries, originally in theological and philosophical contexts to denote the lack of perfection in beings or situations. Through the Renaissance, it broadened to secular use, describing flaws in art, design, or character. The word conveys both intrinsic and contextual inadequacy, often tied to the idea that nothing is wholly flawless. Its usage has evolved to denote not just a physical defect but a broader sense of incompleteness or variance from an ideal state. First known use in English literature appears in the 14th century, with early records in translations of classical and religious texts. Over time, imperfection has acquired a nuanced meaning, frequently used in psychological, ethical, and aesthetic discussions to temper expectations and celebrate gradual improvement rather than flawless consistency.
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Words that rhyme with "imperfection"
-ion sounds
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