4 syllables: glos, so, la, lia. Stress on la.
glaw-suh-LAY-lee-uh
/ˌɡlɔs.əˈleɪ.liə/
glossolalia is pronounced glaw-suh-LAY-lee-uh (/ˌɡlɔs.əˈleɪ.liə/). It has four syllables (glos-so-la-lia), with the stress on "la". Glossolalia refers to the phenomenon of speaking in ecstatic or unknown languages, often in religious or trance states. It is a linguistic behavior observed in some contexts of worship or mysticism, where syllables are articulate yet not comprehensible as any known language. The term is used academically to describe such vocalizations and their social or psychological dimensions.
Glossolalia refers to the phenomenon of speaking in ecstatic or unknown languages, often in religious or trance states. It is a linguistic behavior observed in some contexts of worship or mysticism, where syllables are articulate yet not comprehensible as any known language. The term is used academically to describe such vocalizations and their social or psychological dimensions.
"During the revival service, she spoke in glossolalia, her words flowing in a cadenced, unknown tongue."
"Researchers studied glossolalia to understand the neural and social triggers behind spontaneous vocal production."
"The performer's glossolalia appeared rhythmic and musical, inviting participants to join in chant-like syllables."
Pronounce as /ɡlɒsˌɒləˈliːə/ in British English and /ɡlɑːsˌɑːləˈliə/ in American, with primary stress on the third syllable: gloss-o-LA-lia. Start with a hard g, then /lɒs/ or /lɑːs/, followed by /ɒlə/ or /əˈlə/ and final /liə/ or /liːə/. Mouth positions: tongue tip near the alveolar ridge for the initial /l/ and /s/, jaw opens slightly on /ɒ/; keep the vowel quality steady in the middle and the final light, elongated /iə/ or /liə/. Audio reference: consider listening to academic pronunciations on Forvo or YouGlish for multiple speakers to hear subtle vowel shifts.
Common errors: 1) Misplacing stress, pronouncing gloss-o-LA-lia as gloss-o-los-ly-a; 2) Slurring the central syllables, producing /ɡlɒsəˈleɪliə/ instead of /ɡlɒsˌɒləˈliːə/; 3) Vowel quality drift in /ɒ/ vs /ɑː/; ensure clear /ˌɒl/ cluster and a distinct final /liə/. Corrections: rehearse the three syllables with strong mid vowels, rehearse minimal pairs like “glossolalia” vs “glossology” to anchor the correct vowel patterns, and use slow tempo with forced-stress on the la- syllable to reinforce rhythm.
US: rhotic influence with clear /ɡlɑːsɒləˈliə/, American tendency toward tense vowels in the first syllable and a stronger final /ə/; UK: non-rhotic, /ˈɡlɒsəˌləʊliə/ with rounded mid-back vowels in /ɒ/ and a diphthong in /əʊ/; AU: similar to UK but with broader Australian vowel qualities and often less rhoticity in rapid speech; pay attention to /ɪə/ vs /iə/ in final syllables; use IPA cross-checks and listen to native samples for each variant.
Two main challenges: the consonant cluster /gl/ followed by a clear /s/ in /glɒs/, and the three-syllable rhythm with a delayed tertiary stress on -la-; also the /ɒ/ vs /ɑː/ distinction and the final /liə/ or /liːə/ sequence. Practice by isolating the /gl/ onset, then the /ɒs/ blend, then the /əl/ sequence before the final /iə/. Slow, controlled production helps integrate the timing and vowel contrasts particular to glossolalia.
There are no silent letters in glossolalia; every letter contributes to sound. The difficulty comes from the multi-syllabic structure and the vowel differences in each syllable, especially the mid back vowel /ɒ/ and the high-front vowel in the final /liə/. Understanding the syllable boundaries (glos-so-la-lia) helps prevent swallowing or blending sounds, and ensures accurate prosody and rhythm across the four syllables.
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Glossolalia is formed from Greek roots: glossa (tongue, language) + lalia (speech, babble). The composite originally described the tongue-like or speech-like phenomenon in religious contexts. The term was introduced into English in the early 20th century through anthropological and linguistic literature studying “speaking in tongues” in Pentecostal and Charismatic movements. Its adoption reflects a scholarly attempt to separate religious experience from ordinary language use, while acknowledging the social and psychological dimensions of ecstatic speech. Over time, glossolalia has been examined across disciplines, including neurology, sociology, and religious studies, often contrasted with xenolalia (speaking in a real foreign language) or xenoglossia (speaking an actual language unknown to the speaker). First known uses appear in academic writings of the 1920s–1930s, with subsequent widespread adoption in psycholinguistic and theological discussions. The term remains technical, frequently cited in studies of altered states of consciousness and communal ritual language patterns.
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Words that rhyme with "glossolalia"
-lia sounds
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